Tessa Hadley

Diary – 17 March 2012

From our UK edition

I’m a cowardly traveller. I’m not afraid of trains, planes, cars — just of change, and of elsewhere. Months ago I agreed to go with my colleagues from Bath Spa University to a conference of creative writing programmes in Chicago. As the time approaches, I resent that past self who said yes: foolishly enthusiastic, deluded about my own character. The prospect of travel makes the days leading up to it feel insubstantial, as if they are only a preparation. I have no interest in Chicago, where I’ve never been. There’s a metaphysical puzzle about time which has gripped me since I was a child — faced, say, with a school morning of maths and double Latin. Why does this moment I’m in have to be now? Why can’t it be then, when the trip is over?

Short stories deserve a prize

From our UK edition

Writers have to be careful of prizes — careful of thinking about them, or not thinking about them. Sitting down to write, one needs one’s head clear of all the apparatus of vanity and status anxiety and self-doubt that may clutter it the rest of the time. No one who’s any good puts words on the page to win prizes: good writers aim at something much bigger and more difficult. And yet prizes do change the literary landscape — they draw writing habits and patterns and fashions inexorably after them. It goes without saying that they are a bit of a blunt instrument: getting it right sometimes, wrong sometimes, not fine-tuned to the taste of every discriminating reader.  But they help sell books, and we all need books sold.