Cancel culture

The death of the Western literary tradition

A regular reader of Le Figaro for some years, I have been noting the frequency with which the editors print articles relating to the Académie française, founded by Cardinal Richelieu in 1634 for the purpose of acting as the protector and patron of the French language, fixing its usage and giving it exact rules to make it competent to deal clearly and elegantly with the arts and sciences. It was decreed that the academy should consist of precisely forty members, and that upon the death of any one of them the candidate to replace him should pay court to the remaining thirty-nine to be selected to fill his numbered seat. The sitting forty were known as “les Immortels.

literary

Drinking with Picasso

In February 1900, a critically acclaimed art exhibition went up at a Barcelona café called Els Quatre Gats. It was neither the first nor the last show mounted at the establishment, a popular drinking spot for avant-garde artists, writers and others. It was, however, the very first solo outing for one of the café’s regular patrons: a brash nineteen-year-old local art student named Pablo Ruiz Picasso. It has now been fifty years since Picasso died, on April 8, 1973, and even as that anniversary is being commemorated worldwide with new exhibitions and publications, he has never really faded from public consciousness. His art and even personal objects associated with him are avidly collected, and he continues to inspire filmmakers, musicians and other artists.

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Should I have had a sensitivity reader review my book?

Reason magazine reported last summer on the rise of sensitivity readers, and publishers have made headlines for their plans to release sanitized versions of Roald Dahl's and Ian Fleming's works. I’m not sure what’s more depressing: the fact that publishers are hiring sensitivity readers to purify these books, or the fact that I probably should have had one review my books before they were published. In an ideal world, sensitivity readers would be in as much demand as Betamax repairpersons. But we do not live in an ideal world. We live in a world full of hypersensitive Twitter users who relish finding offense in the unlikeliest of places. Hence the proliferation of sensitivity readers, or "authenticity readers" as they’re sometimes called.

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Reading Roald Dahl in a dystopian world

It is a trope of dystopian literature that once-beloved works are censored beyond recognition by blank-faced apparatchiks, removing apparently subversive or dangerous content at the behest of the state. As ever in our brave new world, reality has come to imitate fantasy, with Roald Dahl the latest author to face that most implacable of nemeses: changing social attitudes. It has been revealed by the Daily Telegraph that Dahl’s books — published in the United States by Penguin Young Readers Group, and Puffin in the United Kingdom — have been quietly but systematically edited to make them more "acceptable" for a 2023 readership. These changes, of which there are hundreds across Dahl’s canon, fundamentally alter some of the most beloved children’s titles ever written.

The glorious rise of the superhero anti-vaxxer

Marvel is releasing its latest extravaganza, Ant-Man and the Wasp: Quantumania, this weekend. Although early reviews have been largely negative and suggest the film is overwrought, it will inevitably make a huge amount of money and begin Marvel’s so-called "Phase 5" in high-profile fashion. Which is why it’s crucial for the publicity machine that its star Evangeline Lilly’s views on the anti-vaxxing debate do not overshadow the film’s more straightforward themes of good, evil and quantumania. Unfortunately, real-world issues are more complex than Marvel might like them to be. Lilly has enjoyed a successful career in films such as The Hobbit and in shows including Lost, and her appearances in the Ant-Man pictures were, until the advent of Covid, entirely uncontroversial.

Armie Hammer and cancel culture’s diminishing power

When someone compiles the history of 21st-century Hollywood, the section devoted to Armie Hammer will be one of the most bizarre. “Handsome leading man, came to prominence playing twins in The Social Network, a film about a forgotten invention known as Facebook. Most of the films he was subsequently cast in flopped, despite often being quite good. Amidst allegations of sexual assault and worse, it was then revealed that he had a cannibalism fetish, and that was the end of his acting career.” Yet canceled Hollywood figures often refuse to stay canceled these days.

So we’re canceling AI for being transphobic now

With the dramatic expansion of artificial intelligence-generated text, the speed and frequency of the internet's milkshake-ducking has become all the more essential. If you believe that problematic speech is the same as violence, it's hard enough to be on the lookout for material generated by living and breathing human beings — now you have a horde of AI chatbots to monitor as well. And unlike their human counterparts, these chatbots lack the shame and fear to prevent them from saying things at odds with cultural trends. Consider the latest example of this, which comes with the Twitch stream "Nothing, Forever," an AI-and-video-game-engine-generated parody of Seinfeld that has been streaming for several months.

