Michael Hann

No musician ever went bust overestimating the public desire to hear classic soul. Slapping on a Motown backbeat has revived many a career and made many a star. At the simplest level, what wedding band are you going to hire: the one playing note-for-note recreations of acid-rock wig-outs from 1968, or the one playing note-for-note

The bigger the next big thing, the smaller the room you want them playing in. You want the people who got inside to be thankful they made it in (not least because the more exclusive the show, the more hysterical the tweets afterwards: ‘You plebs couldn’t get a ticket, but I saw the very future

The single most boring and pointless thing that is ever said about rock and pop — and it always comes from the Campaign For Real Rock brigade, with their alphabetised vinyl and back copies of Mojo — is that it should be ‘all about the music’. It is never, of course, all about the music,

They may no longer get many teenagers at their shows spending all their money on merchandise, then throwing up on the way home, though that certainly happened at the end of the 1980s, when they began, but people do love Teenage Fanclub. Their teenage fans are now middle-aged, and have spent the intervening years growing

Some years ago, when I was the music editor of a newspaper, I called a number of historians of black music asking if any of them could write about why the audience for new music made in the styles of classic soul, blues or jazz was almost entirely white. The people I asked, some of

What would a rock band have to do now to be seen as heralding the future? Twenty years ago, it was enough to be in possession of sharp cheekbones, tight jeans and 11 fantastic songs. The first album by the Strokes, Is This It, was released 20 years ago this month. It spread around the

I’ve given up comfort food. I’m trying to shift lockdown pounds that have left me with the physique of the kind of ageing second-string wrestler you used to see on World of Sport early on a Saturday afternoon in the 1980s. It’s all eschewing oils and measuring portions round these parts, and so I have

On the way home from This Is The Kit’s show at a socially distanced Barbican, I listened to Avalon by Roxy Music, which had been brought to mind by the previous 90 minutes or so of music. It’s perhaps worth saying that This Is The Kit — the nom de chanson of Kate Stables, backed

There is a reason music writers tend to stick with music writing rather than transferring their manifold talents to the business side of things. Our dirty secret is that, for all our exquisite taste, most of us — with a few exceptions — have no conception of what the rest of the world actually wants

St Vincent — Annie Clark, a 38-year-old singer-guitarist of prodigious gifts — spends a lot of time confounding people. She confounds them with stage shows that are less gig than theatre, ostentatiously choreographed and fabulously provocative (though not in any crude sense). She confounds them with an image that morphs from album to album (for

The other week someone posted on Twitter a link to a YouTube clip titled ‘Family Lotus and D.J. Cookin’ at the Golden Inn, July 4 1981’. It showed a bunch of long-haired people on a makeshift stage in the New Mexico desert and a handful of people dancing around in the dust to the music,

Has any musical moment extended its tendrils in so many unexpected directions as the English folk revival of the mid-1960s? In its beginnings, it was a source of pilgrimage for Bob Dylan and Paul Simon, who pinched his arrangement of ‘Scarborough Fair’ from Martin Carthy way back in the dim and distant past when the

One thing about a streamed festival is that the toilets are better than at the real thing. The other thing, though, is that it’s not really a festival. That’s not to knock the North Will Rise Again (TNWRA), which took place over Saturday and Sunday nights a few weeks back, the first featuring Liverpudlian bands

One of the unforeseen consequences of the rise of streaming was a change in the very structure of the pop song. Listeners who needed only to click a button to explore an unfathomable amount of music rapidly lost patience. They were less willing to listen to long songs; they were less willing to wait for

The most headline-grabbing of these three pop docs was Framing Britney Spears, part of the New York Times Presents documentary series, and a bit of a worldwide sensation. It was both revelatory and grubby. As many have noted, the footage of interviews with Spears as a prepubescent and teenager was so deeply unpleasant, so unrelentingly

Twitter was awash with mockery last week, after Adam Levine, the singer of the American group Maroon 5, was interviewed on Apple Music and told Zane Lowe: ‘It’s funny, when the first Maroon 5 album came out there were still other bands. I feel like there aren’t any bands any more, you know?’ Out came