Arts Reviews

The good, bad and ugly in arts and exhbitions

Joe Exotic is an ordinary American

Netflix’s Tiger King has been touted as ‘the only show that’s crazier than the world outside right now’. Besides being weird beyond measure — a seven-part freak show combining meth-heads, involuntary amputees, firearms, sex cults, gay polygamy, cocaine, rednecks, attempted murder and, yes, more tigers than you could shake a flaming torch at — it offers fascinating parallels with the most important debate of our time: the eternal conflict between liberty and authority. As you may have noticed, this coronavirus pandemic has brought out the best and the worst in people and produced two highly polarized visions of the world.

tiger king

The bloody decade: think America’s divided now? Try the 1970s

Late on the afternoon of November 29, 1984, Susan Rosenberg and Timothy Blunk were loading boxes into a blue Oldsmobile Cutlass sedan and a U-Haul trailer parked at a self-storage facility in Cherry Hill, New Jersey, not far from Philadelphia. The boxes were heavy, so despite the autumn chill and the wind, Rosenberg and Blunk were working up a sweat. Both wore glasses as part of their disguises. Blunk had an ill-fitting wig that he barely managed to keep on his head. An FBI wanted poster called Rosenberg armed and extremely dangerous, and the Bureau wasn’t wrong. On the front seat of the Olds, purses held semiautomatic pistols — an Interarms Walther PPK .38 caliber and a Browning Hi-Power 9mm. They were both fully loaded.

susan rosenberg

Joe Exotic might be the best gay role model I’ve seen on television

If you haven’t heard of the Netflix docu-series Tiger King, then you probably haven’t spent much time on the internet during the national quarantine. The series centers around Joe Exotic, a now-incarcerated, gay, meth-addled, big cat breeder and former candidate for both president and governor of Oklahoma, whose bleach-blond mullet, handlebar mustache, sequined leopard-print blouses and eccentric underworld of private zoo-keeping has been the unlikely catalyst to bring a nation together that is stuck at home with severe cabin fever. Tiger King is another indication that we should prepare to say goodbye to classic documentary filmmaking and get used to the docu-series, usually timing in at about six hours long spread across several episodes.

joe exotic tiger king

Why we love to hate celebrities

There is a classic Simpsons episode in which young Bart falls down a well. Local celebrities, with the aid of guest star Sting, decide to band together to do something about it. Their magnificently useless contribution is to band together to perform a song in which they ‘send their love down the well’. ‘We can’t get him out, so we’ll do the next best thing, go on TV and sing, sing, sing.’I am surely not the only person who thought of this scene when Gal Gadot, Will Ferrell, Sarah Silverman and others performed a rendition of John Lennon’s ‘Imagine’.

jimmy fallon celebrities

Meghan Markle’s white privilege

What’s ancient, slow-moving and leaves a trail of crap in its wake? No, not Britain’s royal family; the African elephant. The two are easily confused. The royals never forget and are an endangered species that mates in captivity. Elephants are leathery, photogenic and likely to inspire misplaced sentiment. No wonder Meghan Markle’s first venture as Hollywood royalty should be as voiceover artiste for Elephant, a Disney documentary about elephants in Botswana. But this, like Meghan’s in-laws, is as rich, white and privileged as it gets.The plot of Elephant is the usual cheap anthropomorphism. Gaia the indomitable matriarch must lead her herd hundreds of miles across the Kalahari Desert to a lush green paradise.

meghan markle

How to write the Great Coronavirus Screenplay

Across the most bourgeois quarters of the known world, youngish men with expensive educations and an unhealthy interest in the works of Italo Svevo have been driven by plague from their favorite coffee shops. For the first time in their lives they cannot go to Friday night loft parties and snicker about more successful contemporaries. What is to be done with all these days that stretch out languidly into infinity? Should they volunteer to dig graves? Help 3D-print a new ventilator design? Call their housebound mothers? No. Don’t be naive. When the going gets tough, the tough dust off their copies of The 101 Habits of Successful Screenwriters and get down to work. I mean, didn’t Shakespeare write King Lear during a quarantine or something? That could be you!

coronavirus screenplay
Xbox

The casual gamer’s guide to surviving quarantine

After several days in quarantine, you're probably thinking: what now? You've exhausted a few Netflix series, spent some time in the kitchen baking, had some drinking sessions over Skype with your buddies, and now you're probably getting a little bit stir crazy. And if you're a video gamer, you might have finally finished the one or two games you bought a few months ago but never had time to play because of work or social obligations. Unfortunately, that means you're fresh out of ideas for how else to spend your time in self-isolation. Lucky for you folks, I've put together a list of my top video games you should play while quarantined.

