In safe hands

To grasp the untamed vastness of Samburu County, it’s necessary to get high. Above the thickets of acacia trees, thorny branches like barbed wire against the cloudless sky. Out of the Rift Valley’s rubbly trenches, dotted with bleached animal skulls and groves of candelabra-like doum palms clustered around some-time watering holes. To the peak of Sundowner Rock, for instance. After scrambling up its boulder-strewn slopes — wishing for the agility of the bug-eyed, Bambi-like dik-diks that prance about this terrain — I flop down on a sun-warmed granite slab and savor an eagle’s eye view of the bushland below. Legions of acacias and wiry shrubs mottle the red earth.

When I visited New York for the first time in a decade recently, one of its most famous living writers, Paul Auster, died on the day I arrived. This was not, I hope, anything to do with my presence in the city he spent decades memorializing; he had been suffering from terminal cancer for a considerable time. Yet as I sat at my desk at the first hotel I was visiting, the Frederick in Tribeca — a comfortable and well-located spot, let down slightly by its surly and unhelpful staff, but redeemed by stylish touches like a tiled map of nineteenth-century Manhattan built into the well-appointed shower — and started to write a tribute to Auster for our website, it made me wonder what, exactly, I was trying to find out about literary New York. Was I exploring its distinguished past?