Bbc

Saturday

Robin Aitken

More northern accents won’t save the BBC

From our UK edition

It seems that the BBC has finally acknowledged the truth of George Bernard Shaw’s aphorism. Demonstrating his inherent anti-Englishness, the old Fabian snob declared:  ‘It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him.’  And the barb hurts because to an extent we must accept that it is partly true.  Sticking a few more regional accents in front of a microphone doesn’t begin to address the real problems the BBC faces In our defence, it is also true of people other than the English. Every European country, and probably every country in the world (including Shaw’s Ireland) has its own bumpkin regional twang which the boss class looks down on.

Saturday

Stephen Daisley

The BBC cannot survive many more scandals

From our UK edition

The BBC is still investigating one of its journalists almost one week after it emerged she had tweeted ‘Hitler was right’. Tala Halawa, who is based in the West Bank city of Ramallah, is the ‘Palestine specialist’ for BBC Monitoring and was part of the reporting team which covered the recent fighting between Israel and Hamas and the reactions to the conflict. As The Spectator reported last Sunday, watchdog group Honest Reporting and a number of British Jews who campaign against antisemitism uncovered a series of tweets and Facebook posts from Halawa. These included assertions such as ‘Israel is more Nazi than Hitler’ and ‘Hitler was right’, as well as the pronouncement that ‘ur media is controlled by ur zionist government’.

Monday

Steerpike

Watch: Tory MP savages ‘rotten’ BBC

From our UK edition

It has been a bruising afternoon for the BBC in the House of Commons. An urgent question was granted on the findings of the Dyson report into the Martin Bashir affair and the subsequent cover up of how Panorama obtained its Princess Diana interview in 1995. Tory MP after Tory MP has queued up to lambast the Beeb for its failings. Memorable moments included John Redwood asking, 'How can someone who supports Brexit, believes in the Union and loves England be persuaded that the BBC’s views of public service broadcasting in future be fair to their views?' and Iain Duncan Smith calling for BBC bosses and Bashir to be referred to the police for a fraud investigation.

Sunday

Tom Bower

How the BBC can save itself

From our UK edition

All those esteemed generals of hindsight screeching ‘more governance’ as the cure to BBC’s cover-up of the Martin Bashir’s dishonesty 25 years ago share with Lord Dyson a misunderstanding about the essential cause of the Panorama catastrophe and all the ensuing BBC scandals including those involving Jimmy Savile, Cliff Richard and Alistair McAlpine. Namely, ‘Birtism’. Under John Birt, the BBC’s director general from 1992 to 1999, an ever-increasing number of new structures, controls and governance were imposed upon the BBC’s creative talents to suppress and remove risk.

Matthew Taylor

Sunday shows round-up: herd immunity was ‘not at all’ government policy

From our UK edition

Priti Patel: The BBC’s reputation ‘has been compromised’ Today’s political shows were dominated by the fallout from the Dyson inquiry into the BBC and its relationship with the journalist Martin Bashir. The findings of Lord Dyson’s report have already seen Tony Hall, the BBC’s former director-general, resign his post as chair of the National Gallery. The Home Secretary, Priti Patel, spoke to Trevor Philips – who will be replacing Sophy Ridge while she is on maternity leave – about the issue: https://twitter.com/RidgeOnSunday/status/1396371925941772288?

Friday

Cockburn

How private should Prince Harry’s life be?

‘Never complain, never explain,’ the Cockburns say. Our family friend Prince Harry has a different motto: carry on moaning and show me the money. Perhaps this time the Prince of Wails has good reason to be crying on the couch. A formal report has found the BBC guilty of deceitful and dishonest behavior in securing its infamous 1995 interview with Princess Diana. There were stinging reactions from Princes William and Harry yesterday, and questions in the UK about whether the BBC, a state-funded broadcaster deserves public funding. Cockburn is an old polo chum of Prince Charles and wonders whether this could finally be the spur for the estranged princes to reunite?  After all, the mood in Buckingham Palace is one of vindication.

prince harry nazi

Thursday

John Phipps

Insane and fascinating: BBC World Service’s Lazarus Heist reviewed

From our UK edition

The narrative podcast remains a form in search of a genre. The template set by the hit show Serial — enterprising American journalists with janky piano theme tune shed new light on tantalising murder — still predominates seven years on. To this we can add the format pioneered by S-Town (initial murder investigation subsides into rich human detail) and, more recently, the excellent Wind of Change (intriguing what-if maps cultural and macropolitical shifts, with bonus CIA window-dressing). I remain sceptical about the form’s usefulness as a way of breaking hard news. Caliphate, the New York Times jaw-dropper on the Islamic State, is less gripping now its key source has been revealed as a fraud.

