Lost in Translation was Tokyo at its bizarre, dislocating best
You can wait ages for a Japan themed Hollywood film and then three come at once. In an odd spasm of Japanophilia in 2003, Sophia Coppola’s sophomore effort Lost in Translation was swiftly followed by Tom Cruise’s Last Samurai and Quentin Tarantino’s Kill Bill Vol 1. The latter two may have made more money but Sophia Coppola’s film is the most interesting. On its twentieth birthday, Coppola’s vaguely unsettling and still controversial romantic (sort of) comedy is ripe for re-examination. The plot, if it can be called one, sees Bill Murray as a veteran Hollywood actor in Tokyo to film a Suntory whisky commercial, for which he will earn $2 million.