Film

Looking back at Eyes Wide Shut, after Epstein

The constant parade of shocking and disturbing revelations from the Epstein files has been going on for a considerable time now. It shows no signs of coming to an end. Just when we all think that we’ve seen the worst of it, another 10,000 documents enter the public domain. Even though the stories have been widely disseminated, the details of the abuse of young women by the wealthy and powerful remain just as distressing – and scandalous – no matter how many times they are repeated. At some point in the future, Hollywood – or a streaming service, or AI, or however we get our entertainment by then – will

The BAFTAs N-word scandal has been very revealing

At the BAFTAs on Sunday night, John Davidson – whose story of living with Tourette’s syndrome is dramatized in the (very good) film I Swear – shouted out the N-word when black actors Delroy Lindo and Michael B. Jordan were on stage to present an award. You’d hope that by now people might understand the mechanics of Tourette’s symptoms – that the tics are totally involuntary, and consist of erupting with the worst possible things at the worst possible times; the imp of the perverse dialed up to 11. But no. The cruel and ideological politics of identity still have a grip on the mediocrities of the creative industries This was another

Why does Taxi Driver still resonate?

Even if you haven’t seen the movie, you probably know the macabre legacy of Martin Scorsese’s early masterpiece Taxi Driver. Released 50 years ago this month, the tale of the eponymous cabbie Travis Bickle, played by Robert De Niro, still has something potent to say about what can happen when a brooding loner finds himself adrift amid the menace and jammed chaos of New York’s streets with a .44 Magnum for company. Perhaps one of the reasons Taxi Driver resonates with so many people is because of this human void that lies at its center. At one time or another, we’ve all felt as alone as Travis Bickle. Fortunately, most of us are

Taxi Driver
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Marty Supreme mirrors Timothée Chalamet’s desire

Recently, Timothée Chalamet gave the world a refreshing show of ambition when, after winning a SAG award, he said that “the truth is I’m really in pursuit of greatness. I know people don’t usually talk like that, but I want to be one of the greats.” Ambition perhaps turned into arrogance when, during an interview for his new film, Marty Supreme, Chalamet noted that during the last few years, he’s been handing in “top-of-the-line performances… I don’t want people to take it for granted. This is really some top-level shit.” Marty and Chalamet both resemble one of the most hated and beloved 21st-century figures: Donald Trump The film (which has

The cruelty of H is for Hawk

H is for Hawk is an adaptation of the bestselling memoir by Helen Macdonald who, following the sudden death of her beloved father, channels her grief through the training of a goshawk, Mabel. The film stars Claire Foy, who is superb, as is the nature photography, but is it right, keeping a wild animal captive, and depriving it of its natural behaviors because it helps you in some way? What’s in it for this gorgeous bird, I kept wondering. The cruelty is never addressed. This is solely about human need. We’re not even told who plays Mabel, so I can’t say what she has been in before or whether she

No, Jacob Elordi isn’t a ‘whitewashed’ Heathcliff

For those of us who associate Wuthering Heights either with high-school English classes or Kate Bush caterwauling over the moors while exhibiting some remarkable interpretive dance moves, the news that the new Emerald Fennell-directed film of what she calls “my favorite book in the world” has become the subject of a race-based controversy may come as a shock. Yet the latest interpretation of Emily Brontë’s classic novel, which is being released, appropriately, on Valentine’s Day, has already been met with contempt and derision by many before anyone even sees it. Margot Robbie – fresh from taking the world by storm as Barbie – plays Cathy Earnshaw, the novel’s lovelorn and

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What Catherine O’Hara gave cinema

There are actors who dominate the movie screen, and actors who deepen it. There are stars who are “bankable” and have names above the titles, and there are artists who, almost invisibly, give a film its weight, its texture, its lasting emotional impact.  Catherine O’Hara, who has died at the age of 71, belongs emphatically to the second group. She was one of the rare performers whose presence elevated everything around her. She understood precisely how to serve the story, the tone and the ensemble. Over a career that spanned many decades, genres and registers, O’Hara enhanced every film she appeared in.  What made her exceptional was not merely that

What is Travis Scott doing in The Odyssey?

