Backrooms

The movie industry is broken

From our US edition

A massive sinkhole recently opened up on Sunset Boulevard at Holloway Drive, just down the street from the heart of Hollywood itself. It’s a fitting metaphor for the financial and creative sinkhole that’s busy hollowing out the entertainment industry. “There’s sheer panic in the ranks. And it’s only going to get worse,” a longtime representative at a major talent agency told me. “We talk about it on an internal Signal chat at work. We can’t even believe how bad things are.” A lot is going wrong all at once, and a huge transition is not-so-quietly under way “The meteor has hit and the dinosaurs don’t know it yet,” according to a director and producer who has spent two decades making movies in Hollywood.

hollywood

How the YouTubers beat Star Wars

From our US edition

Last weekend saw the most unlikely battle between David and Goliath. The little film that could was none other than the psychological horror film Backrooms. It was made on a microscopic budget (in relative terms) of $10 million, yet went on to gross a staggering $81.4 million in the US alone in its opening weekend. And the big film that couldn’t was the not-so-eagerly awaited The Mandalorian and Grogu, which had a 70 percent drop at the box office from its (relatively) underwhelming opening weekend. Unless something wholly unexpected happens, it will conclude its run as the lowest-grossing Star Wars property, confirming the predictions of those who suggested that Disney have run the brand into the ground spectacularly.

Kane Parsons