Lucy Vickery

In Competition No. 3224, you were invited to submit snippets of misleading advice either for tourists visiting Britain or for British tourists travelling abroad. You normally embrace this challenge with mischievous relish but this time around the mood felt somewhat muted, perhaps not surprising under the circumstances. There were plenty of zingers all the same,

In Competition No. 3223, you were invited to supply an acrostic poem in which the first letter of each line, read vertically, spells DENNIS AND GNASHER. A varied and excellent entry, which celebrated with gusto the Beano’s spirit of naughtiness and irreverence, also reflected how it has evolved to accommodate modern sensibilities. As Stuart Jeffries

In Competition No. 3222, you were invited to supply a dystopian short story that incorporates as many collective nouns for animals or birds as possible. Your appetite for dystopian imaginings may be somewhat limited at the moment — ‘How about setting something sweet and optimistic?’ write Frank Upton — and there was a dismal sameness

In Competition No. 3221, you were invited to submit an ode on the Marble Arch Mound. The 25 metre-high artificial hillock, dubbed ‘Teletubby Hill’, has drawn near universal mockery and derision, leaving Westminster City Council red-faced and poorer to the tune of £6 million. But it inspired a funny, imaginative entry, with a strong whiff

In Competition No. 3220, you were invited to supply a newly discovered short story by a well-known 19th- or 20th-century poet. In a distinguished entry, Nick MacKinnon’s tale — unearthed in Wendy Cope’s archive and featuring the poet herself and her alter ego Jake/Jason Strugnell — stood out; as did Brian Murdoch’s T.S. Eliot, showing

In Competition No. 3219, you were invited to supply clerihews on well-known scientists, past and present. The subject of the first ever clerihew — a pseudo-biographical quatrain, AABB, playful in tone, metrically clunky — which was written, for fun, in about 1890 by schoolboy E.C. Bentley (and illustrated by his chum G.K. Chesterton) was a

In Competition No. 3218, you were invited to supply a recipe as it might have been written by the author of your choice. I tip my hat to Mark Crick’s Kafka’s Soup, which gave me the idea for this excellent challenge. In it you’ll find such delights as John Steinbeck’s mushroom risotto, Virginia Woolf’s clafoutis

In Competition No. 3217, you were invited to supply a poem that begins or ends with the line ‘Why must it always be tomato soup?’. In Katherine Mansfield’s short story ‘Bliss’, Eddie Warren, a poet, quotes this ‘incredibly beautiful line’ of poetry, which, it turns out, inspired an incredibly witty and well-made entry. Well done,

In Competition No. 3216, you were invited to retell a well-known biblical story in a secular style that would enhance its appeal to a contemporary audience. You might have drawn inspiration from ‘A Brief Statement of our Case’, a rendering of the Sermon of the Mount by the writer and critic Dwight Macdonald in the

In Competition No. 3215, you were -invited to supply a poem about Geronimo the alpaca. The camelid’s fate was finally settled just the day before the closing date for this challenge, and your entries have an added poignancy now that we know which way the dice rolled for poor old Geronimo. I admired Gareth Fitzpatrick’s

In Competition No. 3214, you were invited to choose a well-known painted portrait and let the subject speak for itself, in poetry or prose. Among those who seized the opportunity to have their say were pre-Raphaelite poster girl Lizzie Siddal, who fell dangerously ill while spending several months floating in a tin bath for Millais’s

In Competition No. 3213 you were invited to submit a villanelle whose first line is: ‘The art of [insert gerund of choice here] isn’t hard to master…’ Floating in the slipstream of Elizabeth Bishop were some fine entries, including those by Bob Trewin and Philip Roe, who earn honourable mentions. The winners take £30. The

In Competition No. 3212 you were invited to provide a spiel that a well-known character from the field of fact or fiction might give in their capacity as a tourist guide to a capital city or notable monument. In a hotly contested week, I was sorry not to have space for P.C. Peirse-Duncombe’s Tristram Shandy

In Competition No. 3211 you were invited to submit a nursery rhyme inspired by the pandemic. When I set this challenge, I had in mind ‘Ring-a-Ring o’ Roses’, the rhyme that is said by some to date from the Great Plague of 1665 (though its origins are a subject of hot scholarly dispute). In a

In Competition No. 3210, you were invited to provide a poem or a piece of prose containing words from the phonetic alphabet. The brief didn’t stipulate that you incorporate all 26 words, but hats off to those who shoehorned them in. In a whopping, wide-ranging entry, with echoes of Keats and MacNeice, and ‘Papa’ Hemingway

In Competition No. 3209, you were invited to provide Shakespeare’s Seven Ages of a Tory MP. Inspiration for this challenge came from a parody of Jaques’s monologue from As You Like It by the writer and politician — and Shakespearean scholar — Horace Twiss (1787–1849). The closing lines of his ‘The Patriot’s Progress’ …Scene the

In Competition No. 3208, you were invited to submit a recipe for marital bliss on behalf of an author of your choice. Pausing only to give an honourable mention to Simon Hunter, I pass you over to this week’s terrific winners who each nab £25. I am the very model of a guide to conjugality

In Competition No. 3207, you were invited to supply an extract from a thriller, written by a well-known politician, that contains clues to the identity of its author. This challenge drew a moderate-sized entry in which there was much to admire, including Janine Beacham’s fusion of Daphne du Maurier and Winston Churchill: ‘I might have

In Competition No. 3206, you were invited to supply a sonnet on the universe. The late Frank Kermode reckoned that the sonnet form is just too easy — try a double sestina, if you’re after a challenge, he said — and comps such as this one certainly draw the crowds. A bumper crop of deftly

In Competition No. 3205, you were invited to supply a rigorous literary-critical analysis of a well-known pop song. Thanks to Oliver Hawkins, who drew to my attention J. Temperance’s real-life analysis of Boney M’s ‘Daddy Cool’ (The New Inquiry, 2015): ‘We may paraphrase Deleuze and Guattari and state that “it is within capitalist society that