Sam Leith

Among the precursors to this breezy little book are, in form, the likes of The Story of Art, Our Island Story and A Brief History of Time and, in content, Drabble’s Oxford Companion to English Literature and Johnson’s Lives of the Poets. Other notable precursors are How to Read a Novel by John Sutherland, How

I couldn’t decide on starting England’s 100 Best Views whether it was a batty idea for a book or a perfectly sensible one. Why write about something that begs to be seen? Would this not be better as a collection of photographs, with helpful accompanying maps and perhaps a checklist that, once filled in, entitled

Why do we know so little about the Habsburg empire, given that it is the prime formative influence on modern Europe? Its pomp gave us the art, music, literature and pageantry of our high culture; its relationship with the Ottoman East and burgeoning European protestantism drew our religious and our political maps; its collapse fomented

So: Russia’s imperial possessions on the Pacific North West of America. Remember those? No. Me neither. Something vague about the Russians flogging a bit of Alaska to the United States in the middle of the 19th century perhaps. But until I’d read this book I didn’t know that at one point Continental Russian America, not

‘Who the hell is Disraeli?’ This, as a gleeful footnote in Douglas Hurd and Edward Young’s new book reminds us, was the response of John Prescott when asked on television what he made of Ed Miliband’s speech last year extolling the virtues of Dizzy’s world-view. Actually — as their book goes on to make clear

‘Does history repeat itself, the first time as tragedy, the second time as farce?’ asked Julian Barnes in A History of the World in 10½ Chapters. ‘No, that’s too grand, too considered a process. History just burps, and we taste again that raw-onion sandwich it swallowed centuries ago.’ Reading David Kynaston’s densely detailed new book

‘Caelum certe patet, ibimus illi’ was the phrase blazoned on the side of the Royal Vauxhall, an 80-foot, red and white candy-striped coal gas balloon launched from Vauxhall Pleasure Gardens in 1836 to fly overnight from London to the continent. The motto is from Ovid: ‘Surely the sky lies open, let us go that way!’

Like many posthumous books from distinguished thinkers, this isn’t one. A book, I mean. Not really. The problem is that nobody seems to buy cobbled-together collections of previously published essays, talks and book reviews. The thing to do if you’re a publisher, therefore, is to give it a title that makes it sound like a

Andrew Solomon’s simple and powerful guiding idea in this book is that there are two sorts of identity that affect your place in the world. Your ‘vertical identity’ is what you share with your parents — and it usually, but not always, includes such things as race, religion, language and social class. Children are born

The phrase that gives this book its title is Graham Greene’s: The nightly routine of sirens, barrage, the probing raider, the unmistakable engine (‘Where are you? Where are you? Where are you?’), the bomb-bursts moving nearer and then moving away, hold one like a love-charm. Greene was apparently proud of ‘love-charm’: he used it more

The passing of Jonathan Miller’s father Emanuel Miller — a very distinguished psychiatrist — was terrible. ‘His last words, as he reared up on his deathbed, were: “I’m a flop! I’m a flop!” ’ One should be cautious about being Freudian here — Emanuel might approve; his son wouldn’t; his son’s biographer might, slightly —

Thomas Stamford Raffles (1781-1826) is a man whose name is now better known than his doings. Its syllables conjure a world-famous hotel, a prep-school, the former business class brand of Singapore airlines, a shonky packet of fags, E. W. Hornung’s Raffles the Gentleman Thief, and Viz comic’s Raffles the Gentleman Thug. He also gave his

The first volume of Peter Ackroyd’s six-volume history of England took us from prehistory to the death of Henry VII. Now the great charabanc rattles on. Here is a fat book of old-fashioned, great-man history taking in the second of the Harries twain, Ned the Lad, Mary and Bessie. Things don’t begin well; the speed

‘I’m trying to help you, Serena. You’re not listening. Let me put it another way. In this work the line between what people imagine and what’s actually the case can get very blurred. In fact that line is a big grey space, big enough to get lost in. You imagine things — and you can

One of the fun facts you occasionally hear people brandish about Raymond Chandler is that he was at Dulwich College with  P. G. Wodehouse. It’s a slight fiction —Wodehouse was actually there seven years earlier, so we can’t picture Chandler giving him a bog-wash — but one that sticks because of the contrast: good egg

When the modern reader thinks of Lillian Hellman, if he or she thinks of her at all, the image that presents itself is likely to be of a wizened old doll marooned in a gigantic mink coat, a still bigger hairdo — and wreathed in the smoke emanating not only from a cigarette but from