Poems

Dunwich

I wanted to be a writer, but instead of sitting down I strode out over the shingle ridge and saw the sun coming up pink, pushing the thick clouds away, and felt the cold wind forcing the morning’s door, hurrying everything along, even the tiniest stones, which rained down in little landslides no bigger than my hand. I walked parallel to the water and spied a dark object ahead. It was the foot-half of a boot – very large – the rest of it bitten away; no threads or laces; each seam neatly needled with deliberate holes; the stiff leather blown open. I hovered by it; pushed it with my toe; picked it up. Heavy: the wooden sole waterlogged.

The Virgin of the Rocks

Life begins, everlastingly, with light.A cloud-green chaos, the creator’s tear,that crystal deluge breaks to disappear.Rich oil, soft ochre-black, becomes a heightof stone, to pierce, amid the wilderness,our Virgin Mother’s deep azure and gold.Her fingers, hesitant as blood, unfoldto bless the child above the last abyss. Land’s End. Nanjizal Bay at low tide formeda cratered Armageddon where the wrathof castellated quartz and mica blazedlike God. But then I saw the granite archwhere tourmaline and haematite gashed blue,through which, to carve the earth, the ocean stormed.

Off the M4

The geometric universe reels beside the motorway – this Lammas night,  a measure on the harvest sway of ears, a murmured song, a lullaby from spheres  of leaf-green light,  breathes circles, petals, stars,  makes rough bristles collapse suddenly as one, and, while the lorries pass,  the pattern’s spun.

Arrival of the Butcher’s Van in the School Drive

Time, Butcher’s Van, that I began    To hymn you panegyrically! When at your wheels the gravel pinged And tingled, no van, were it winged,    Could have arrived more lyrically! We marked the man vacate you, Van,    To hob and nob satirically With maid and cook, produce the book    To sign as proof, empirically,      Of how he’d made the drop     Of chuck and blade and chop. And so Goodbye to the shrilling of children, The honking of jovial women admirers; The pungent trays are re-racked  In the back of the motor.

Slow Train

Slowly the slow train pulls away To run beside the river bed With everything I long to say To people who are long since dead.

Not Clever or Kind, Philip

A response to Larkin’s poem ‘The Old Fools’ No, Philip, they’re not fools they’re just old, the world over mind-boggling millions of them the lot who are always losing things — sometimes not only things — the stooped battalions for whom bladders and stairs are now an issue along with banks without cashiers, opening tins staying awake after lunch. Of course they drool, fart noisily like well-fed cattle close up, don’t always sniff too good, but that’s a station to which all are headed. What interests more  is something that you judged as weakness and they’re too modest to say is courage; theirs is no witless failure to fear the dark alp, days spent in vacant dreaming.

My Worst Ever Place

The house I hatedhated me, gave mea precariously narrow landingat the top of stairs, so I fellinto intensive carefollowed by Neuro-Rehabilitationresidence where I pay little attentionto double vision, double incontinenceand a wheelchair, focusing on the dizzinesswhich suggested that brain and Imay not be keeping company. Occupational Therapists –Nonulia watches me make a cup of tea.She wants me to make a meal with herand I refuse.  Why risk a pasta saladaccident in an unknown kitchen?A brain may disregard its instructionalpathways, yet common sense was there.Was it my refusal to play the gamewhich removed the security of a wheelchairto reach the exit on liberation day?I must stay upright and walk there.

Charlie

i.m. Charles Ferdinand Smyth, born 9 January 1865 at Stephen’s Green; died February 1871 of rheumatic fever 29 June 1876, Hokitika, South Island, New Zealand – All went in search of the donkey, Dandybear, & found the truant half way on the road to Kaneiri. The children ride on this animal on saddles of home manufacture. I dressed up as Mrs Byrne in the evening to edify the children, but remained in cog. Took them on my knee & sang comic ditties but the innocents did not see through the disguise.

The Golden Bidet of Lerici

Only I was allowed to sit on the Golden Bidet of Lerici. Lord Byron sat on it as well as Percy Bysshe and Mary. D.H. Lawrence swung by and perched there like a demigod – as well as Frieda von Richthofen. Virginia Woolf sat on it in 1933 knocking out a beautiful sentence – Max Beerbohm banging at the door. Henry James dropped his drawers to sit on that glittering throne, his buttocks pale and tragic. I bestraddle the cosmic rocket. Five, four, three, two, one...

