Arts

Spinal Tap II is an amusing, honorable successor to the original film

The story of the made-up English heavy-metal band Spinal Tap is, in every way but its particulars, the story of Joe Biden. Consider the parallels: a group of not-very-bright Baby Boomers – or, in Biden’s case, a single not-very-bright old man – manage, through sheer dumb luck, to reach the peak of their professions – selling out stadiums, in the case of Spinal Tap, or being elected to assorted high offices, in the case of Biden. Essential to the film’s success is the characters’ persistent ignorance of their own deficits in intelligence and logic Then, as time marches on, neither the band nor the politician acquires wisdom or sagacity but merely becomes older, weaker, and ever more enfeebled.

Spinal Tap

Has Trump’s Kennedy Center overhaul worked?

When Donald Trump installed himself as chairman of Washington’s Kennedy Center, the progressive arts community reacted with predictable hysteria. Artists threatened boycotts and donors withdrew their support. The Guardian reported the news as “anti-woke MAGA populism on a collision course with America’s progressive cultural scene,” while the usual suspects emerged from their Brooklyn brownstones and Malibu beach houses to decry the “assault on democracy” and predict the death of artistic expression as we know it. But as with most things Trump, the reality has proven far more interesting. Since opening in 1971 as a memorial to John F.

Kennedy