Gaza

The art of the bad deal

From our US edition

On the late afternoon of September 29, 2000 (nearly 20 years ago now), I took a cab from Jerusalem into Bethlehem to visit with an old friend and his family, the owners of a well-known Bethlehem hotel. The streets were bustling; buses filled with tourists roared up the main Jerusalem-to-Bethlehem road towards the Church of the Nativity (the reputed birthplace of Jesus), and the city’s gift shops were jammed. My plan was to stay the night, but my friend (a Palestinian Christian who’d moved to Bethlehem from Philadelphia), shook his head: ‘No room at the inn,’ he said, and smiled at his joke. ‘In fact, you won’t find a room anywhere in the city.’ I was surprised. In all of my years traveling to the West Bank, Gaza and Israel, I’d never had trouble finding a place to stay.

jared kushner time gaza

Israel and the war of Eurovision

From our US edition

Game of Thrones fans watched in horror on Sunday as Cersei Lannister invited the citizens of King’s Landing into the Red Keep, ostensibly to shelter from an impending attack. But Cersei’s invitation was not benign. It reflected a simple but horrifying strategy: to use her subjects, innocent civilians, as human shields. To get to Cersei, her enemies would first have to maim and kill thousands of innocents. How should rational, moral actors respond to this kind of terror? How should soldiers fight honorably against opponents who care little about the lives of their subjects? These questions may thrill GoT fans, but they are not solely the purview of fiction.

netta barzilai israel eurovision