Disney

Friday

Deborah Ross

Toy Story 5 contains delicious touches

Toy Story 5 – do we need it? One worries for the narrative integrity of characters when an IP is thrashed to death like this. The latest ​installment, however, does address one of the most pressing dilemmas of modern childhood (screen time) and whether it will be the end of toys. (‘Extinction… Not again!’ cries Rex, the dinosaur.) It is timely, with some delicious touches – Woody now has a bald spot So it is timely, with some delicious touches – Woody now has a bald spot. And while it isn’t as entertaining as the first three and stumbles at the finishing line, it may be better than the fourth, with its horrible doll Gabby Gabby.

toy story 5

Friday

Elizabeth Garner

The importance of fairy tales in testing times

In the realm of magic and imagination, human nature can be better understood than in the world of our everyday lives: “The best of our tales do not lie or die.” It is a bold claim, which the folklorist Jack Zipes explores across continents and class in a series of essays. He guides the reader from the origin of oral storytelling, through medieval writings, to 17th-century literary salons and finally to today’s cinema screens. In the course of this journey, he focuses on the specific genre of the “wonder tale,” in which “those who are naive and simple are able to succeed because they are untainted and can recognize the wondrous signs... They have not been spoiled by conventionalism, power or rationalism.

fairy tales

Friday

Ivo Delingpole

Rivals is an ode to Thatcherite excess

Today, Rivals returns for a second series on Disney+. The first series was that rarest of phenomena: an adaptation that didn’t hate its source material. Sure, the producers decided to cram the plot with more subtle-as-a-sledgehammer politics than appears in the actual book, but you could tell they revered Jilly Cooper and the world of Rutshire and wanted to do it justice. Cooper executively produced the first series but must have been away on some days (I can’t see her let a well-heeled huntswoman pronounce the Beaufort hunt ‘Boh-fore’ rather than ‘Boh-fuht’, particularly when a major scene in the book hinges on the pronunciation of ‘Belvoir’).

Thursday

Mary Wakefield

Why are adults buying so many children’s toys?

On the fourth floor of Selfridges, in London, is the children’s toy department. Most of the vast space is given over to soft toys – mounds of synthetic fur, thousands of little beady eyes – and when I visited last Saturday afternoon the customers were almost all adults. I spent two hours there, standing by a tower of little Paddington bears, watching the shoppers in the queue for the register, and it was eye-opening. Almost no one was buying for a child. I saw two Chinese women with white toy lambs, a 17-year-old boy with a dragon, what looked like drug dealers waiting in line for Pokémon cards, and a genuinely troubling number of sad-looking women in their mid-twenties clutching long-eared toy bunnies made by a company called Jellycat.

Tuesday

Mary Wakefield

What England’s old folk songs can teach us

I grew up in the 1980s but in many ways it was more like the 1880s. We lived with my grandmother on the Northumbrian coast and the routine of our days echoed the routines of her youth, perhaps her mother’s and grandmother’s, too. We were like an elephant family in an African game park, following our matriarch around ancient migratory routes, oblivious to the rise and fall of regimes outside. Lunch (no elbows on the table), a walk to the sea, sherry time (Amontillado dry); then my grandmother and my clever younger brother would play Piquet while the children of lesser focus played with the open fire. And we sang around the piano, my grandmother playing, folk songs and ballads from the northeast: "Barbara Allen"; "The Raggle-Taggle Gypsy," "The North Country Maid," "The Golden Vanity.

Thursday

Tanya Gold

Survival here is about logistics: Disneyland Paris reviewed

From our UK edition

Alcoholics know that hell is denial, and there is plenty at Disneyland Paris in winter. This is a pleasure land risen from a field and everyone has after-party eyes, including the babies. The Disney hotels operate a predictable hierarchy: princesses at the top, Mexicans at the bottom. We, the Squeezed Middle, are at the Sequoia Lodge with Bambi, where I learn that I like canned birdsong, and that is fair. You don’t consume dream worlds, because that is not their nature. They consume you. We stand in the Magic Kingdom and stare at Mickey Mouse-shaped food and a fake Bavarian castle – it’s Ludwig’s, not Sleeping Beauty’s – painted pink. Disney culture is impregnable: hence the fortress. It only needs – it only feeds on – itself.

Thursday

Britt McHenry

Will Disney strike a deal to end its YouTube TV blackout?

