Books

I started reading Suleika Dawson’s The Secret Heart at a London bar, intending simply to skim through as I finished my beer. Six hours and many more beers later I was still at the bar, and still reading. The book, an erotically charged, no-punches-pulled account of her multiple affairs with the author John le Carré (or David Cornwell, as she knew him), is also a fascinating and important portrait of the man himself. The pseudonymous author, with her winking nod at Max Beerbohm’s femme fatale, offers a degree of insight and honesty which le Carré’s official biography (let alone his own memoir) and recently released collection of letters do not, and a character study of a London long since lost.

The times, they are a-changing. For the past six decades, Bob Dylan has been one of the most enigmatic artists in American music, whose every public utterance has been pored over by his admirers and detractors alike. But one thing that Dylan has never been is a man who threw it all away: reputationally speaking, at any rate. Yet things at last have changed. In a simple twist of fate that Dylan surely never could have predicted, he has become embroiled in — of all things — a controversy over signed books. Dylan's most recent publication, The Philosophy of Modern Song, was released in a deluxe limited edition, retailing at $599 apiece.

The period of the First World War was a golden age for the spy novel. There’s nothing like a really cataclysmic global conflict to stir any halfway attentive author. And perhaps the pick of the literary crop was 1903’s The Riddle of the Sands, by the Anglo-Irish writer, soldier, and politician Erskine Childers. The novel mixes some gentle satire about the graded snobberies of the Edwardian class system with a seafaring adventure involving a couple of topping British chaps going after German spies in the Baltic. It’s not only a riveting tale in itself, but so cogent in its account of the state of Britain’s maritime defenses that it prompted the Admiralty to hurriedly install a series of new coastal gun batteries.

William Boyd Writing effective comedy is very difficult. True comic genius, the ability to create a unique tone of voice — deadpan, perfectly timed, self-deprecating, abjuring all whimsy (the British disease) and grandstanding — is extremely rare. One thinks of S.J. Perelman, Peter de Vries, the Grossmiths and P.G. Wodehouse amongst very few others. One name that can be added to this tiny and exclusive club is Theo Fennell who has published, this year, his memoir I Fear For This Boy: Some Chapters of Accidents (Bloomsbury, $35). It relates incidents in Fennell’s life where everything that could go wronnd Catholic Churches as he veered between them.

On December 23, 2021, I left the Hollywood Roosevelt and walked down North Orange Drive to turn right and face Sunset Boulevard. It was dark when I passed the entrance to the Chateau Marmont. When I finally crossed the street to arrive at Book Soup, the “Bookseller To The Great & Infamous,” I turned to the cashier and asked if they had copies of Play It As It Lays by Joan Didion. He huffed, “Uh, yeah, we’re sold out.” Joan Didion had died earlier that day in Manhattan due to complications of Parkinson’s Disease.

There is a famous (and, I fear, apocryphal) story about Bono at his most messianic at a U2 gig in the early part of this century. Pausing between songs, he clicked his fingers meaningfully. After doing this a few times, he said, with utmost gravity, “Every time I do this, a child in Africa dies of starvation.” Most of the audience nodded in sympathy, but one man in the front row had a better response. “Well stop fucking doing it then!” Bono’s response was not recorded, but the finger-clicking soon disappeared from his repertoire of stadium show gimmicks. It is reasonably easy to see why Bono — and, by extension, U2 — are so reviled.

Cockburn would like to issue a preemptive apology to those who thought being extraordinarily accomplished was enough to justify a lucrative book deal. Apparently an author's manuscript should be sent to the shredder if he or she holds an unorthodox opinion on hot-button political issues. That's the case made by the coffee-fetchers and typo-catchers in the publishing industry who signed an open letter denouncing Supreme Court Justice Amy Barrett's upcoming book with Penguin Random House. The group of "concerned publishing professionals" claim that paying Coney Barrett a $2 million advance to outline her judicial philosophy constitutes an international human rights violation. No, seriously.

In April 1930, the nineteen-year-old Edda Mussolini married Count Galeazzo Ciano, aged twenty-seven, after a brief courtship in which love appears to have played little part. Her father, Il Duce, wanted the magnificent occasion to be not merely the wedding of the century but a grand, almost royal, demonstration of fascist might and a celebration of fecundity. Edda, his beloved firstborn, was to stand for everything that was best about fascist womanhood, while the groom was to carve out the path of “the new Italian man.” These were the glory years, and thousands of schoolchildren sent poems and cards with angels in advance of the occasion, which the Papal Nuncio attended with a present from the Pope.