Vladimir putin

The beginning of the year has not gone as well as it could have for Vladimir Zhirinovsky. Mostly because he is now dead, but also because Zhirinovsky, a Russian politician of the “managed” (pro-Kremlin) opposition, predicted and vigorously supported Russia’s invasion of Ukraine. If Zhirinovsky were able to follow the campaign from his hospital bed, it could not have met his expectations. The imperial Russia of his imagination ought to have come into glorious existence, but its armed forces instead suffered reversal and humiliation. Zhirinovsky was the long-time leader of the Russian Liberal Democratic Party — a grouping that, as many wags have separately concluded, was under his leadership neither liberal nor democratic nor, in some lights, a party.

The fog of war doesn’t just apply to generals, sergeants, and privates. It applies to strategists and outside observers, including the best-informed journalists on the ground. All are swamped by a confusing barrage of information, some accurate, some not, none of it complete or definitive. That’s why, after over a month of fighting in Ukraine, it helps to step back, consider the basic outcomes, and try to project what will happen next. Remember, though, the “fog of war” applies to these assessments, too. First, let’s clear away Russian misinformation. The Kremlin’s recent claim that their main goal was never to seize Kyiv but always to take eastern Ukraine is simply false.

Some commentators have already noted the strange homology between Russia’s evocation of “secret bioweapon labs” in Ukraine and the US evocation of Saddam Hussein’s weapons of mass destruction, which in both cases were used to justify military attack. It’s not that the US was unsure if Saddam had WMDs; they positively knew he did not have them, which is why they risked a ground offensive in Iraq, rather than sticking to air bombing. The nonexistent Iraqi weapons of mass destruction perfectly fulfill the role of a “MacGuffin” in Alfred Hitchcock’s films. A MacGuffin is “an object, event, or character in a film or story that serves to set and keep the plot in motion despite usually lacking intrinsic importance,” per Merriam-Webster.

On a nondescript bridge in the northeastern Hungarian town of Záhony, the European Union ends and the war begins. Even amid the turmoil in Ukraine, the local border crossing is strangely quiescent. The flood of cars from the early days of the war has slowed to a trickle, and big eighteen-wheelers continue to cross over from Hungary into Ukraine. There are only two signs that something is amiss: a small notice on the door of the nearby Penny Market asking customers to help Ukrainian refugees, and a massive billboard of Hungarian prime minister Viktor Orbán’s stern face, promising voters that he will keep Hungary safe and peaceful.