A war has taken over media coverage. No, not one of actual consequence. This war, however, is imminently affecting your national pastime and your wallet. This is a civil war within media. The combatants are the Walt Disney Company with it’s channels – including ABC and ESPN, plus the SEC and ACC networks – and Google, YouTube TV’s parent company. The two entities failed to meet a carrier agreement, and all Disney channels are blacked out on YouTube TV. That means that much of the nation will not have access to most of the weekend’s football content, as has been the case since the showdown a couple weeks ago.

youtube tv disney

Tuesday

Melanie McDonagh

A treasure chest of myths: The Poisoned King, by Katherine Rundell, reviewed

From our UK edition

You wait ages for an intelligent, literate children’s book, then two come along at once. There’s Philip Pullman’s The Rose Field and Katherine Rundell’s The Poisoned King. Of the two, Rundell’s is easier on the wrist: 336 pages to Pullman’s 621. She is an accomplished writer, the author of a study of John Donne. A scholarly background is all to the good here, for she has a treasure chest of myths and stories to rummage in. Her Impossible Creatures series (of which The Poisoned King is the second) is based on an archipelago, Glimouria, which holds the endangered creatures of mythology. A map of the islands, in Tomislav Tomic’s illustration, is faintly reminiscent of Pauline Baynes.

Alexander Larman

Why was Steven Soderbergh’s Star Wars film rejected?

Ever so often, a film project – especially one that never ended up happening – emerges into the public domain to a mixture of disbelief and disappointment. So it has proved with Steven Soderbergh’s Star Wars film, tentatively entitled The Hunt for Ben Solo. The picture was to have been a sequel to the little-loved The Rise of Skywalker and focused on Adam Driver’s character Kylo Ren, aka Ben Solo, the son of Han Solo and Princess Leia who finds himself torn between the noble impulses of the Force and the more dastardly influence of the Dark Side. Given that Soderbergh is nobody’s idea of a conventional blockbuster director, the results would, at the very least, have been interesting.

Monday

Charles Lipson

Jimmy Kimmel is back

Jimmy Kimmel’s broadcast has made a lot more news off the air than on it. The latest is that ABC will resume the show Tuesday night and that some 400 Hollywood celebrities have signed a petition supporting their friend. Stop the presses! Today’s celebrities support leftist politics! So does ABC’s corporate parent, Disney, the folks who lost a fortune by remaking Snow White as a progressive wet dream.It would be a cruel joke to add, “If another 53 celebrity’s sign up to support Kimmel, his audience will double.” Actually, he will get a lot of viewers on his first night back. After that, viewers will remember why they didn’t watch. The joke about Kimmel’s small audience may be cruel, but it captures two points.

Jimmy Kimmel

Tuesday

Neal Pollack

Trump should buy Hooters

In the wake of the US government taking on a 10 percent equity stake in Intel, Commerce Secretary Howard Lutnick is floating the idea of the government investing in defense companies like McDonnell Douglas. “If we are adding fundamental value to your business, I think it’s fair for Donald Trump to think about the American people,” he said. When this news broke last week, Kentucky Senator Rand Paul, the last true living conservative, told Politico, “If conservatives endorse this now, they hand Democrats a blueprint to expand government ownership over the private sector later. Socialism is literally government control of the means of production.” Sure Rand.

Hooters

Thursday

James Delingpole

Alien: Earth is wantonly disrespectful to the canon

From our UK edition

I once spent a delightful weekend in Madrid with the co-producer of Alien. His name was David Giler (now dead, sadly, I’ve just discovered) and he’d hit upon the bizarre idea of trying to get my anti-eco-lunacy book Watermelons made into a Hollywood movie. The film project never came off but I did learn an important lesson in our time together, hanging out in nice restaurants and pretending to work: if you want a happy life cushioned from financial care, the secret is to wangle yourself percentage points of a successful franchise. Another example of this is Franc Roddam, with whom I once spent an even stranger weekend in Accra, Ghana. Roddam devised the format for the MasterChef concept and has been sitting pretty ever since.

Wednesday

Alexander Larman

Elio and the decline of Pixar

The news that Pixar’s latest picture, the alien-contact family comedy Elio, has been an egregious flop at the American box office, grossing a mere $20.8 million on its opening weekend, has been greeted with both surprise and disappointment. Surprise, because Pixar has long been seen as the gold standard of contemporary animation, and disappointment, because its films are not supposed to flop. No fewer than 13 of their pictures are in the 50 highest-grossing animated films of all time roster, and nine have won Best Animated Feature at the Oscars, most recently 2020’s Soul. And if there had been rumors that the company was in trouble, these were apparently put to bed by the enormous, epochal success of Inside Out 2 last summer, which grossed $1.7 billion at the box office.

elio disney

Tuesday

Zoe Strimpel

Homosexuality will be illegal in Disney’s new UAE park

One month after Kristallnacht, in 1938, the Nazi film director Leni Riefenstahl was an honored guest at Walt Disney’s studio. While the degree to which Disney was himself an active anti-Semite is argued over, he wasn’t exactly reluctant to hang out with those who were; there was Riefenstahl, there was also his association with the Motion Picture Alliance for the Preservation of American Ideals, a famously Jew-hating organization.If Disney’s DNA is anything but woke, the company has, in the 21st century, made a transformation as dizzying as a ride on one of its theme parks’ rollercoasters.

