Lloyd Evans is The Spectator's sketch-writer and theatre critic
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The Normal Heart is not about Aids. Larry Kramer’s play is set in New York in 1981 at a time when clinicians were struggling to find a link between a handful of rare diseases that struck only gay men and heroin addicts. The term ‘Aids’ wasn’t adopted until late in 1982. And this dampens the
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Boy meets girl. Girl gets pregnant. Then the entire world collapses. That’s the story of Camp Siegfried, which is set in the late 1930s at a holiday park in Long Island where German-Americans come to enjoy the outdoor life and to celebrate their ancestral culture. The boy is a strapping 17-year-old who chats up an
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Something’s in the air in Hollywood. It’s the whiff of A-list celebs who’ve given up washing. Jake Gyllenhaal recently revealed that, ‘more and more I find bathing to be less and less necessary.’ Cryptically, he added, ‘we naturally clean ourselves,’ without explaining how he keeps himself smelling of roses while avoiding soap and water. Hollywood’s
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Sir Keir stamped the Labour conference with his personality today. And the mark he left was very bland, vague and colourless – but hard to dislike. Mum and Dad featured prominently. Sir Keir treats his parents like a couple of pet hedgehogs whose habits still amuse him as he looks back on his childhood. His
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Welsh National Opera’s new version of Puccini’s Madam Butterfly opens today. To help audiences understand the opera’s historical significance this week the producers staged an online discussion, ‘The Long Arm of Imperialism.’ It was chaired by professor Priyamvada Gopal who teaches postcolonial studies at Cambridge. She began by reminding us that many of the greatest operas in the
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Blithe Spirit is a comedy with the plot of a horror story. Charles, a middle-aged novelist, lives happily with his second wife, Ruth, but he accidentally conjures up the spirit of his first wife, Elvira, during a séance. He becomes the target of a ghostly murder plot. Elvira decides to bump Charles off and enjoy
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The firecracker and the damp squib stood in at PMQs today. With Boris abroad, the deputies took to the dispatch box. Angela Rayner and Dominic Raab have certain qualities in common. Both are eyeing the leadership of their parties and both are keen to offer a contrast with the present incumbent. The pendulum of popularity
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Frozen the musical declares war on woke politics. The 2013 Disney movie has been turned into a song-and-dance show that openly celebrates sexism, classism and misogyny. Plus, it salutes the joys of global warming. It’s set in a Scandinavian realm ruled by a kindly monarch who lives in a castle attended by fawning servants. No
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What were they? Model broomsticks? Mini cricket bats? The chewed ends of lolly-sticks? At PMQs today many MPs arrived with odd sprigs of material attached to their clothing. The badges turned out to be ‘wheat-pins’ which are part of ‘Back British Farming Day’. Sir Keir Starmer had attached his device firmly to his jacket. Very
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Deep breath. Here goes. Winsome Pinnock’s new play about Turner opens with one of the most confusing and illogical scenes you’re ever likely to see. A teacher on a school trip is showing her pupils a Turner painting displayed in a gallery housed inside a ship donated by the producers of a film starring a
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PMQs thundered back to life today. Boris was clearly thrilled to be there. Sir Keir seemed to be up to his eyeballs in self-doubt. Evidently the Labour leader preferred the old pandemic days when the chamber was like a coroner’s court or a half-empty library at Lambeth Palace. The atmosphere back then was calm, studious
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It’s a rum beast the new Andrew Lloyd Webber musical. Cinderella is set in Belleville, a European city of 18th-century vintage, whose inhabitants are fixated with the body beautiful. Cinderella, a pasty Goth, rejects this ethos and vandalises a statue that commemorates a handsome prince who recently died in battle. Cinders is punished by being
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The new Lily Allen vehicle opens in a spruced-up terrace in the East End. Allen plays a self-satisfied yuppie, Jenny, whose cynical husband has invited two ghastly friends over for a bitchy booze-up. At first sight this looks like a Hampstead comedy from the 1970s but it’s a horror story, and it has a huge
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Nigel Planer is on a mission to bring farce back to the West End. ‘There’s a lot of snobbery in comedy,’ he tells me when we meet at a hotel bar near the Old Vic. ‘People say, “Oh that’s comedy. It can’t have any meaning”.’ The actor and writer is still best known for playing
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The National Theatre has given Sophocles’s Philoctetes a makeover and a new title, Paradise. This must be ironic because the location is hell on earth. The action starts in a dirt circle sprawling with smashed military gear where a group of plump female vagrants are waking up in a clutch of filthy old tents. They’re
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The Edinburgh Fringe has returned after last year’s cancellation but it’s hard to find evidence of the festival on the streets. The atmosphere is weird, unsettling, ghost-like. The defining feature of the city in August is the constant din of music, but as soon as I arrived at Waverley Station I noticed that the pulsing
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Sinatra: Raw (Pleasance, until 15 August) takes us inside the mind of the 20th century’s greatest crooner. The performer, Richard Shelton, catches Sinatra in confessional mode in the 1970s as he looks back on his chequered career. In the early days, a promoter suggested the stage name ‘Frankie Satin’ but his tough-minded mother, Dolly, vetoed
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Ian McKellen in his early eighties plays the Dane in his mid-twenties. A production with such a strange innovation should be conventional in all other details so that the virtues and demerits of the experiment can be judged in the right context. But Sean Mathias’s show adds extra puzzles. Elsinore is a modern palace ruled
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The pictures show a rough, angular knoll of turf heaped on a noisy roundabout at the junction of Park Lane and Oxford Street. This is ‘Marble Arch mound’ created by Westminster Council to revive interest in a chaotic motorised intersection at the northeast corner of Hyde Park. Now, after two days of unhappy punters trudging up
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It can be difficult to remember that Tennessee Williams, the great songster of the Deep South during the 1950s, was still churning out plays when he died in 1983. In the 1960s he was past his peak and he began to experiment with form, perhaps hoping to compete with fashionable youngsters like Tom Stoppard and