More from Books

Saturday

Toby Young

Both the first and the last word

Tom Shone, the ex-film critic of the Sunday Times, is out to pick a fight. The clue is in the subtitle of this book, a surprisingly sympathetic history of Hollywood’s most despised school of moviemaking. To the untrained eye, it will simply conjure up Dr Strangelove: Or How I Learned to Stop Worrying and Love the Bomb, but more seasoned observers will spot the resemblance to the subtitle of another book, Seeing Is Believing: Or How Hollywood Taught Us to Stop Worrying and Love the Fifties by Peter Biskind. I wouldn’t be surprised if this is a deliberate bit of provocation on Shone’s part.

Olivia Glazebrook

Working with ideas, not stories

This collection was originally published by Faber in 1993, and was followed in 1996 by Martel’s first novel, Self. Then Canongate bagged the prizewinning Life of Pi in 2002, and now, in the wake of its colossal success, they have republished these four stories, ‘slightly revised’. ‘I’m happy to offer these four stories again to the reading public ...’ chuckles Martel fondly in his Author’s Note, ‘... the youthful urge to overstate reined in, the occasional clumsiness in the prose I hope ironed out.’ The title story is an account of the decline and death of Paul, a young man who has contracted the HIV virus as a result of a blood transfusion in Jamaica.

Jonathan Keates

A slave of solitude

Loneliness is a pearl of great price among novelists. Fiction, drawing so much of its inspiration from groups, communities and societies, nevertheless cherishes the idea of solitude, of the hero or heroine outcast and apart, thrown upon their own resources for spiritual endurance. Think Robinson Crusoe among his goats, Jane Eyre roaming the corridors and attics of Thornfield, Fanny Price learning the value of non-inclusiveness from her selfish Bertram cousins or the peopled wilderness created by Dickens in Bleak House. Douglas Coupland’s latest novel invokes one of the 20th century’s best known loners in its title.

Clayre Percy

Without a blush or a yawn

Joan Wyndham has written two war diaries, and one postwar autobiography; now she completes the picture with a description, part diary, part straight narrative, of her life as a child, a schoolgirl and a student at Rada. Her first three books were the story of an uninhibited bohemian. This one starts gently. Joan Wyndham began her life at Clouds. To see that most famous of Arts and Crafts houses not through the eyes of an architectural historian but through the eyes of a small child who actually lived there is a good way to begin. Unfortun- ately she did not stay there for long. Her parents’ marriage foundered and the scene changed to Evelyn Gardens in Fulham.

Patrick Skene-Catling

Beyond the camera’s reach

The 9/11 attacks on the Twin Towers were terrific disaster television. No special effects! How about those great shots of real people jumping off to avoid incineration? And here comes the novel, which can be read as the preview of a dramatic treatment for the script of the movie. A novel is only second best to reality TV, of course, but there are certain advantages. Frédéric Beigbeder, a 39-year-old Parisian publisher, literary critic and broadcaster, has been able imaginatively to penetrate places where there were no cameras on that day.

Ian Garrick-Mason

A poor pre-emptive strike

‘You will be in charge, although, of course, nothing will happen, and I shall be back again this evening early,’ Major Henry Spalding told Lieutenant John Chard before riding away from the British supply depot in search of reinforcements that had failed to show up on time. Chard was thus the officer in command when barely two hours later the depot, defended by only 139 soldiers and engineers, was attacked by a column of 4,000-6,000 Zulus. The subsequent battle of Rorke’s Drift would become one of the most famous in British military history. Saul David’s history of the six-month Zulu war of 1879 arrives on the 125th anniversary of the conflict.

Tom Pocock

When there was nowhere to go but down

It goes without saying that the second world war was decided as much on the western ocean as in the sky over England. Indeed the Battle of the Atlantic could be seen as the Battle of Britain in slow motion, its critical period lasting for the first three and a half years of the war. There was little dash about the battle, however, which has only occasionally been illuminated by a book or film, like The Cruel Sea, which gives this book its rather unworthily derivative title. First glancing through the 700 pages, it seems taxingly repetitive.

