Nicholas Kenyon

Barbie’s world: the normalisation of cosmetic surgery

From our UK edition

39 min listen

This week: Ahead of the release of the Barbie movie, Louise Perry writes in her cover piece about how social media is fuelling the cosmetic surgery industry. She argues that life in plastic is not, in fact, fantastic. She joins the podcast alongside the Times’s Sarah Ditum, author of the upcoming book: Toxic: Women, Fame and the Noughties, to discuss the normalisation of plastic surgery. (01:11) Also this week: In anticipation of the BBC Proms Philip Hensher writes in The Spectator that classical music has gone from being a supreme cultural statement, to just another curious musical genre.

Gender wars: the Union’s new battle line

From our UK edition

39 min listen

On the podcast this week:  In his cover piece for the magazine Iain Macwhirter writes in the aftermath of the government’s decision to block the Scottish Gender Recognition Reform Bill from gaining Royal Assent. He joins the podcast with Observer columnist Sonia Sodha to discuss the Union’s new battle line (01:03).  Also this week: why are our prisons still in lockdown?  Charlie Taylor, HM’s Chief Inspector of Prisons writes about some of his recent observations visiting institutions around the country. He says that control measures are failing both inmates and the taxpayer. He is joined by journalist David James Smith to examine this post-Covid inertia in UK prisons (16:48).

The composer and his phoenix

From our UK edition

One of the most memorable images in the much-disputed film of Peter Shaffer’s play Amadeus shows Mozart retreating from an ugly family quarrel in Vienna. Leaving his demanding father and new wife to bicker, Mozart retreats into his room; with manuscript paper scattered across the billiard table, he knocks a few balls around and writes the wonderful scene of family reconciliation at the end of The Marriage of Figaro. That famously beautiful final scene is a utopian vision of what could be possible, but as we listen we surely know that it is as unlikely to endure as perfect harmony in the Mozart household. David Cairns writes that ‘Mozart’s reconciliations are real ...