Tanya Gold

Tanya Gold

Tanya Gold is The Spectator's motoring critic

The Bentley Continental GT is a car for the upper-middle classes

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Bentley’s Continental GT has a name to suit it: four voluptuous syllables then two emergency stops. This is the first car I reviewed, and it is still my favourite. I think this is because I grew up in Esher, and this is the car of the functional aspirant upper-middle class. It is important to remember that the state limousines – the pair of sinuous maroon sharks that transport the monarch from one demonstration of public magic to the next - are Bentleys, based on the long-gone Arnage, elongated for majesty. The Bentley is for people who work hard: the still responsible. Just enough flash. Not too much. If Aston Martin is British romance and Rolls Royce British violence in lambswool, Bentley is British functionality and taste.

In days of war, we need trifles: Mezzogiorno reviewed

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Mezzogiorno is a very serious, golden Italian restaurant inside the Corinthia London Hotel on Northumberland Avenue. Restaurants are increasingly gold these days, as if for a crocodile of Scrooge McDucks trooping through the wreckage of liberalism looking for money, nuts and guns. It follows the trajectory of my beloved Raffles at the OWO [Old War Office] round the corner. What was once a Ministry of Defence building – though formerly a hotel – is now a (quite good) pizza joint. When the time comes, I hope the drones know. Ignore the lie that gold restaurants serve tiny portions for tiny people. These are vast Mezzogiorno is by the gifted Francesco Mazzei, previously of Sartoria in Savile Row. Here, because this is an age in denial about hierarchy– ha!

An ode to Blackpool

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Ballroom dancers, suicide cases, charlatans: Blackpool has them all. No place has so much possibility or holds so much of the British soul on one bright, windswept drag. I first came here for Conservative party conference, where the cognitive dissonance of pre-Coalition Tories in funeral suits and the reality of the country they sought to govern – love, loss and candyfloss – felt wild. Did these people even know each other? It turns out they didn’t. Then I came to watch Russell Brand pretend to be Jesus Christ at the Winter Gardens for people alienated enough to think Russell Brand is a viable alternative to anything. They all meditated together.

Food for adults remembering childhood: Dover Street Counter reviewed

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Dover Street Counter is the tiny sister of The Dover, a very good restaurant on – who knew? – Dover Street, Mayfair. This is the site of P.G. Wodehouse’s fictional Drones Club, if following Wodehouse’s paths is your way of coping, and there is nothing wrong with that. There are some bad restaurants in Mayfair now, with slutty Roman gods and monumental Caesar salads; passive-aggressive tributes to Elizabeth II in bad cake, and enslaved fish staring at sex workers with the mute anguish of recognition. This is better. Good restaurants have the gift of suppressing fear, and this is one such The Dover is delivered by professionals for adults – that is, people who do not put intimacy on expenses, and who can recognise neo-Stalinist soft furnishings when they see them.

Like dining with Elrond in Rivendell: Corenucopia reviewed

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Corenucopia by Clare Smyth is in Belgravia, amid a line of interior-design shops, and it is prettier than all of them. It is a female paradise on the ground floor of a mansion block, dedicated to art nouveau and ‘comfort’ food. There are plaster tree branches peeking from the walls and the menu script looks elvish. It is rare that whimsy does not make me kick things, and few things are more whimsical than plaster forests, but Smyth, also of the three-Michelin-starred Core, is one of the great cooks working now. From her, whimsy is merely voice; or, rather, I forgive her. We eat malted sourdough with Ampersand butter and wild venison salami. Both are glorious There is a sanity to this restaurant, even if it is gilded for native Belgravia blondes.

A Vermeer of a car – the Rolls-Royce Ghost Series II

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A Rolls-Royce press trip is like being taken by Mary Poppins – Mary of the novel, not the film, she is more savage and interesting – and shown a thing you would not otherwise know. When you arrive at the destination – it is Provence today, but it could be California or Ibiza tomorrow – you find the cars at the airport, laid out in blue and lilac and grey. Among them stand smiling men, whose job it is to help you drive the car: during the self-drive part they stand at roadsides smiling at you, though I think they have had weapons training. If you know this is a Rolls-Royce press trip, fair enough.

Beloved by Chinese tourists – and the Labour party: Phoenix Palace reviewed

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The exterior of the Phoenix Palace is cream with golden letters like the napkin and the Laffer curve, and it is squeezed below an Art Deco mansion block in Baker Street. The street is self-effacing, stuck between the Marylebone Road and the Sherlock Holmes museum, which exists because London is, among other things, morbid. The cuisine is Cantonese. Understatement is a feint here, though; the Phoenix Palace is famous, and always on the best dim sum lists. It is beloved by Chinese tourists and students, and, weirdly, the Labour party, whose grandees smile uneasily from photographs, like hostages to the economy, and rice. The food comes near instantly.

