Gambling

Thursday

Ben Domenech

Is the survival of prediction markets a safe bet?

On a cold January night in New York City, Chris Hayes walked off the set of CBS’s Late Show with Stephen Colbert only to face a pressing ethical dilemma. As he left the Ed Sullivan Theater and walked on to Broadway, he got a text from a friend who covers technology for NPR with a screenshot of a Yes/No market that had been spun up on the prediction market Kalshi, based on what Hayes might say on the evening’s broadcast. What would he say about Donald Trump? Would he talk about affordability, Russia, China, Greenland or other topics? It was just a $22,000 market in volume, a minor amount. But

prediction markets
prediction markets
Zack Christenson

Prediction markets have turned the world into a casino

How might the ayatollahs know an American strike force is coming? Advanced radar technology, perhaps, or a mole somewhere in the Pentagon. Or they could just look at Polymarket. There is currently around $125 million wagered in the largest market predicting when the US will next strike Iran. Given the current odds, traders reckon an attack will take place in the second half of this month. If Nicolás Maduro had checked Polymarket on the night of January 2, he would have seen his odds of losing power spike from around one in ten to 66 percent, hours before Delta Force arrived. One trader has racked up $150,000 in profits in

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Deborah Ross

If this is Aaron Sorkin’s riposte to those who criticise his portrayal of women, God help us

Molly’s Game marks the directorial debut of Hollywood’s most celebrated screenwriter, Aaron Sorkin, and is based on his adaptation of the memoir by Molly Bloom. Nope, me neither, but she’s the one-time Olympic skier who, at the age of 26, started a high-stakes poker game for ‘the richest, the most powerful men in the world’ and ended up with the FBI in her face. Poor Molly, we’re meant to think, when the FBI ends up in her face, but I was delighted. Bang her up! This has been posited as the antidote to all those male-driven, big money Wall Street films, with Sorkin even declaring Ms Bloom a ‘feminist icon’.