Conscious coupling

Most of the podcasts that sell relationship advice imply that romance is synonymous with sex. The theory of that equivalency has been a theme in the arts for centuries: Shakespeare, Flaubert, Thackeray and Tolstoy all exposed its follies and truths. Unsurprisingly, the podcast hosts have a less poetic, nuanced note than the classic writers, such as giving the advice: ‘If you’re having a dry spell, listen to us or break up.’ Tony and Alisa DiLorenzo are a Christian couple who have married for 23 years. Perhaps surprisingly, their podcast, ONE Extraordinary Marriage, depicts sex and romance as interchangeable. Tony and Alisa, who couple on the page in their co-authored book 7 Days of Sex Challenge, start each episode with a ‘hug’.

anna faris coupling podcasts
benny golson

Tenor badness

In Stephen Spielberg’s 2004 comedy The Terminal, Viktor Navorski (Tom Hanks) is a native of Krakozhia, a small eastern European country engulfed in civil war. When Navorski lands at JFK, he discovers that his passport is invalid as America does not recognize Krakozhia’s new regime. He’s stuck in the airport for months and unable to accomplish his mission: completing his father’s quest to obtain the autographs of all 57 musicians in Art Kane’s 1958 photograph ‘A Great Day in Harlem’, a who’s who of jazz greats (including Count Basie, Coleman Hawkins, Dizzy Gillespie and Thelonious Monk), captured on East 126th Street in daylight without their instruments.

Finger pickin’ good

The banjo was present at the creation of jazz but, like the clarinet and the fiddle, it fell from favor, and for similar reasons. The saxophone and the electric guitar were easier to play, more expressive and much, much louder. The banjo was on the way out even as it was on the way in — in the Hot Five recordings of December 1927 that instituted the jazz solo as we know it, Johnny St Cyr played both banjo and guitar — but the banjo had somewhere else to go. The fleet-fingered took their four-and fivestringers to the hills — the Appalachians, for instance. There, the banjo thrived with those other refugees from early jazz, the fiddle and the steel-strung guitar. Metropolitan contempt caught up with it in the Seventies.

banjo

Please, please let COVID-19 kill the culture wars

A few days ago, with somewhat bittersweet timing, Marvel Entertainment made an exciting announcement. This was at a time when low information people — up to and including the president — were realizing that, uhh, hey Chuck, this virus thingy might be quite a big deal. Might be a good time to stock up on rice and beans, you know? Back to Marvel’s announcement. They were creating a new generation of heroes for a grateful populace! Their names you ask? Well, there was Screentime, a ‘meme-obsessed super teen’ who has the ability to use Google without a WiFi connection. There was Snowflake (they/them) and Safespace; the former throws psychic snowflake shurikens at people who read Breitbart and the latter generates a pink force shield around them as they do so.

culture

Netflix sued for defamation over Central Park Five miniseries

Linda Fairstein, the former head of the Manhattan District Attorney’s Sex Crimes Unit, is suing Netflix for defamation over the streaming platform’s series When They See Us, a dramatized retelling of the ‘Central Park Five’ rape case. Fairstein’s suit alleges that the series contains numerous inaccuracies and fictionalized events that were ‘deliberately calculated to create one, clear and unmistakable villain to be targeted for hatred and vilification for what happened to The Five’. Director Ava DuVernay and co-writer Attica Locke are also named defendants in the lawsuit.

Ava DuVernay netflix

The refreshing darkness of Netflix’s Locke & Key

Don’t be put off by the slow first episode, which makes you fear it’s just going to be another of those so-so emo magical-fantasy adolescent dramas in which Netflix abounds: Locke & Key is superior, addictive and bingeworthy stuff in the league of, or possibly even better than, Stranger Things. It begins with an achingly clichéd scenario — family driving across America to seek new life in exotic location, kids bickering in the back, awkward high-school experiences awaiting them, etc. — and the familiarity never lets up.

locke & key

The human clay

This article is in The Spectator’s March 2020 US edition. Subscribe here.The topics in The Necessity of Sculpture emerged randomly, thrown off by successive exhibition calendars and coming to range in time and place from ancient Mesopotamia to 21st-century Manhattan. As I made the selections, what began to take shape, beyond a conventional anthology, was a synoptic history of the art form. The title is a belated riposte to Ad Reinhardt’s famous dismissal, in around 1960, of sculpture as ‘something you bump into when you back up to look at a painting’.

