Decadence

Everyone I have met who has read Belchamber, Howard Sturgis’s novel of 1904, would endorse Edith Wharton’s judgment that this was a book which was ‘very nearly in the first rank’. I can still vividly remember the week – half a lifetime ago – when my wife and I discovered the little blue World’s Classics edition in a secondhand bookshop and were lost to the world for days. It is Henry James with the gloves off – in some ways quite unbearably vivid. Country house adultery and the sexual mores of London society during the 1890s are upsettingly, even crudely, laid bare. ‘Sainty’ the English aristocrat, an aesthete whose favourite pastime is knitting, fails to satisfy his coarse-grained wife, who provides him with a baby even though the marriage is, of course, unconsummated.

‘Nationalism is an infantile disease. It is the measles of mankind.’ Albert Einstein’s deft avoidance of the question put to him in 1929 – whether he considered himself a German or a Jew – was prophetic of what would happen to his country in the following decade. He was just one of the many stars of Berlin, Europe’s dazzling, decadent centre of the arts and culture, whose spark would be dimmed or extinguished by Adolf Hitler. Capturing the history, people and spirit of Berlin, arguably the beating heart of Europe, can be a tricky proposition, as I know. Sinclair McKay has wisely kept to analysing the city through the prism of the last century – or at least from the end of the Great War to the end of the Cold War.