The genius of Gene Hackman
He was the greatest character actor of the past half-century
He was the greatest character actor of the past half-century
The Great Gatsby turns 100 this month
An unbidden collaboration between living and dead writers is as mad as you might expect
If Presumed Guilty seems slightly hollow, that may be because it’s all been done before so many times that it’s difficult to be original
Susan Morrison’s book sets itself two tasks: where did its hero come from? And why is he so good at what he does?
It remains to be seen whether Outrageous lives up to its billing
The Brutalist represents a Christopher Nolan-esque swing for the big leagues
The pool of guests on the podcast is a commendably eclectic one
A shocking read about a World War Two tragedy
Source Code is really a book about perseverance in the face of seemingly overwhelming odds
Why are so many women reading the genre?
The Crying of Lot 49 is often hawked as the gateway drug to the writer’s peculiar universe
For sheer entertainment value, it is the ‘campus trilogy’ of Changing Places, Small World and Nice Work that can hardly be bettered
‘Drawing the emotions out of my father was the most challenging part’
There is much more to the cinematic treatment of the ‘song and dance man’ than A Complete Unknown
There’s growing appetite for original content centered on values and the artists who perform it
He once painted fakes to trick art galleries; now he paints them for wealthy customers
Graffiti in the old city is disappearing — in comes a host of new art treasures
What to watch this March
As much as anything else, Citizen is a book of omissions