Sam Leith

Olden but not golden

‘Roy Hattersley,’ said Becky, tilting her head on one side to read the spine of the thick red book I had brought away with me to the house party. ‘The Edwardians. Are there four more depressing words in the language?’ Now, that’s not fair. He may be a bit of a windbag, but he’s our windbag, and he has obviously done a good deal of work on a book about a lively period in our history. His tour d’horizon of the Edwardian age takes in 360 degrees of horizon.

Saturday

Vicki Woods

Going behind the Bushes

Kitty Kelley is the Heat maga- zine of celebrity biographers. Spectator readers who may not be familiar with this unpleasant (but very popular) weekly should know that public taste has moved on from Hello!. Heat doesn’t do airbrushed celebrities looking gorgeous in their celebrity homes. Heat gives you the celeb ‘as she [or he] really is’ i. e. preferably sweaty, hag-ridden and running to fat, or displaying signs of a) extensive rehab, b) a coup de vieux or c) recent arrest. Heat is a ‘post-celebrity’ celeb mag, which aims to show that despite all their fame and money celebs are sad losers just like the rest of us. Before The Family, Kelley did Heat-style jobs on Jackie Oh!, Elizabeth Taylor, Frank Sinatra, Nancy Reagan and the royal family.

David Willetts

The world we have lost

The Whig interpretation of history, a relentlessly progressive account of the emergence of our parliamentary system, has long been out of fashion when it comes to politics. But histories of social policy are all too often complacent accounts of ‘the development’ or ‘evolution’ of state provision. This excellent book breaks with that tradition by reminding us of what was lost as the conventional welfare state expanded. A vigorous network of working-class institutions ranging from friendly societies to dissenting chapels was bulldozed out of the way as the state moved in. E. G. West powerfully showed how much schooling there was before Foster’s Education Act of 1870.

Interconnect

Patriot and appeaser

Since appeasement is in the air again, this is a timely book. It tells the story of how Lord Londonderry, secretary of state for air in the National government of 1931-5, sought to avert what would be the second world war by befriending the Nazi leaders. Londonderry, 7th Marquis and directly descended from Lord Castlereagh of the conference of Vienna, was one of the grandest and richest men in Britain. He owned several country houses, London-derry House in Park Lane and 50,000 acres in Ireland and England, including large parts of the Durham coalfields. He was educated at Eton and Sandhurst and commissioned into the Blues, which he commanded during the battle of Arras in 1917.

Byron Rogers

Saved by comic relief

There is one glorious surrealistic sentence on page 6. Describing Clarissa Eden’s early adventures in magazine journalism, the authors write, ‘Her first published article, in 1944, was a dispatch from Berlin for Horizon.’ Eh? Only it gets stranger: ‘…reporting on what remained of theatre and cultured life in the devastated city’. I knew things were pretty bizarre in Berlin towards the end, with the Nazis legalising nudism and stores holding spring sales as the Russian tanks rolled in, but for Cyril Connolly to have had a cultural correspondent in the enemy capital at the end of a world war would have been the supernova of aestheticism. And a very catastrophic one for Lady Eden.

Francis King

Morality and mortality

At the start of this sixth and final volume of Ferdinand Mount’s novel sequence A Chronicle of Modern Twilight, the narrator Aldous (Gus) Cotton is about to take premature retirement from the Civil Service, having found, to his chagrin, that he has been passed over for the promotion that he thought to be his due. His raffish old comrade in asthma Joe Follows, a financier with a ‘colourful’ past — already met in the second volume, Of Love and Asthma — then persuades him to join in the flotation of a business called Heads You Win. This, at first dedicated merely to headhunting, soon extends to the hectic takeover of dicy concerns on either side of the Atlantic. Having suffered a stroke, it is possible that Joe will not survive for long.