Shouldn’t the Justin Roiland controversy be bigger?

This week it was reported that Justin Roiland, the co-creator and star of the smash-hit animated sitcom Rick and Morty, is facing two felony domestic charges in Orange County related to an incident in January 2020. According to court records, Roiland is charged with “domestic battery with corporal injury” and one count of “false imprisonment by menace, violence, fraud, and/or deceit.” Some documents related to the incident are sealed, meaning the full details of his case aren’t publicly available — but if convicted, Roiland could face several years in prison. Shortly following this news, several women online accused Roiland of online harassment. And not just harassment, but bona fide creep behavior.

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The other cancel culture

London, England We discuss and denounce the cancel culture of the woke all the time, but there’s another type of cancel culture that we never mention — the cancel culture of our friends. We cancel each other all the time. You arrange to meet someone and suddenly — you’re canceled! It happened again to me last week. I’d arranged to see a good friend when, a few hours before our meeting, up popped a text that read: “Sorry. Have to cancel x.” She offered no explanation. No signs of regret or guilt. Not even the suggestion that we reschedule our meeting. She wanted to cancel and so, I was canceled. In some ways this is nothing new.

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The shock value of Lena Dunham

I'm watching Girls. Hannah (Lena Dunham) is tweeting in her bedroom: “My life has been a lie, my ex-boyfriend dates a guy.” She deletes this and types: “All adventurous women do.” She stands up, shakes her hair, swings her tattooed arms and dances to Robyn’s “Dancing on My Own.” I was this person once, I think to myself, as another girl (Marnie) walks into the room and laughs maniacally as the two discuss the shocking reveal that Hannah’s boyfriend, Elijah, is gay (“he seemed gay”). They dance together like white girls on Ellen. I tweet the video: “White girls with tote bags.” I realize that what felt relatable in 2012 now comes off like a camp-cringe spectacle that’s oblivious and dumb. It’s shocking. It’s perversely millennial.

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Apple Music cynically exploits Kanye West by deplatforming him

Apple Music has “quietly” removed two of Kanye West’s playlists from its platform. This news was leaked to the music press quietly, of course, and has (thus far) produced tons of free media impressions for the streamer. The move was presumably a shrewd public relations stunt, or maybe a rogue employee with coding skills. Who knows? But the media framed it as Apple Music taking a stand, quietly, of course, as the streamer repositions itself in the headlines after it announced last week that it was raising subscription prices. “De-platforming” Kanye West is messaging they’d like to piggyback, for obvious reasons, as it appeals to a swath of bored subscribers who could end up tweeting Apple Music for not being on the “right side of history.

Don’t let paranoid progressives ruin Halloween

There was a time in recent memory (i.e., my childhood) when on October 31, kids dressed up in whatever costumes they wanted, roamed their neighborhoods at dusk and even past dark, accepted candy from strangers, and had an innocently fun time trick-or-treating. Their parents were aware of this Halloween tradition and approved of it, as did most Americans. Fast-forward to now, and Halloween is just another enjoyable tradition-turned-casualty of pretend progressive paranoia.

The left thinks social media is reality

Spotify once took a run at Joe Rogan. YouTube banned Dan Bongino. Twitter permanently suspended Marjorie Taylor Greene. Twitter also famously canceled Donald Trump, and for a while, me. As with the suspension of Trump (and on a much, much lesser scale, me) progressives cheered the deplatformings the way public lynchings used to attract a picnicking crowd. The left controls social media (as well as most mainstream media) and so day by day their unreal world becomes ethically more cleansed, more free of things they do not like, and with all the bad news (Hunter Biden) made to go away. The world online is the way they want it to be, with the real world held at bay behind the screen. Like living in The Villages in Florida, or maybe in the Matrix.

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Bodies Bodies Bodies cancels its characters to death

Movies that define an era — Fast Times at Ridgemont High, Easy Rider, Casablanca — rarely get stuck there, even if anachronistic references and jokes fly by without notice today (does anyone watching Fast Times today know what a mimeograph is?). Annie Hall and Nashville are as particular to mid-1970s America as they are timeless works of art, both emotional panoramas of a period filled with affluent and successful but unhappy people, confused and eventually destroyed by their own wandering eyes and broken hearts. You didn’t have to have lived through the disappointment of the late 1960s — Vietnam, all of the assassinations — to feel the exhaustion and disillusionment of these films: it’s in every frame, often unsaid.