Thursday

James Delingpole

Honest, faithful and fantastically enjoyable: BBC1’s The Pursuit of Love reviewed

From our UK edition

I had been expecting the BBC to make a dreadful hash of The Pursuit of Love, especially when I read that they’d spiced it up with hints of lesbianism and punk rock. But actually, I think what writer/director Emily Mortimer has done here is play a very clever trick — the equivalent of releasing a cloud of aluminium chaff from your fighter aircraft to distract the enemy’s missiles. So while everyone is cooing about how refreshing it is that lesbianism has finally got a look-in (see also: every other drama and comedy series on TV from Killing Eve to Call My Agent), Mortimer can get on with the deeply subversive business of slipping under the BBC radar an honest, old-fashioned, faithful and fantastically enjoyable Nancy Mitford adaptation.

Wednesday

Flora Watkins

Six literary adaptations that outdo The Pursuit of Love

From our UK edition

The actress Winona Ryder once declared that if anyone attempted to film The Catcher in the Rye, she’d have to burn the studio down, such was her love for the book. There’s many a Mitfordian wishing they could enact this retrospective action on the new BBC production of The Pursuit of Love. RAGE-messaging amongst my friends began even before Emily Mortimer’s directorial debut dropped on the iPlayer. ‘There’s not a single line from the book in the trailer!’ ‘Has she actually read the book?’ ‘Let’s go and crack stock whips under her window’.

Sunday

Rod Liddle

Who is more upset about Labour’s results: Starmer or the BBC?

From our UK edition

It’s not just the Labour party which is institutionally incapable of understanding why the Conservative party kicked the hell out of them in these elections. It is also, of course, the BBC. The prime offender was — hold your breath in surprise — Emily Maitlis on Newsnight. Furlough and vaccines were the sole reason the Tories did well, according to this very affluent, metropolitan, liberal woman, who has a child in boarding school, natch. Dimbo voters again then, too dense to grasp the ‘realities'. But then there was Huw. There always is Mr Edwards. Conducting an interview with Labour’s Lucy Powell, he exuded sympathy and gratitude. No hard questions. Just ameliatory bilge.

Thursday

Toby Young

We Lumas have the weight of the world on our shoulders

From our UK edition

In the introduction to an anthology of his jazz record reviews, the poet Philip Larkin imagines his readers. They’re not exactly full of the joys of spring. He describes them as ‘sullen fleshy inarticulate men… whose first coronary is coming like Christmas’. Loaded down with ‘commitments and obligations and necessary observances’ they’re drifting helplessly towards ‘the darkening avenues of age and incapacity’. Everything that once made life sweet has deserted them and their only solace is the memory of the music they once loved. I first read that passage 35 years ago and didn’t think it would apply to me one day. Admittedly, the men Larkin conjures up are more miserable than I’ll ever be.

Daisy Dunn

Seldom less than gripping: Banged Up podcast reviewed

From our UK edition

Prison-based podcast Banged Up, now in its second series, is far more uplifting — and less soapy — than its name suggests. It begins with the tacit assumption that, if you haven’t personally been incarcerated, you probably have at least a dozen questions you’d want to ask someone who had. Is the food really awful? How likely are you to be beaten up? Is there a lending library? (I’d start with the last.) Banged Up has the answers to plenty more besides. The podcast is hosted by a prison lawyer named Claire Salama and two ex-inmates, a former footballer, Mike Boateng, known as ‘Boats’, and university-educated Rob Morrison, who describes himself as ‘probably not their [prisons’] target market’.

Thursday

James Delingpole

This Is My House has rekindled my love for the BBC

From our UK edition

Here’s a thought that will make you feel old. Or worried. Or both. The poke-fun-at-celebrity-houses series Through the Keyhole — originally presented by Loyd Grossman — was first broadcast as a segment on TV-am in February 1983. That means that we are now as far away in time from Through the Keyhole’s first episode as its debut was from the end of the second world war. It has endured almost till the present (I actually preferred the Keith Lemon version to the stilted and slightly turgid original) because it’s such an addictive format. Most of us fancy ourselves as amateur psychologist sleuths, picking up on those telling details missed by others less blessed with our perspicacity.

