Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

Two very long hours: The Effect, at the Lyttelton Theatre, reviewed

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Lucy Prebble belongs to the posse of scribblers responsible for the HBO hit, Succession. Perhaps in honour of this distinction, her 2012 play, The Effect, has been revived at the National by master-director Jamie Lloyd. The show is a sitcom set in Britain’s most dysfunctional drug-testing facility where two sexy young volunteers, Tristan and Connie, are fed an experimental love potion that may help medics to find a cure for narcissists suffering from depression. Running the experiment are two weird boffins, Professor Brainstorm and Nurse Snooty, who once enjoyed a fling at a conference and whose lust is not entirely extinct. But Nurse Snooty is playing hard to get. ‘Sometimes,’ she tells the Professor, ‘I feel I’m dead but my body hasn’t caught up yet.

Trump, Diogenes, the Mitfords and Malaysian comedy: Edinburgh Fringe round-up

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The Mitfords is a superb one-woman show by Emma Wilkinson Wright who focuses her attention on Unity, Diana and Jessica. In the early 1930s, Unity became Hitler’s lover and she lived in a luxurious Munich apartment confiscated from a wealthy Jewish family. The Führer, whom she nicknamed ‘Wolfie’, gave her the pearl-handled revolver with which she shot herself in the head shortly after Britain’s declaration of war. To carry out this bizarre act of self-sacrifice she chose a favourite spot in Munich’s English Garden where she used to sunbathe naked. In wartime Britain, Diana was held in Holloway prison and she complained bitterly about being separated from her baby boy, Max, and about the hefty sandbags that prevented daylight from reaching her cell.

Rizal Van Geyzel races through his 60-minute set peppering the material with snatches of Chinese, Tamil and Malay

Alex Salmond teases a reconciliation with Sturgeon

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Even in her absence, Nicola Sturgeon dominated Iain Dale’s discussion with Alex Salmond and David Davis at the Edinburgh festival. Dale invited them both to comment on George Galloway’s suggestion that Sturgeon is ‘Mrs Thatcher in a kilt.’ Salmond flatly rejected this caricature. (Evidently he knows that criticising her in public will do him no favours.) Davis also dismissed the comparison. ‘Mrs Thatcher’s favourite pastime was arguing with people. Nicola wasn’t like that,’ he said, recalling the meetings he held with her during his term as Brexit secretary. ‘Nicola was very passive, very difficult to engage with. She adopted the image of a stern, domineering woman – which a lot of men like.

A tragicomic lecture about Gold at Edinburgh Festival

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A chilly August in Edinburgh. Colder than it’s been for 20 years and the city looks scruffier than ever. Locked Portakabins squat in elegant stone courtyards. Unused site machinery lies abandoned outside neoclassical museums. Pavements and bridges are scarred by ugly steel roadblocks, and lurid street signs mar the visual harmony of virtually every thoroughfare. The place seems to be governed by a crew of philistine control freaks whose bossy urges affect the festival staff. You can’t move anywhere without a lecture. ‘Go this way, not that way, mind your head, ascend the steps on the left to avoid those coming down on the right, and take off your jacket for your own protection and comfort.

Mick Lynch is stuck in the past

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Mick Lynch, the general secretary of the RMT, has never felt truly English. In conversation with Iain Dale at the Edinburgh festival, he reveals that his parents moved here from Ireland during the war and settled in the Ladbroke Grove area of London where they raised him and his four siblings. His father was ‘an archetypal Paddy’ who visited the pub six times a week including Sunday afternoons after Mass. In 1971 he went on strike for nine weeks and the family were reduced to living off jam sandwiches. His parents always referred to ‘the English’ as if they were foreigners and Lynch has never held a British passport. He’s an Irish citizen.

Bizarre and outdated: Word-Play at the Royal Court reviewed            

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The Royal Court’s new topical satire, Word-Play, opens with a gaffe-prone Tory prime minister giving a TV interview in which he commends Enoch Powell’s ‘Rivers of Blood’ speech. The Downing Street press team suffer a meltdown as they struggle to draft an apology or a retraction. Opposition parties try to profit from the blunder and the PM’s words spread across the globe and earn him praise from various authoritarian governments, led by China. This opening scene makes sense only if the British prime minister is a white male named Boris but the author, Rabiah Hussain, hasn’t troubled to update her script in the light of recent developments. The result is a topical play that feels like ancient history.

Finally an entertaining play at the Royal Court: Cuckoo reviewed

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The boss of the Royal Court, Vicky Featherstone, will soon step down and she’s using her final spell in charge to try an unusual experiment. Can she entertain the punters and make them feel happy rather than forcing them to confront various forms of gloom, misery and despair? The answer is yes. Featherstone can tickle our funny bone if she wishes. Why haven’t trans activists denounced this show and demanded the performer’s cancellation? Cuckoo, by Michael Wynne, is a hilarious kitchen-sink comedy set in Merseyside with an all-female cast. Some critics have likened it to a Carla Lane sitcom and the domestic set-up owes an obvious debt to the Royle Family by Caroline Aherne.