#MeToo

So much for #MeToo

Five years have passed since Jodi Kantor, Megan Twohey and Ronan Farrow’s Pulitzer-winning reporting on sexual misconduct in Hollywood and beyond. Harvey Weinstein, #MeToo’s Perv Patient Zero, is in prison. Bill Cosby spent three years there as well. Woody Allen — Farrow’s estranged father, one-time accused child molester and husband of his ex-partner’s adult daughter — still walks free (not having actually been charged with anything), but a bunch of A-list actors won’t work with him, and you now have to preface every mention of Annie Hall with a handwringing disclaimer. Donald Trump, well, he wasn’t reelected, which has to count for something. The world, we were assured, would never be the same.

Tucker Carlson grills Kanye West

Tucker Carlson has tackled a question that has long puzzled Cockburn: is Kanye West crazy? Ye has had his fair share of controversial moments: he appeared on a 2006 cover of Rolling Stone mimicking Jesus Christ with a crown of thorns. He infamously stormed the 2009 MTV Video Music Awards stage to tell Taylor Swift she didn’t deserve her award. For the past couple years, he's been battling ex-wife Kim Kardashian and her family, during which time he also became religious, started hosting Sunday Services and bought a ranch in Cody, Wyoming, which he tried to sell but then took off the market. Most recently, Ye incited establishment ire by wearing a “White Lives Matter” T-shirt alongside conservative firebrand buddy Candace Owens at Paris Fashion Week.

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This season should be Saturday Night Live’s last

The 48th season of Saturday Night Live premieres tomorrow, and this one should be its last. The show has never felt more out of touch — a stale, punch-pulling iteration marked by a dim vision of what comedy can achieve in a politically and socially divisive moment. This is a target-rich environment, but SNL seems firmly of the opinion that taking shots against our current feckless leadership class is verboten. At a time when online comedy is exploding and hilarious sketches and specials abound on YouTube, SNL operates as if they have no competition. This offseason saw the show's biggest staff turnover in almost thirty years. This might have been an opportunity: if Saturday Night Live wanted to be relevant, the talent is obviously out there.

Who’s to blame for our censorious students?

From our UK edition

Without freedom of speech, you do not have a university. More than any other value, it is freedom of speech that most defines the university, that makes it a special place in society set aside for debate and inquiry in which speech and thought should be freer than in practically any other workplace or institution. And yet an alarming proportion of students seem not to have got the memo. A new study by the Policy Institute at King’s College London confirms what has been clear for some time: that today’s students, far from being rebellious free-thinkers, are if anything more supportive of censorship than the general population. The numbers are pretty stark.

Maren Morris should transition to pop where she belongs

Country music singer Maren Morris is so open-minded, inclusive, and tolerant that she’s considering not attending a major country music awards show because someone she disagrees with will be there. Here’s the backstory: country star Jason Aldean’s wife, Brittany, posted on Instagram a video of herself getting glam, along with the caption: "I'd really like to thank my parents for not changing my gender when I went through my tomboy phase. I love this girly life." Her husband commented: “Lmao!! I’m glad they didn’t too, cause you and I wouldn’t have worked out.” The post got a ton of support — including a pair of heart-eye emojis from Lara Trump. Then Morris lashed out online, writing: “It’s so easy to, like, not be a scumbag human?

In defense of the ‘canceled’ Nate Hochman

It’s no fun being canceled by a mob, but it is useful in one respect: it's an easy way to tell who your friends are. Recently, a young conservative writer, Nate Hochman, learned this the hard way after a hit piece appeared on the Never Trump site the Dispatch that was in part about him and comments he made while on a Twitter Spaces call last winter. Twitter Spaces, if you (like me, before this) are unfamiliar with it, is basically a group conference call platform. In the winter, Hochman hosted a Space about what role, if any, white supremacists like Nick Fuentes should have in the conservative movement. Fuentes then showed up and the Dispatch reported what happened next: The Dispatch obtained an audio recording of the Twitter Spaces conversation from an individual who listened in.