Thursday

Jonathan Dimbleby

Why I don’t regret leaving the BBC

From our UK edition

I have just had my second jab and it poses a dilemma. As an assiduous Covid rule-taker, I have been appalled by those — including friends and relatives — who have flouted or sidestepped the regulations and guidelines in the belief that they don’t apply to them. ‘We know we shouldn’t but it’s good for us’ or ‘We use our common sense’, they say. Since the issue is as incendiary as Brexit, I have fumed in silence. Of course the rules are anomalous and inadequately explained by ministers but I tend to trust the scientists. That said, the mantra ‘no one is safe until we are all safe’ is clearly nonsensical. Unlike those who are still waiting, I am now as safe as I am ever going to be. Hence my dilemma.

Charles Moore

The strangeness of Britain’s BLM mania

From our UK edition

The conviction of Derek Chauvin for the murder of George Floyd makes last summer’s Black Lives Matter mania in British institutions look even stranger. The British Museum, Oxbridge colleges, Sir Keir Starmer, football teams, government departments, Kew Gardens, the National Trust and numerous corporations indulged in various forms of self-abasement. Some ‘took the knee’. At the Ministry of Defence, the permanent secretary, Sir Stephen Lovegrove, broke professional political impartiality by emailing his staff about the ‘deep roots’ of ‘systemic racial inequality’ in Britain, and signing off with a BLM hashtag. He was subsequently promoted to be the UK National Security Adviser.

Monday

Steerpike

Simon McCoy’s warning shot to the Beeb

From our UK edition

It was just a fortnight ago that the BBC's grumpiest new presenter Simon McCoy announced he was off to join GB News after 17 years at the Beeb. It has not taken long for the onetime viral iPad star to fire his first salvo at the Corporation's editorial choices, taking aim on Friday to criticise Auntie for running blackout tributes to the late Duke of Edinburgh. McCoy, who is renowned for his apathetic reportage on a generation of royal births, took to Twitter to complain about the saturation coverage, prompting a stand off with current BBC presenter Martine Croxall. https://twitter.com/MartineBBC/status/1380607017065254922?ref_src=twsrc%5Etfw https://twitter.com/SimonMcCoyTV/status/1380609606100119559?

Thursday

James Walton

It’s impossible not to feel snooty watching ITV’s Agatha and Poirot

From our UK edition

Agatha and Poirot was one of those programmes that had the annoying effect of making you feel distinctly snooty. ITV’s decision to dedicate 85 minutes of primetime Easter Monday television to a books-related documentary was never likely to result in a steely Leavisite engagement with literature. Nor, of course, should it. Even so, it was hard to avoid a dowager-like shudder when, for example, one contributor declared that Agatha Christie ‘will never be surpassed as the world’s greatest novelist’ — especially when the contributor was that well-known literary critic Lesley Joseph.

Monday

Samir Shah

Faux fury against the race report is unsurprising

From our UK edition

Back in the 1960s, my brother Asim and I were smitten by the magical Manchester United trio of Law, Best and Charlton. We became London Reds and travelled on the MU Supporters’ Club coach to Old Trafford to watch our team — and we always went to see them play London clubs. But we stopped going in the 1970s; we feared for our physical safety. Marauding bands of skinheads outside the grounds were on the lookout for a spot of Paki-bashing. Instead, during the 1970s, we went on Anti-Nazi League marches and routinely confronted members of the National Front, a fascist party that was briefly the UK's fourth-largest party in terms of vote share.

Saturday

Hugh Thomson

BBC Four and the dumbing down of British television

From our UK edition

The announcement this week that BBC Four is to stop making new programmes and become a largely repeats-only channel – which they are cheekily calling ‘archive’ to make it sound better – is a depressing reminder to viewers of a very long-term trend. When BBC Four was launched amidst much fanfare in 2002, its slogan was 'Everybody Needs a Place to Think'. Has the BBC decided that they no longer do? Or perhaps the corporation – in focusing on ‘youth programming’ like BBC Three – thinks it isn't its job to provide one. Oh dear. Whatever happened to television? And in particular, the area that BBC Four was particularly supposed to promote: factual and arts television.

Saturday

James Innes-Smith

Why Gen-Z is turning its back on the BBC

From our UK edition

Do 16-34 year olds still watch terrestrial TV? More importantly, will they still be watching in a year's time when BBC 3 re-launches as a linear station? Six years ago, the youth orientated channel switched to digital-only as part of a £100 million cost cutting measure. Since then they have produced a couple of runaway successes such as the all-conquering Fleabag, hence the decision to have another crack at broadening their appeal to a rapidly dwindling youth market where TV sets are a rarity and scheduling anathema.   Once it is up and running again in January will the channel be able to fulfil its remit by appealing to a broad spectrum of younger viewers most of whom have already switched to subscription platforms?