Dysfunctional family

Rebecca Kuang was quietly writing cult classics for years before she hit the best-seller lists with Babel, a Victorian fantasy based on colonialism and opium wars, and Yellowface, a deliciously dark story about literary plagiarism and the ego-smashing right hook that social media can administer. Then came Katabasis, skewering academia and the exploitation of naive students. The breadth of Kuang’s knowledge reflects her high-achieving CV, which takes in Cambridge, Oxford and Yale. Taipei Story explores her identity as a Chinese- American. It relates the experience of Lily, a Yale student attending an intensive summer course in Chinese language and culture in Taipei.

Twenty years ago The Corrections alerted a troubled world to the talents of Jonathan Franzen. Though cruel and funny and aggressively clever, the novel did more than display its author’s spiky brilliance. A stubborn moral core, in the person of the ailing patriarch of the Lambert family, and a tangled web of fierce emotion binding him and his wife and three children, gave it powerful resonance. Franzen’s new novel, Crossroads, presents us with another patriarch and another set of dysfunctional family dynamics. What has changed in the past two decades? Now less inclined to show off, Franzen is more assiduous in his excavation of character. We get less dazzle and a deeper dive.