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You might be forgiven for thinking that a charity sale of particularly kitschy furniture has been set up just past the entrance of the Barbican Art Gallery. There’s a chunky brown dressing table, an ornate table several decades out of fashion and a trio of bedside tables. They are piled haphazardly and on each is
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The recent announcement that the National Portrait Gallery has purchased two works by Sonia Boyce and Hew Locke for its collection came as something of a shock. The surprise? The art was actually good. Boyce’s quarterised collage ‘From Someone Else’s Fear Fantasy (A Case Of Mistaken Identity? Well This Is No Bed Of Roses) To
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As she recalls a decade of infamy, Maria Alyokhina wanders one of the many anonymous apartments she has lived in since escaping Russia six months ago. ‘We didn’t expect a criminal case, we didn’t expect imprisonment, we didn’t expect international attention. We didn’t expect how many people would support Pussy Riot, would go to the
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20 min listen
This week on Spectator Out Loud, Oliver Basciano warns that we should brace ourselves for a coup in Brazil (00:53). Then, is three – or more – a crowd? Mary Wakefield discuses this in her Spectator column (08:41), before Fiona Mountford tells us about the sad demise of church pews (14:55). Produced and presented by Oscar Edmondson.
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‘Jail, death or victory.’ These are the three alternatives Brazil’s incumbent leader says await him. It is an unusual rallying call for an election campaign, but this is Jair Bolsonaro, the ‘Trump of the Tropics’, and he may well be right. Bolsonaro was elected in 2018 when his initial rival, Luiz Inácio Lula da Silva,
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34 min listen
In this week’s podcast, we talk to James Ball, author of this week’s cover story on the ‘TikTok Intifada’ about the themes he uncovers in his analysis of the impact of social media on the conflict in the Middle East. The conversation with James continues with our next guest, Professor Gabriel Weinmann of Haifa University
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In 2019 I was asked to be on the jury for the Turner Prize. I was pretty happy about this. As an art critic, to be asked to judge one of the biggest art prizes feels like something of a professional endorsement. I even rang my mum to tell her. ‘But don’t tell anyone yet!’
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The one thing everyone agrees is that the Southbank Centre is in deep trouble. In May, the institution made an unusually public plea for government help. Management predicted the best-case scenario was ending the financial year with a £5 million loss, having exhausted all reserves, used the £4 million received from the furlough scheme and