sculpture

I hope Artie Lange is OK

Artie Lange has disappeared. His gigs are canceled. His podcast is on hiatus. His social media is hardly being updated. The legendary comedian is apparently ‘sick’ but fans suspect that something else might be going on. You needn’t be Sherlock Holmes to be suspicious about his absence. Lange has been flitting in and out of rehab for the past 25 years.God knows I hope that Lange is sick. The comedian has emerged out of the depths of an addiction so dramatic that his nose imploded like an overripe tomato after years of snorting cocaine and heroin. (According to Lange, the obliteration of his beak was the result of snorting drugs mixed with broken glass.

artie lange
stanford

Mass appeal: Stanford in Stamford

This article is in The Spectator’s March 2020 US edition. Subscribe here. The exterior of the basilica of St John the Evangelist in Stamford, Connecticut, looms large and gray. Built in 1875 by Irish immigrants who mined and hauled rocks from a nearby quarry, its interior bursts with greens, reds and golds. The saintly lives in its stained-glass windows are said to comprise one of the largest collections of its kind on the East Coast. I was one of 12 singers to perform here at the American premiere of the Mass in G Major by the Dublin-born composer Sir Charles Villiers Stanford (1852-1924). Stanford’s Mass was first performed at London’s Brompton Oratory in 1893, but, like The Spectator, it took its time coming to America.

The real McCoy

‘My current pianist, McCoy Tyner, holds down the harmonies, and that allows me to forget them,’ John Coltrane said in an interview in 1961. ‘He’s sort of the one who gives me wings and lets me take off from the ground from time to time.’ Tyner, who died on Friday at the age of 82, will be remembered for his crucial role supporting John Coltrane during some of the legendary saxophonist’s most creative years. But on the occasion of Tyner’s death it’s also worth recognizing that ‘the Real McCoy’ had a penetrating voice and lasting influence all his own.A son of west Philadelphia born in 1938, Tyner was encouraged by supportive parents and was playing piano by 13.

mccoy tyner

‘All rock ’n’ roll starts and ends with Lou Reed’

This article is in The Spectator’s March 2020 US edition. Subscribe here.March 2013 I have written a song called ‘Lou Reed, Lou Reed’. It’s a hymn to the man in the title — a petition, as Jim Morrison would have it, to the gods of rock ’n’ roll. The song runs for just two minutes and consists of a three-note, sub-moronic riff and a two-word mantra repeated 71 times. The two words are ‘Lou Reed’. The song isn’t a hit, but it does cut a bit of a dash. The song’s subject even hears it. I hear from someone who hears that he heard it that he likes what he heard. Then, in October 2013, the subject of my song dies. My song, a throwaway, begins a strange afterlife.

luke haines peter buck
kraftwerk

Uniform beats

This article is in The Spectator’s March 2020 US edition. Subscribe here. Right from the beginning, everything about Kraftwerk was odd. They had no frontman, they seemed to play no instruments and their strange, electronic music owed nothing to blues, soul or any of the other forms of music that underpinned 20th-century pop. Instead, a Kraftwerk gig consisted of four gauche-looking fellows from Düsseldorf standing in a row, each poking at a synthesizer while strange, apparently unconnected images appeared on screens behind them. A Kraftwerk album could be just as confounding. The cover of 1977’s TransEurope Express featured the band in suits and ties, looking more like the partners at an accounting firm than a pioneering electronica band.

Bernie $anders is a public enemy

For years, Louis Farrakhan and his followers have been claiming that African Americans are divided against each other because of ‘the Jews’. And now Bernie Sanders has broken up Chuck D and Flavor Flav. Mr Flav, for those who went to older schools than the old skool, is a ‘hypeman’ for the musical entertainment group Public Enemy. In the mid-Eighties, Public Enemy caused some considerable stir among young pop-pickers with their appealing combination of stolen samples, Nation of Islam militarism and highly lucrative calls to black revolt. Mr Flav’s ebullient performances were especially entertaining, for it was his wont to wear a giant hat, outsize sunglasses, and a giant clock around his neck, while shouting signature phrases such as ‘Yeah, boyeeeee!’, ‘Flavor Flav!

Chuck D and Flavor Flav public enemy