France

A few days ago, Raphaël Glucksmann, a French Member of the European Parliament and co-president of the left-wing Place Publique party, proposed that the United States return the Statue of Liberty to France.  In a speech on March 16, he argued that the US, under the Trump administration, no longer embodies the values of democracy and freedom that the statue represents.  Glucksmann said, “We’re going to say to the Americans who have chosen to side with the tyrants, ‘Give us back the Statue of Liberty.’ We gave it to you as a gift, but apparently you despise it. So it will be just fine here at home.” Be careful what you wish for.

Has there been a more cataclysmic year for US-Europe relations than 2025? It began with J.D. Vance’s “sermon” to EU leaders at the Munich Security Conference last month, in which he berated Western Europe for its policies on immigration and free speech. This year has also seen the growing threat of NATO falling apart after 76 years of peace in Western Europe, with the White House seemingly tilting toward Russia and Trump demanding that alliance members such as Germany, France, and the U.K. dramatically increase their defense spending. This week, as the Trump administration imposes tariffs on Europe and Europe retaliates, there are even signs of a full-scale trade war.

Cambridge, England Inscribed on the lid of a two-manual harpsichord in Holy Trinity Church at Hildersham in Cambridgeshire is the Latin tag Musica Donum Dei — music is a gift of God. It was a sentiment I could hardly quarrel with as I listened in the little twelfth-century church to a variety of baroque sonatas for violin, recorder, cello and harpsichord. They were expertly performed by the Azur Ensemble, which is comprised of recent graduates of the Royal College of Music. A particular standout was the French harpsichordist Apolline Khou, who has performed widely in Europe and in a solo concert for King Charles III.

On the cusp of an almighty row over Trump’s planned mass deportations, let’s look to Europe for light relief. Last month, the pridefully left-wing management of the storied 19th-century Parisian theatre Gaité Lyrique, owned by the pridefully left-wing Paris council and traditionally the home of operettas, digital arts and musical performances, staged a free conference on ‘reinventing the refugee welcome in France’. The organisers literally invited their own downfall: 200 West African migrants who apparently felt very welcome indeed and refused to leave. Gaité Lyrique invited its own downfall: 200 West African migrants who refused to leave These passionate opera fans have since swelled to 350.