As far as teaser trailers for summer blockbusters go, it takes quite a lot to make jaded audiences – or cynical critics – sit up and say, “What the hell?” But what’s exactly what the latest trailer for Christopher Nolan’s eagerly awaited The Odyssey has done. Not because it has featured a couple of new shots of Tom Holland’s Telemachus squaring off with Robert Pattinson’s villainous Antinous, or Matt Damon’s Odysseus participating in the bloody sack of Troy with his fellow Greeks, but because it introduces the most unexpected cameo of the year, possibly of the decade. Ladies and gentlemen, enter the latest feature of Nolan’s all-star cast: the hip-hop

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To see, or not to see Hamnet?

In 1966, the actor Raphael Montañez Ortiz staged his one-man show Self-Destruction at London’s Mercury Theatre. Intermittently screaming “Mommy! Daddy!,” Ortiz tore the clothes from his body, doused himself with baby powder, lay down in a diaper, downed a few bottles of milk and began vomiting profusely. Plastic bags were then distributed to members of the audience, who were encouraged to follow suit. Montañez Ortiz’s performance gave the psychologist Arthur Janov the idea to create primal scream therapy, a psychiatric fad that once counted John Lennon and Yoko Ono among its followers. Janov’s newest initiate might as well be Chloé Zhao (Nomadland, Eternals), whose movie, Hamnet, based on the novel

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Is Jacob Elordi too tall to play James Bond?

The casting of the new James Bond is the biggest story in Hollywood at the moment. The sheer amount of disinformation and exaggeration that has accompanied snippets of news about the production of a new 007 adventure is remarkable, even by the standards of La La Land. Ever since the Bond franchise was purchased by Amazon, taken out of the restrictive hands of Barbara Broccoli and Michael G. Wilson, and placed in the care of Amy Pascal and David Heyman, the question of who’s doing what has been a source of fascination. The hiring of Dune’s Denis Villeneuve to direct was broadly seen as a smart, auteur-ish move; the decision

Is an Oscars upset around the corner?

Can Sinners pull off the biggest Oscars upset in recent times? That’s the question that many in Hollywood will be asking after Ryan Coogler’s genre-bending period-musical-horror picture has been nominated for a mighty 16 Academy Awards, including Best Picture, Director, Actor, Supporting Actor and Actress, and more. While it has been looking like a done deal that Paul Thomas Anderson’s Pynchon adaptation One Battle After Another will be sweeping to victory – and with a far from inconsiderable 13 nominations, it still could – the fact that Sinners is now the most nominated film of all time means that, on paper at least, it’s a serious challenger. Still, PTA won’t

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Behind Wes Anderson’s infamous sensibility

Woody Allen once sardonically described the fans of his films as being divided between those who liked the “early, funny ones” and the later, darker pictures. Much the same might be said of another famous WA: Wes Anderson, who has established himself as one of American cinema’s most significant auteurs despite no longer living in the country – he hops between England and France. Like most auteurs, his films are more succèss d’estime than they are succèss de box office, but he has the cream of Hollywood lining up to work with him and commands respect among actors young and old. Anderson is rightly celebrated – or castigated – as

Good riddance, Kathleen Kennedy

The news that the producer Kathleen Kennedy is stepping down with immediate effect as president of Lucasfilm, to be replaced by Dave Filoni and Lynwen Brennan, may not sound especially consequential; film executives come and go all the time, and their arrival and departure is normally only of interest to those in the movie business. Yet Kennedy, who has run Lucasfilm – home of Star Wars, Indiana Jones and a great deal more – since 2012, and been in sole charge after the departure of the company’s founder George Lucas the same year, is the most consequential Hollywood studio head of the past couple of decades. And, her millions of

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