Ida

Who wanted to be my mammy. Who I wanted to be my mammy. We didn’t tell anyone not even ourselves. Mother stood in the way obdurate, certain of ownership, not knowing I’d fallen in love with another. Ida wanted to hold me I wanted Ida to hold me It never happened. We knew it was illicit this mother daughter adoption. I memorised her address (2 Chapel Road) in case I should need to run and find her, be the child she didn’t have. I knew all about her sisters, Madge and Dolly and the dresses they wore each with a sash of a different colour. In Ida’s cold kitchen I’d find a bowl of raspberry jelly put to set under a cloth weighted with bright glass beads.

The Unemployable

    these days    to rob any bank would take a certain élan – a Clyde-like bohomie –    smiling    shouting ‘Thanks’    as you fire over their heads a sweep of the hat    a flourish    before you run    now The Banks are boarded-up   or have taken a turn     are de-commissioned    sell coffee    exotic plants         and snacks    are full of freshly-cut forecourt-flowers we idle in them for hours     each defunct cash-point recess    a window-box     choking beautifully with wilted lily      and wild extraneous weeds.

The Discovery Tree

i.m. The ‘Discovery’ Tree, c. 609-1853 5 September 1876, Calaveras Big Trees State Park, four miles northeast of Arnold, California – At the Calaveras Grove there stood a tree which the guidebook says took 5 men 25 days to cut down, the work being performed with pump augers. Upon the stump which measures 25 feet across a pavilion has been erected in which 32 persons danced 4 sets of cotillions at one time.(From the journal of Victor Emmanuel Smyth) In winter small sequoia flowers bloomed turning the green crown golden in cold sun – pollen falling on snow in yellow clouds  dusted each bough and needle as it fell. The Miwok saw this as they hunted game,  Miwok meaning people in the Miwok tongue.

The Train is Coming

There was a train in the distance.Comforting to know the train was coming.Comforting to know it was a long way off. One day I stood on the platformtrying to imagine the train lolloping in.It rushed by and kicked up a wind.And – figure this? – it knocked off my hat.

Ex Pat

Patricia – Pat – was dumpy, with a curling lip, Pat was in fact the Office Bitch. Every night she walked (stridently) home along our beautiful meaningless beach. I sometimes saw her from the car, an umbral figure with an itch for grey skies, pavements and — she told us this — ‘some decent human misery’, which of course was never to be: the sun was unstoppable, relentless the rapture of the sea. So Pat went ‘home’ to London and lived alone, unhappily.

Legend

Hans Island, 80°N 66°W There’s a small island in the north that bears your name—not named after you but after someone with the same name as you, and not even their real name  just the forename explorers gave their guide and interpreter,  Suersaq, their interpreter and guide— in a moment of good humour perhaps  or even with a vague sense that some gratitude was required since several times over he had saved their lives. They could not pronounce his real name and he did not tell them that the island already had one. A low and isolated rock-ledge, wrote Elisha Kent Kane which glaucous gulls have made their own peculiar homestead.

One Day a Man Forgets

One day a man forgets a sea, a continent, a planet he forgets the features on his father’s face the prints of his own hand he forgets the flash of his eyes in another’s and the sound of water in his head he forgets the timbre of his own voice and the noise of his dreams that wakens everyone, but him he forgets the suit and the house he lived in the street and the city that forgot him forgets love, revelations, death: the mirror that no longer redeems his image A man will forget himself one day forget he has forgotten.

The Moon Under Water

after Humphrey Spender’s ‘Dominoes’ Near as dammit to Orwell’s ideal, this,or at least his pub’s essential qualities:no radio or piano; the quiet blissof talk and its vital communality;good honest beer; uncompromisinglyVictorian in its architecture;tobacco smoke like a light fog on the sea.These barmaids know each Bolton regularby name. A southern foreigner, Spenderfelt out of place in worktown’s dark-bricked streetsbut found an everyday poetry here:his photographs candid, unfussy, discreet.Take this domino game between working men:each making their move, until they start again.

Catharsis 101

The condition of my heart is a January swan.Mottled. Twisty. Largely humdrum. I wear my motley on my sleeve, where you ought.Some call it frippery. I call it fraught. The vocables I shoot for are punchy and swift.Yes. No. Stay. Go. Here. Now. Whisht. Violent assertions? A tempest in your soul?Make like a racoon trashing a swiss roll.

The Radiator Wall

This one I’ll leave till last, postponing the problems – how  the wallpaper will come round the corner  and the principal fern in the pattern  will continue to meet the ceiling, the length staying true to the plumb. Then the trick of easing it down  behind the radiator so it won’t  snag on the wall, ruck up and tear.  Even if I shift my chair,  face the opposite way during tea breaks,  I can’t not think of that wall.