A restaurant so perfect I hesitated to review it

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Sometimes you find it, H.G. Wells’s door in the wall, but to tapas: a restaurant so perfect you hesitate to review it. Each critic kills the thing she loves, because to love it is to change it. But I can’t just review palaces for psychotics containing lamps that should not exist, comforting though the idiocies of the very rich are. So here is a review of 28 Church Row, Hampstead. I will try not to make it read like a Hampstead novel about the unreliability of memory, but I might forget to do this. Church Row is the prettiest street in Hampstead: a ragtag of Georgian houses beloved by television stars who wake up one day, understand they are vulgar and buy a house that isn’t. I can’t afford one, but I saved a man from death in Church Row once, which is unusual for this column.

Scott’s vs Mayfair

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Kingsley Amis was obsessed with Scott’s on Mount Street, Mayfair, and he knew a lot about food. He ate himself to death. In his unwise James Bond continuation novel Colonel Sun – Ian Fleming also loved Scott’s – Amis had Bond ponder that ‘every meal taken in those severe but comfortable panelled rooms [is] a tiny victory over the new hateful London of steel and glass matchbox architecture’. Bond then presumably dropped his knickers, because there is as much projection in Amis and Fleming as there is in this column. Even so, I know how they feel about Scott’s. Mayfair is now the UAE with democracy and rain. It is gold and pink for toddler princes, and Scott’s, which is the colour of a Barbour, remains a tiny victory in brown. Of course Amis loved it.

Survival here is about logistics: Disneyland Paris reviewed

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Alcoholics know that hell is denial, and there is plenty at Disneyland Paris in winter. This is a pleasure land risen from a field and everyone has after-party eyes, including the babies. The Disney hotels operate a predictable hierarchy: princesses at the top, Mexicans at the bottom. We, the Squeezed Middle, are at the Sequoia Lodge with Bambi, where I learn that I like canned birdsong, and that is fair. You don’t consume dream worlds, because that is not their nature. They consume you. We stand in the Magic Kingdom and stare at Mickey Mouse-shaped food and a fake Bavarian castle – it’s Ludwig’s, not Sleeping Beauty’s – painted pink. Disney culture is impregnable: hence the fortress. It only needs – it only feeds on – itself.

Peril in Prague: The Secret of Secrets, by Dan Brown, reviewed

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Robert Langdon is a symbologist, and that is the meta joke – the only joke – of Dan Brown’s series of blockbusters, of which this is the sixth. Langdon, an Everyman – Frodo Baggins but taller, and with a professorship at Harvard – is a monied, moderate intellectual who likes swimming. And he is very ordinary – until he isn’t. All novels have subtexts, even if they don’t really want them. They can’t help it. This one is: a monied, moderate intellectual can be interesting, and interesting things can happen to him. (I think Brown spends a lot of time at his desk. I also think he prefers ideas to people.) Langdon can set off the fire alarm in his hotel and jump out of the window into the river.

A right royal travesty: Lilibet’s reviewed

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Elizabeth II was a god and a commodity: now she is gone it is time for posthumous exploitation. Lilibet’s is a restaurant named for her childhood nickname at 17 Bruton Street, Mayfair, on the site of the house where she was born. It was inevitable that Elizabeth II would eventually get a personal restaurant. Princess Diana ate in the Café Diana – English breakfasts and kebabs – on the Bayswater Road and George VI is the inspiration for the superb Guinea Grill – mostly sausages, or rather it is the sausages I remember – near Lilibet’s. Because that is what the British do to our monarchs and their intimates. We eat them and call it love.

With Tanya Gold

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21 min listen

A woman that needs no introduction for regular Spectator readers, Tanya Gold has been the Spectator’s restaurant critic since 2011. On the podcast she tells Lara why – while it might be annoying – fellow critic Jay Rayner is never wrong, why the pandemic was ‘disgustingly great’ for food critics and how she has become ‘enslaved' to her aga. Plus, she discusses her favourite restaurants from Hampstead to Cornwall – though it sounds like she would trade them all in for the mini egg, which she calls 'the highest form of food’. Produced by Patrick Gibbons.

