Inside Mahler’s mind
Stephen Downes’s Gustav Mahler (Critical Lives) penetrates the composer’s psyche
Stephen Downes’s Gustav Mahler (Critical Lives) penetrates the composer’s psyche
It’s far from clear that Great Britain, or Europe, for that matter, can provide a sanctuary from Trump
Both in Pittsburgh and Miami, I was struck by the rousing enthusiasm that the symphony and soloists evoked with their temerarious playing
The film’s gender politics reveal the long shadow of the European canon
Remembering Rafael Schächter, a conductor imprisoned in a Nazi concentration camp
Why is the Kennedy Center discriminating against a Catholic trumpet player?
A new recording of a rare piece by Jean Sibelius is out
After 130 years, Carnegie Hall decided it could use a virtual stage
Dismissed as a dime-store Shostakovich, then praised as a major modern composer
The Eighth: Mahler and the World in 1910 by Stephen Johnson reviewed
There are very few hiring processes where elements of bias based on race, gender, friendship and family can be totally eliminated
The family that plays together…
All my life I’ve wanted to compose music, and now I’ve done it. I’ve written a sonata for solo flute that boasts two highly original features; it’s five hours long and must be performed by a badger. Though it took me only five minutes to write, my opus one is guaranteed to get through to the second round of the next competition for new composers sponsored by Sheffield University and the Centre for New Music. That’s because they operate a ‘two ticks’ policy, as the Scottish pianist Philip Sharp — possibly the only classical musician in Britain who calls himself a classical liberal — revealed in his blog earlier this