C.J. Sansom

The monumental failure that was Henry VIII

There can be virtually no aspect of Henry VIII’s life and reign, as Steven Veerapen puts it, that has not been ‘scrutinised under every available lens’. There have, of course, been any number of histories and biographies of Henry himself, and as many again of his wives and ministers to go alongside the films, plays and novels that, from Shakespeare to Hilary Mantel and (best of the lot) C.J. Sansom, show no signs of drying up. So ‘why bother writing about Henry VIII?’ Veerapen asks – and he’ll not be the only one wondering that. He is happy to concede that this is probably an exhausted seam from a narrowly English perspective, but what of other perspectives? What of Henry’s immediate neighbours, targets of the imperial pretensions suggested by this book’s title?

Why did C.J. Sansom approve this moronic Disney+ Shardlake adaptation?

What would C.J. Sansom have made of the Disney+ version of his novel series about 16th-century crookback lawyer Matthew Shardlake? Sadly, because he died just a few days before its release, we’ll probably never hear the full story. But this comment from the show’s producer offers a hefty clue: ‘Chris [Sansom] has been enormously generous and he wants more people to read the books, and this is such a good way.’ Sounds very much like Sansom accepted this atrocity of an adaptation as a necessary evil: his books had been stuck in development hell for nearly two decades (possibly, because his labyrinthine whodunits about monastic reform and court politics in Henry VIII’s England were considered a bit niche for mass audiences) and, in the end, he simply capitulated to moronitude.