‘The food is not the point here’: Carbone reviewed

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People say that Carbone is Jay Gatsby’s restaurant – Gatsby being the metaphor for moneyed doomed youth – but it is something more awful and, because people are asleep, no London restaurant has been this fashionable since the Chiltern Firehouse a decade ago. It lives in the basement of the former American embassy in Grosvenor Square, which is now the Chancery Rosewood Hotel. I thought this building would smell of fear, of why-can’t-I-have-a-visa-please? The truth is that it does, but that fear is now a commodity: you can be the person saying no-visa-for-you. (‘Uniquely yours,’ says the advertising copy. It means it.

My murderous, malfunctioning Aga

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People always divine themselves through material goods: hence the obsession with the Aga, recently detailed by my friend Rachel Johnson in these pages. Rachel loves her Aga – well, her Agas, she has two – because it needs to be defended from bourgeois socialists who don’t have Agas: they just want them, because self-deception is the defining characteristic of the bourgeois socialist. Me, I hate mine. I used to love her because she made me feel upper middle-class, which I’m not, and now I know I’m not, and I’m glad I’m not, please take her. Of course, Agas are class signifiers. An Aga is like the last vestige of the country estate left after the fire sale. As in: ‘We lost the Titian but kept the Aga’.

Bagels that even New York can’t beat: Panzer’s Delicatessen reviewed

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That Panzer’s Delicatessen in St John’s Wood is called Panzer’s – for the instrument of Blitzkrieg – is mad, until you remember that Jews love to eat near catastrophe, and then it is merely funny. I love Panzer’s so much I am reluctant to share it, but we need all the friends we can get. I keep telling non-Jewish friends: when we burn, you will burn with us. Though I mean it as consolation, they tend to run. St John’s Wood has always existed on the edge of hysteria. Edwardian psychopaths put their mistresses here, and I once went to a children’s birthday party where Peppa Pig couldn’t park, and there was a fight with recriminations. The high street sells corsetry and facial reconstruction.

Almost too interesting for Notting Hill: Speedboat Bar reviewed

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When you are old enough, you can measure your life in restaurants. I remember, for instance, when the Electric Diner on Portobello Road (named for a long ago and far away war) was a place to eat brunch, a meal that shouldn’t exist and doesn’t really, though if it belongs anywhere it belongs here. It was fine but glib – Notting Hill is either a place with no imagination or too much of it, I’m still not sure. How it can tolerate the truth of Grenfell Tower across the way I don’t know either, but I don’t live here. The diner is gone, replaced by a Thai restaurant that is too interesting for Notting Hill The diner is gone, replaced by a Thai restaurant – the Speedboat Bar, twin to a branch in Soho – that is almost too interesting for Notting Hill.

So boring it’s mesmerising: The Place to Eat at John Lewis reviewed

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I am, like a strain of Withnail, in the John Lewis café by mistake. I meant to review the new Jamie Oliver café and cooking school on the third floor of John Lewis Oxford Street, but they have run out of food beyond pink cake. We have no choice but to go upwards to the fifth floor and the electricals. I have always felt safe in John Lewis, a despicable thing to think, let alone type, but that is done now. It is called The Place to Eat, which echoes, though unconsciously, Ecclesiastes 3. It is preeningly ugly. I wonder if this is another strain of common British humble-brag, like our teeth, our town centres and our clothes. Because this is ugliness by design: it’s too ugly to be anything else.

Palestinian nationalism has come to Cornwall

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This is West Cornwall, land of fishing, jam first and Trotskyite crafters. There is a sizeable community of nutters yearning for a Cornish intifada: the freedom within, and the freedom without. The old joke is: the duchy is shaped like a Christmas stocking and all the nuts are in the toe. Extinction Rebellion (XR) used to be the big thing down here. My cleaner, a serious deal in XR, screamed at me when my husband put a Tory sign in our garden for the 2019 general election campaign – but fashions change. There are other things to be extinguished now. Since 7 October 2023, the nutters have embraced their own version of Palestinian nationalism and, this being West Cornwall, it is art-themed.

Ferrari and the rise of petrol nationalism

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I used to think I wasn’t attractive enough to drive a Ferrari. I still think that, but you reach an age, like Lester Burnham in American Beauty, when you don’t care any more, and in that despair you can pull off anything. I am now exactly that age: the same age as the man driving the nervous-breakdown orange Lamborghini on the prom in Penzance. When I see him, I have to stop myself screaming the betrayed wife’s words to her adulterous husband in Moonstruck: ‘Cosmo, I just want you to know, no matter what you do, you’re gonna die. Just like everybody else.’ (‘Thank you, Rose.’ ‘You’re welcome.