How black music changed the world
In the boiling August of 1919, a 27-piece African-American jazz outfit called the Southern Syncopated Orchestra was summoned to play at Buckingham Palace as part of a royal command concert. The orchestra was Britain’s first introduction to black music. Their hothouse syncopations and Mississippi washboard rhythms were a balm after the first world war, and they went down a storm on the concert circuit. A decade or so later, in the swing era of the 1930s, the clarinettist Benny Goodman adapted jazz for white tastes, toning it down and cleaning it up – much as Elvis Presley would do for the postwar generation with black rock ’n’ roll. By the time Miles Davis arrived in the 1950s, jazz was an increasingly white enthusiasm.
