Rachel Summer Small

Figures emerge like ghosts from Antonia Showering’s canvases

Figures emerge like ghosts from Antonia Showering’s canvases, their sketchy lines and expressionistic color palette relaying an atmosphere of deeply personal narrative as much as an emotional message, wordless but with universal resonance. Take 2025's "The Waiting Room" (2025), from her current show, titled In Line, at Timothy Taylor: A woman, resting on a bed in a pool of maroon, has just given birth; her belly appears aglow in a warm yellow as her newborn, outlined in pale purple, rests next to her, umbilical cord still attached. “I wanted to talk about the vulnerability about someone postpartum,” says the artist. The hues she’s employed are bodily, those of flesh, fat, and veins, yet here transcend into a surreal haze of life’s first moments. Antonia Showering, 5L (2024).

Antonia Showering

In ambiguity, Tancredi Di Carcaci finds inspiration

The narratives we tell ourselves about the past are hardly set in stone. It’s in this ambiguity where Tancredi Di Carcaci finds inspiration. Through his practice, the British artist contemplates, and sometimes perpetuates, the blurring of straightforward histories, especially that of art, as traditionally passed down. His sculptures – a mix of ceramic works and assemblages combining cast bronze, ceramic and hunks of marble and stone sourced from Siena, Egypt and elsewhere – have aesthetic and thematic roots spanning the Renaissance, neoclassical revival, Romantic painting and 20th-century modernism.“For me, with art, I don't try and restrict myself.

Palo Gallery