Disney

Saturday

Kelly Chapman

In defense of the Disney Adult

For too long derision of the Disney Adult has gone on unchecked. The world has been all too eager to sneer at the oblivious saccharine happiness of the woman – for it is always a woman – who dares to freely enjoy the most magical place on earth. It's easy to place the blame for the ills of modernity on this mouse-ear-bedecked scapegoat, for she embodies all the cringing mannerisms of the aging millennial, from their too-insistent sincerity to their generational refusal to put away childish things long after childhood has passed them by. Despite sharing their normative age and sex, I too have always counted myself among the haters, defining myself against type. “Not like other girls,” I said. “Not like other millennials.” Until this week.

disney adult

Thursday

Freddy Gray

Snow White and the seven circles of Hell

Mirror, mirror, on the wall, who is the most annoying of them all? The answer, it seems, is Rachel Zegler, the new Snow White, who has managed to turn herself into an international hate figure because she can’t keep her progressive political views to herself. The upshot is that Disney’s $350 million remake of one of its most famous films is flopping at the box office. It generated $45 million in ticket sales in its opening weekend. That sounds a lot, yet it’s a lot less than other recent Disney adaptations brought in, even including other woke disasters such as 2023’s Peter Pan & Wendy. Reviews of the new Snow White have been overwhelmingly negative, too.

Thursday

Zoe Strimpel

In praise of Gal Gadot

As Israelis around the world face cultural boycotts, it was uplifting to see Gal Gadot, an eighth-generation Israeli on one side and the granddaughter of an Auschwitz survivor on the other, honored with a star on the Hollywood Walk of Fame on Tuesday. “I think it’s going to take me time before I even realize that it’s real,” she told Variety. What won’t take time to realize – because by now we know the drill all too well – is that her ceremony was disrupted by pro-Palestinian activists wielding signs ranging from the pathetic to the downright chilling. “Heroes Fight Like Palestinians,” “Viva Viva Palestina,” “Up up with liberation, down down with occupation” and “Not another nickel, not another dime, no more money for Israel’s crime.

Toby Young

The curse of Disney’s Snow White

From our UK edition

One of the early decisions David Zaslav made after becoming the CEO of Warner Bros Discovery in 2022 was to cancel the release of Batgirl, a summer blockbuster the studio had spent $90 million making. According to industry insiders, Zaslav thought the politically correct reimagining of the comic book character, whose best friend in the film is played by a trans actor, would be box office poison. Better to take the tax write-off, he decided, than spend tens of millions of dollars trying to market the film to an American public that was fed up with being lectured by virtue-signalling Hollywood liberals. Incidentally, the highest-grossing film of 2022 in the US was Top Gun: Maverick.

Piers Morgan

What Donald Trump told me about Keir Starmer

From our UK edition

Two months into President Donald Trump’s second term, the habitual liberal hysteria about his rollercoaster presidential style is reaching shrieking banshee levels again. But as always with my friend in Pennsylvania Avenue, I urge patience and a focus on what he does rather than what comes out of his inflammatory machine-gun mouth. I sense cold, calculating method to all the apparent madness, entirely in keeping with Trump’s election campaign pledges, and predict that – after the current bumpy ride – he will get the US economy purring again, America’s border under firm control and win the Nobel Peace Prize for ending the wars in Ukraine and Gaza. Oh, and he’ll annoy a lot of the right people in the process.

Deborah Ross

Who wants a ‘girl boss’ Snow White?

From our UK edition

Disney’s new Snow White is a live-action remake of the beloved 1937 classic that was cinema’s first full-length animated feature and is still regarded as Walt’s greatest masterpiece – even if fans of The Jungle Book will always have something to say about that. It stars Rachel Zegler, which set the cat among the pigeons, as she is Latino so doesn’t have ‘skin as white as snow’. However, because I’m not a stickler for ‘historical accuracy’ when it comes to fictional characters in fairy tales, this didn’t bother me. The problem with the film isn’t that it’s gone ‘woke’, it’s that it contains workaday narrative, blandly generic characters and a leaden script that wrings all the magic from the story.