Eyes of the Storm revisits an era
In early photos, the crowds – and the band members – are eager, curious and frank
In early photos, the crowds – and the band members – are eager, curious and frank
The first comprehensive repackaging of any of Drake’s albums does justice to the musician
Every detail, every sound, every object feels intentional
The play rises from social commentary to legitimate art piece, avoiding mere parody and ax-grinding
Noel Parmentel’s quote, ‘The right wing was fun back then,’ is one of the takeaways from Daniel J. Flynn’s new book
Julia Clark’s new novel succeeds both as a gripping mystery and a sly commentary on the art of storytelling itself
Nicholas Boggs has written the first major biography of the writer in more than 30 years
The writer remains supreme in part because women don’t merely want dazzling men, we want to be dazzling ourselves.
The paintings become mysteries, enticing and deserving of attention precisely because there are so few
The enchanting and historically haunting show consists of more than 120 objects
The musical flirts with nonconformity and then, scared, retreats into its own shadow
Everything is a dolly shot of dolled-up people in a doll’s house
Over more than a thousand pages, Ron Chernow identifies the emotional root system that fed the writer’s art
We Can Do Hard Things allows a chorus of voices into the Glennosphere
I was struck by the way the Blake Bailey combines the poignancy of decay with his gift for dryly comic observation
Christopher J. Scalia knows his audience and his light, avuncular style proves engaging throughout
More than 60 years after his death, the Oxford literature professor and writer is everywhere
Homework is openly billed as an antidote to memoirs full of derring-do but it does exactly what the essayist’s fans will want
It’s easy to forget that there was nothing inevitable about the film’s long-lasting success
The art historian’s memoir is no feminist treatise