Olivia Potts

I have always been a bit of a stew-pusher; it tends to be my answer to any of life’s dilemmas, culinary or otherwise. Friends coming round? Stew. Cold and dark outside? Stew. Feeling sad? Stew. To be honest, it doesn’t matter whether or not the weather demands it, I am always in the mood for stew. I’d eat mince and dumplings in June, a slow-cooked sticky oxtail ragu in high Summer. But once Autumn arrives, and my obsession is legitimised by the cold and the dark evenings, there’s no stopping me. In our household, it’s casseroles from now until Spring. I struggle to think of something more comforting and cosy than a big, generous dish of braised meat, tender vegetables and a beautiful sauce arriving at the table.

‘Casseroles,’ Julia Child wrote to her long-term penpal Avi DeVotos, ‘I even hate the name, as it always implies to me some god awful mess.’ On this, Julia and I are in full agreement: I have a real problem with the word ‘casserole’. And ‘stew’ for that matter. Both of them sound so unappetising, so school dinners. But Child and I are also aligned in our hypocrisy, because actually, deep down, I love a casserole, as long as you call it anything else. Like me, despite her vocal opposition to the casserole, Child loved bourguignons and carbonnades, coq au vin and poulet poele à l'estragon, and wrote about them with enthusiasm and appetite. Of course, all of these are casseroles, just with fancy (or specific) names.

There are some fruits which, while lovely cooked, are probably at their best fresh: nectarines and peaches, raspberries, mango. But blackberries, as delightful as they are eaten fresh from the bush mid-forage, come alive when cooked. As you heat blackberries, and they break down and give up their juices, begin to smell like violets and wine. They become more complex, perfumed; their sweet-sour flavour is softened into something more elegant, even more irresistible than when fresh. Normally in a pie, those beautiful juices are a cause for concern. They’re a one-way ticket to a soggy bottom, something we try to avoid with careful blind-baking, or pre-cooking, or layering the base with something like ground almonds to soak up any liquid.

A rose by any other name may smell as sweet, but somehow, eggy bread just doesn’t hold the same appeal as French toast, does it? The latter has become a bougie brunch dish, while the former languishes in second-hand student cookbooks. At heart, they’re the same thing: slightly stale bread soaked in an egg-based custard, then fried. Whatever pretensions French toast may have (and however delicious it might be), its origins are a cheap dish that improves and extends the life of stale bread with just a couple of eggs and a knob of butter.

More than new pencil cases, name tapes, and the smell of school halls, back to school season always makes me think of proper puddings. There’s a category of pudding that seems reserved for properly old cookbooks, a handful of old-fashioned pubs, and dinner ladies. Spotted dick, cornflake tart, and jam roly poly. Perhaps its ubiquity at school lunches accounts for its ghoulish alias: dead man’s leg or dead man’s arm. School children have a taste for the macabre, but to be fair to them when the pudding is unwrapped and before it is sliced, it does look fairly uninspiring, and not a hundred miles away from a pallid limb. This probably wasn’t helped by the fact that, before baking parchment and foil were widespread, the pudding would be steamed in a shirtsleeve.

I’m not sure that many people would choose the unassuming garibaldi as their favourite biscuit. Garibaldis aren’t flashy: there’s no luxury chocolate, no pretty, brightly-coloured icing, no fancy-pants shapes. They aren’t squidgy, trendy cookies, or wholesome buttery shortbread. In fact, they’re often called squashed-fly biscuits because the currants baked into the dough resemble, well, squashed flies. And yet, they persist. Garibaldi biscuits have stuck around for 150 years, outseeing fads and fickle consumers, keeping their place on supermarket shelves for longer than almost any other biscuit. The biscuits have an unlikely namesake: Giuseppe Garibaldi, an Italian General, who fought for Italian unification.

When I was first playing about with the recipe, the sun was shining. Every day was hotter than the last, and I found myself seeking out dishes that were cooling, that were fresh, and made me feel like I was on holiday. Looking ahead to when this recipe might go out I was fairly confident that it would hit the right note at the height of summer: July might have a damp day here and there, but overall, it seemed a relatively safe bet for days and nights of heat, the kind of time where there’s a sudden run on paddling pools, and ice cream becomes near medicinal. But as I write this, August is letting me down. The early summer spells have vanished and it is looking distinctly autumnal outside the window. My neighbour has just run past the window in a raincoat.

I confess, the idea of a tres leches cake did not initially appeal to me. A dry sponge soaked in a variety of tinned milks sounds, at best, like bland nursery food and, at worst, tooth-achingly saccharine. ‘Milky’ has never been one of the words that I hope to see in connection with anything other than ‘coffee’ or ‘Way’. But I saw it likened to trifle and curiosity got the better of me – and I’m so glad it did. Actually, a tres leches cake is not terribly like a trifle at all, although I can see where the comparison came from. Soaked puddings are nothing new, and that’s really what a tres leches cake is.

I’m normally averse to leftovers: it’s not a trait I like in myself. I’d far rather be able to eat the same thing for days on end, especially when it’s seasonal veg, or an enormous, hearty stew that I’ve spent ages making. It’s a sensible way of cooking: healthy, seasonal, cheap, time-saving. But I’m easily bored, and the best laid plans of mice and men the night before, clingfilmed or tupperwared up, no longer appeal the following lunchtime. I end up parcelling those thoughtful, carefully prepared dishes onto my husband and plumping instead for so-called novelty in the form of toast, or a sandwich. For some reason, soup is the one dish that doesn’t suffer this fate.

I am always slightly nervous about presenting recipes which are distinctly regional: locals tend to be fiercely defensive, proprietary even. about how their particular delicacy should be made and enjoyed. Devon and Cornwall have long been engaged in a battle as to whether cream or jam comes first on their otherwise very similar scones (personally, if you’re offering me a freshly made scone, loaded up with delicious things, I have absolutely no interest in the order of their piling), and the Cornish are so protective of their eponymous pasty, that they campaigned for years for it to receive Protected Geographical Indication, meaning that it must be manufactured in Cornwall.

There are few things more comforting than a pie, but often that level of comfort is directly proportional to the amount of effort required to make it. Pastry bases that must be prepared, then chilled, lined, blind baked and re-baked; fillings that require pre-cooking, or sauces that need thickening. Not so with spanakopita. Spanakopita is a Greek cheese and spinach pie, encased in several layers of filo pastry, each sheet painted with butter or oil; once baked it is golden brown and crisp on the outside, and soft inside, fresh from the herbs, and rich and salty from the cheese. Filo is forgiving and easy to handle, the butter-brushing smoothing the filo into your pie dish, as well as bringing colour and flavour.