Artificial intelligence

What to make of the new AI election ad created by the filmmaker Charles Curran on behalf of Spencer Pratt, a reality TV star who is running to be Mayor of Los Angeles? The radio host Buck Sexton has already hailed the video as the future of political communication, and Jeb Bush has called it “maybe the best political ad of the year.” The video, which Pratt did not commission, but did repost on social media, shows California worthies – incumbent Mayor Karen Bass, Gavin Newsom, and Kamala Harris – assembled for a sinister banquet. Victims are brought before them: a mother whose children are being harassed by the city’s homeless, and a prostrate Hugh Jackman, who begs to be allowed to rebuild his house in Pacific Palisades.

A 20-year-old from Spring, Texas, named Daniel Alejandro Moreno-Gama has been charged with attempted murder after he was accused of throwing a Molotov cocktail at the gate of Sam Altman’s San Francisco home on April 10. He then allegedly walked toward OpenAI’s Mission Bay headquarters and told employees he intended to burn the building down as well. He was reportedly carrying a manifesto – a “three-part series,” according to Fox News – that included a list of other AI executives and investors and their home addresses and documents discussing potential risks that AI poses to humanity, with a section titled: “Some more words on the matter of our impending extinction.

In a suburban Melbourne industrial estate, hidden in a clutter of brutalist buildings and parked trucks, tomorrow’s world is taking shape. Here, an Australian tech start-up called Cortical Labs has caused an internet sensation. More than 40 million people have watched a clip of disembodied human brain cells playing the 1990s video game Doom. These cells are kept in petri dishes, wired up to computers and trained to do whatever the researchers want. “Right now, the cells play a lot like a beginner who’s never seen a computer,” says neuroscientist and Cortical Labs’s chief scientific officer, Brett Kagan. “But they can shoot, they can spin, they can seek out enemies and, while they die a lot, they are learning.

Cars ruined cities. Anyone can see that cities built before the invention of the automobile are incomparably more beautiful and serene than anything built after them. The contrast between Los Angeles and Prague is unmistakable. But people like things that move fast and make life easier, which means we’re stuck with the modern city hellscape whether we like it or not. And today, the same is true for AI. The contrast between the internet five years ago and today is unmistakable: content-slop, workslop, AI-generated comments, fake opinions and phony judgments, trite phrases, apocalyptic hysteria, the biggest intellectual-property heist in human history – all because of the invention of Large Language Models (LLMs).

Homo sapiens, as a species, is programmed to anticipate death, disaster and apocalypse. The monster in the mere, the ague that comes from the east, the flood that wipes out all living creatures outside the Ark. The reason children – and adults in horror movies – are scared of the dark is because darkness is where predators strike. We have a sensible evolutionary fear of things that go bump in the night. For thousands of years it was possible to argue this primal fear of apocalypse was overwrought. No matter what humans did, or did not do, we were incapable of destroying ourselves and anything that might destroy us in toto – like the comet that erased the dinosaurs – was simultaneously so rare and so beyond our ability to resist that it was pointless worrying.

For years, retailers have been behaving like needy friends. My phone would ping. “Hi there!” an email would read, “We’ve missed you.” Who could this be? I would wonder happily, before realizing that the warm and loving message was from someone in the marketing department of the emporium from which I’d once bought a couple of pairs of expensive shoes. Emma usually, or Olivia. With the advent of artificial intelligence, though, personalized, over-the-top PR is getting much, much worse. At least in the past you’d needed an actual Emma to send these emails, some girl who’d gone into marketing, typing enthusiastic nonsense all day. There was at least a human who had “reached out” – they always “reach out.” AI is just so needy.

I have arrived in Naples, Italy, after an arduous flight from a chaotic London Gatwick Airport. I’m settled in a glamorous top floor apartment in the Quartieri Spagnoli – the romantic old “Spanish Quarter” – where Vespas fizz over cobbles and laundry hangs across alleys like flags of endless surrender. Most importantly, I’m clutching my Apple AirPods3 in their shiny new capsule. Because I’ve come here to do a grand, futuristic experiment using their much-heralded “live translate” function. Does it really work as smoothly as Apple says? Can I actually slot them in my ears and have them translate the Italian speaker in front of me, in real time? Is it really like the sci-fi Babel Fish from The Hitchhiker’s Guide to the Galaxy?

In 2002, a researcher named Eliezer Yudkowsky ran a thought experiment where an artificial intelligence was trapped in a box and had to persuade a human to let it out. This was before you could have a real conversation with a machine, so the AI was played by someone using an online chat program. The gatekeepers were warned that the “AI” was dangerous to humanity. It had only two hours to win its freedom – and nothing of value to offer in return. Despite all that, at least two of the human gatekeepers chose to open the box. Yudkowsky has since become the leading prophet of AI doom. He and a co-author, Nate Soares, have just published a book, If Anyone Builds It, Everyone Dies.

“It won’t be long,” says Yonatan Dor, “before screen actors are a thing of the past.” Dor is the creative force behind the astonishing Dor Brothers videos, in which AI versions of world leaders appear as criminals in action-packed short films set to music and broadcast online. In a recent Dor Brothers’ outing – Waidmanns Heil – Kamala Harris, Elon Musk, Hillary Clinton and others dressed as huntsmen pursue an unstoppable rodent with Donald Trump’s distinctive hair through an Alpine fairytale. They wreak destruction as they try to squash the Trump-rat, which seems to be the film’s point. In recent weeks the studio’s dystopian comic creations have lit up the internet.