Roll up, roll up for Ian Blackford’s farewell tour

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Ian Blackford, the SNP MP, is to stand down at the next election. And last night he gave an interview to Anand Menon of the think-tank UK In a Changing Europe. The mood was cosy, the questions as soft as marshmallows. Menon opened with the issue of independence and he allowed Blackford to change the subject from ‘process’ to ‘the kind of country Scotland will be’. Blackford stated correctly that Scotland’s status as England’s poorer neighbour encourages the best and brightest Scots to move south. And he quoted a statistic suggesting that England has benefited from Scottish inward migration in every decade since the 1850s. He outlined a solution that was strong on slogans, weak on detail.

PMQs: Rishi prepares for opposition

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The tectonic plates were shifting at PMQs. Sir Keir Starmer asked Rishi Sunak if the total NHS waiting list of 7.2 million had risen or fallen during his nine months in office. Rishi said the number was up because striking medics are denying treatment to the people whose taxes pay for it. He suggested that Sir Keir should get work-shy doctors to accept the pay increase recommended by an independent review. The SNP can’t show delight in public – party policy forbids any display of cheerfulness or amusement They tussled over the funding of a new NHS staffing policy. Sir Keir claimed that scrapping tax exemptions for non-doms will cover the cost but Rishi had heard it all before. ‘The same policy has paid for five different things. Everyone knows I’m keen on doing maths to 18.

Forgettable stuff: The Crown Jewels, at the Garrick, reviewed

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In the 1990s, the BBC had a popular flat-share comedy, Men Behaving Badly, about a pair of giggling bachelors who were scolded and dominated by their mummy-substitute girl-friends. The author, Simon Nye, has written a historical crime caper about the theft of the crown jewels in 1671, as Charles II prepared to celebrate his tenth year on the throne. The psychological co-ordinates of the play are poorly handled. The thief, Colonel Blood, is an irritating Irish crosspatch who wants to drive the hated English from his homeland. Charles (played by Al Murray) is more attractive, a fun-loving gadabout who enjoys sex, jokes and science and who can’t bear Puritans. So the audience sides with the King and hopes that Blood’s vindictive scheme will fail.

It was a bad day for Oliver Dowden at PMQs

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Blindness, ignorance and folly were on fully display at PMQs. Rishi Sunak was absent in Vilnius where he’s busy discussing with his Nato chums how to prolong or escalate the war in Ukraine. His deputy, Oliver Dowden, tried to fend off some excellent, probing questions from Labour’s Angela Rayner. She berated the Tories for overseeing a rise of 75 per cent in the number of ‘homeless children.’ Dowden replied with a feeble scripted gag. ‘Her leader says he hates tree-huggers but they’ve been very keen on hugging that magic money tree.’ Labour members howled with derision at that daft quip. Bad day for Dowden. The Alba party’s Kenny MacAskill complained about global warming which continues to ignore the shivering citizens of Scotland.

Kwame Kwei-Armah’s embarrassing update of Love Thy Neighbour: Beneatha’s Place, at the Young Vic, reviewed

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Beneatha’s Place, set in the 1950s, follows a black couple who encounter racial prejudice when they move to a predominately white suburb. The location is Nigeria but it might as well be the USA because most of the characters, both black and white, are American. (The Young Vic has strong links with America, and a transfer to Broadway may be under discussion.) The script by Kwame Kwei-Armah is inspired by the British sitcom Love Thy Neighbour, which aired five decades ago. This misunderstood show was pretty progressive for the 1970s, and it examined the conflict between two thick white bigots living next door to an intelligent and sophisticated couple from the Caribbean.

The insincere NHS tributes at PMQs

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The birthday of our sacred NHS was celebrated at PMQs. Appropriately enough there was a lengthy waiting-list of MPs ready to pay insincere tribute to the medics who care for the sick once they’ve finished painting rainbows on their faces and rehearsing dance-moves in the corridors. Rishi Sunak ducked the session altogether. He was at a church service packed with grandees offering thanks to God for supporting the NHS (from time to time) during the 75 years of its existence. To some, the PM’s church visit looked a little rum. Our Hindu prime minister kneeling in Westminster Abbey and simultaneously worshipping two gods he doesn’t believe in: Jesus Christ and free universal healthcare.

