Sam Leith

A phrase often used in praise of comics artists is that they ‘transcend the limitations of the medium’. The apologetic subtext to that phrase tells you a lot. Even as we praise the greats of comics, we tend to do so as if their achievements are in spite of, rather than because of, their chosen

In the mid-1930s, the poet Ogden Nash visited a rodeo, where the star attraction was a handsome cowboy parading with his wife and son. ‘This is Monty Montana,’ the announcer declared, ‘who is a great example to American young men and young women. He has never smoked a cigarette, he has never touched liquor.’ Nash’s

On the very first page of Peter Ackroyd’s biography, you learn something strange and interesting about the first few moments of Shake- speare’s life: ‘A small portion of butter and honey was usually placed in the baby’s mouth. It was the custom in Warwickshire to give the suckling child hare’s brains reduced to jelly.’ Who

After the Victorians opens with a coronation at which ‘Land of Hope and Glory’ is played, and an expedition to the Himalayas: King Edward VII took the throne, Younghusband and his Maxim guns took Lhasa. It closes with a coronation at which ‘Land of Hope and Glory’ is played, and an expedition to the Himalayas:

‘Tomorrow morning some poet may, like Byron, wake up to find himself famous,’ wrote Randall Jarrell, ‘for having written a novel, for having killed his wife; it will not be for having written a poem.’ Jarrell’s cynicism is too slick, too rueful; but it does snag something in Robert Lowell, as it does in several

‘This,’ announces Max Hast- ings at the outset, ‘is an old-fashioned book.’ So it is, and it is none the worse for it. As a schoolboy, Hastings thrilled to a 1920s’ anthology called Stirring Deeds of the Great War. His own book, a Brief Lives-style collection of essays on 14 of the most colourful or

Early on in Piers Morgan’s memoir of his career as a tabloid editor, there is a very funny incident. It is a Saturday in 1994 and Morgan, then editor of the News of the World, knows that the Sunday Times, his broadsheet stablemate, has bought the serialisation rights to Jonathan Dimbleby’s book about Prince Charles.

Charles Greville? you may wonder. ‘Who he? — Ed.’ Ed, decently enough, supplies us with the answer. Greville was an idler, a gambler, a political spectator, a cold fish, and a toff’s toff: a political diarist with Alan Clark’s sharpness if not his ambition, who lived from 1794-1865, and wrote from 1814-1860. Greville had a

‘Roy Hattersley,’ said Becky, tilting her head on one side to read the spine of the thick red book I had brought away with me to the house party. ‘The Edwardians. Are there four more depressing words in the language?’ Now, that’s not fair. He may be a bit of a windbag, but he’s our

Two or three years ago, I was invited with my rather posh then girlfriend to a grand party up in Yorkshire somewhere, and we were billeted for the night with a fellow guest who lived nearby. Our host was one Sir Tatton Sykes, Bt — known around those parts, as ‘Sir Satin Tights’ — an

Visits from the Drowned Girl starts out with a gripping idea as old as crime fiction: the bystander. Benny Poteat climbs communications masts for a living. One day, from the top of such a mast out in the back- country, he looks down and sees a girl set up a video-camera on a tripod by

‘They can’t like us a whole lot,’ was the report of one American soldier. ‘If we came into a village there was no flag-waving, no pretty young girls coming out to give us kisses as we march through victorious. ‘Oh, here come the fucking Americans again. Jesus, when are they going to learn?’ That was

‘Reviewers,’ laments the Dr Cake of Andrew Motion’s title, ‘they are devils. Devils. I have seen good men, good authors, broken by their deprecations. The worst of it is their presumption in supposing that those they chastise do not know their own faults, and admonish themselves with a ferocity others can only imagine.’ From a