Peter Jm-Wayne

Porridge and privilege

A Prison Diary, Volume II: Purgatoryby Jeffrey ArcherPan, £6.99, pp. 310, ISBN 0330426370 A Prison Diary, Volume III: Heavenby Jeffrey ArcherMacmillan, £18.99, pp. 478, ISBN 1405032626 In an extraordinary fax to the Director-General of the Prison Service, Martin Narey, the Home Secretary David Blunkett set down his feelings in an unequivocally forthright manner: I am sick and tired of reading Jeffrey Archer stories about the cushy conditions in which he was placed, the freedom he has been given, the opportunity to do anything he likes, and the snook he is cocking at all of us.

Frank Field

Doctors’ dilemma unsolved

This is a brilliant tract against the times. Tallis records how the traditional vocation in medicine is ceasing to be renewed. What he says has a wider application to all professions and, indeed, to work generally. How can Britain sit casually by as a profession which, under oath, brings a lifetime of learning and dedication to our care is replaced by the highly paid medical salesman? Tallis locates a number of destructive forces at work. Changes in the practice of medicine reflect changes in the wider society. The idea of vocation is increasingly no longer strong enough to determine what role people wish to play in life. A number now training as doctors may never practise, or, if they do, it will be for only a short period.

Sandra Howard

An exercise with jerks

Reviewers coming to this book, the second volume of Roddy Doyle’s The Last Roundup trilogy without having read the first, must be a frustration for the author. I had a struggle connecting with Doyle’s character, Henry Smart. The first volume might have endeared him to me and set him in context — it followed his hard hit-man life in his Irish homeland, his troubles with Republican paymasters — but a second volume should cater for newcomers. Pick up any random volume of Anthony Powell’s A Dance to the Music of Time and you care about the characters right away. It is 1924. Henry has taken flight and gone west to seek a new life and identity.

Jonathan Sumption

A prodigy of a politician

William Pitt the Younger always was the politician’s politician: an MP at 21, prime minister at 24 and dead at 46, with only two years out of office in between. Pitt dominated British politics for his entire adult life. He lived for the House of Commons and for the daily grind of government service. He was the greatest political orator of his day. Yet he had few recreations, and virtually no experience of the world. His friendships were distant. He wrote no intimate letters. He read little. He knew nothing of music or painting. He never loved any one. His was a life at once unfulfilled in private and triumphantly successful in public. One has heard of such people at Westminster today. But, on the whole, the 18th century could do better than that.

Theodore Dalrymple

Descending and condescending

When asked to name a British prime minister other than the present one or Mrs Thatcher, my young adult patients are inclined to reply, ‘I don’t know, I wasn’t born then.’ Such an answer would not surprise Frank Furedi, the author of this attack on cultural populism; it is the natural consequence of an educational theory that makes relevance to pupils’ pre-existing personal experience the touchstone of the curriculum. That this theory serves to enclose pupils permanently in whatever little (and unpleasant) world they might find themselves so little bothers the educational theorists that one might easily conclude that the consequence is an intended one.

Digby Anderson

Somewhat concerning food

Alice Thomas Ellis is not a person to be trusted — in the kitchen. I am surprised to find this. I have always admired her elsewhere, in her novels for instance. But there is no doubt that when it comes to food she is simply left-wing. She makes steak and kidney pudding without the kidney. That’s bad enough, but the reason is worse: the first she had smelt (unsurprisingly) of urine. Adult cooks should have got over childish impressions. She does not care for pesto: it smells of silage. She draws woodcock. She finds gazpacho, of all things, ‘a nuisance to prepare’. And she ‘could not get hold of asafoetida’, though Asian shops are awash with it. Now I am untrustworthy, especially in the garage and up ladders.

Frank Kermode

Gravity, mischief and variety

Muriel Spark rightly insists that she is a poet who, as it happens, writes novels, and that she writes novels without ceasing to be a poet. Being a poet means having the ability to recognise that the world can announce more interesting inter- relationships than common sense chooses to notice — unforeseeable collocations, intrusions into the ordinary of aspects of reality ordinarily ignored, simply because the extraordinary is what ordinary minds prefer to dismiss from their attention. One should ‘see life as a whole,’ says Dame Muriel, ‘rather than as a series of disconnected happenings’. Poetry connects them. Its unusual ability to do so can sometimes be akin to madness, as in The Driving Seat, the dark book that may be her finest.