A naked pamphleteering exercise: Idiots Assemble: Spitting Image The Musical, at Phoenix Theatre, reviewed

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Nothing demonstrates the inanity of profanity like an undercooked comedy. The famous Spitting Image puppets have returned in a political musical that’s more cuddly than cutting. Writers Matt Forde and Al Murray add a lot of swearing to their punchlines without understanding why. The temptation to use the F-bomb is a warning sign from the writer’s internal editor: ‘Delete and try again.’ To enliven bad writing with curse words is to mistake the symptom for the cure. And the show chooses feeble or irrelevant targets. Rishi Sunak appears as a soppy head prefect who plots with Boris to depose King Charles and take over the monarchy.

PMQs: Rishi whirs like a supercomputer

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‘Hold your nerve.’ Rishi’s ill-judged advice to voters last Sunday was perhaps his worst blunder yet. At PMQs it came up half a dozen times. Sir Keir Starmer made the first attempt but he was too verbose to inflict real damage. ‘Rather than lecturing others on holding their nerve why not locate his?’ He exposed Rishi’s confused housing policy and asked if any credible expert believes that the government will reach its house-building target this year. Rishi wriggled deftly and chucked out a few helpful statistics. ‘More homes are meeting our “decent homes” standard, the housing supply is up 10 per cent... and first-time buyers are at a 20-year high.

A play that explains why England’s football team are so lousy: Dear England, at the Olivier Theatre, reviewed

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James Graham’s entertaining new play looks at the England manager’s job. Everyone knows that coaching the national side is just a hobby. The boss picks the squad for a handful of fixtures each year and gives a pep talk at half-time followed by a post-match press conference. He’s spared the bother of speculating in the transfer market and he’s never troubled by verbal monsterings from foreign owners or irascible chairmen. And no salary ought to be paid because the incumbent is assured large earnings as a public speaker. Instead of practising football the team fill up notepads with giddy jottings about their feelings Graham’s play opens in 2016 with the appointment of Gareth Southgate, a dreamy weirdo from Sussex. Southgate was one of the best players Germany ever had.

Keir Starmer falls flat at PMQs

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Sir Keir Starmer had two goals at PMQs. He wanted to convince us that life is dreadful and it’s all Rishi Sunak’s fault. And he showcased a new phrase that he’d like us to spout whenever interest rates are mentioned: ‘Tory mortgage penalty.’ He used it several times which suggests that he authored it himself. Clearly it stands zero chance of working its way into our heads. But no one at Castle Starmer had the guts to tell the good knight that he’d blundered. Rishi didn’t hold back. Normally the PM glides like a swan through PMQs but today he snapped irritably at Sir Keir for failing to understand that inflation is global. ‘As ever he isn’t aware of the global macro-economics,’ he yelped.

An unreliable history: When Winston Went to War with the Wireless, at the Donmar, reviewed

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When Winston Went to War with the Wireless is the clumsy and misleading title of a new play about John Reith’s stewardship of the BBC during the 1926 general strike. Churchill, chancellor at the time, has a minor role as an irascible plodder who makes jokes without a punchline. His role is intended to foreshadow Boris’s career and the characters keep mentioning the gold standard and its damaging effects on Britain’s economy. Gold standard is code for Brexit, of course. It’s unclear what purpose is served by casting Haydn Gwynne as Stanley Baldwin The real subject, John Reith, is played by Stephen Campbell Moore who runs the BBC like a YouTube channel. It’s a solo effort, apparently.

Rishi’s PMQs victory counts for nothing

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Honours dominated the exchanges at PMQs. Sir Keir asked why the Tories have spent an entire week bickering about which Conservative deserves ennoblement. Rishi claimed that he followed ‘established convention’ in approving Boris’s lavender-list. A bit of a whopper. He clearly didn’t support the candidacy of Nadine Dorries who complained in frothing prose about the ‘sinister forces’ that denied her a peerage. Sir Keir failed to spot Rishi’s clumsy footwork and instead he pretended that the PM approved ‘Johnson’s list’ in full. ‘Too weak to block it,’ said Sir Keir. Rishi shifted tack and mentioned the peerage granted to Labour’s Tom Watson who, he said, ‘spread vicious conspiracy theories that were utterly untrue and damaged our public discourse’.

Like attending a joyous religious service: We Will Rock You, at the Coliseum, reviewed

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One of the earliest jukebox musicals has returned to the West End. When the show opened in 2002 the author, Ben Elton, plugged his production on TV chat shows with a wisecracking slogan: ‘We Will Rock You isn’t just a title… it’s a promise.’ The easy-listening storyline draws inspiration from the Old Testament and from Mad Max. We’re in a dystopian future world ruled by faceless corporations that sell mass-produced garbage to zombified youngsters addicted to their mobile phones. A tribe of exiles, the Bohemians, roam the underworld in search of the relics of a vanished culture known as ‘rock’n’roll’. The Bohemians meet a visionary outcast, Galileo, who recites song lyrics that the Bohemians recognise as vestiges of the ‘sacred texts’ that they worship.