Kate Williams

Kate Williams says that Tarantino’s reduction of Nazi atrocities to entertainment is part of a dangerous trend in which the great evils of history become show business One of this summer’s big screen openings is Quentin Tarantino’s hyperbolic battle movie, Inglourious Basterds. Featuring Brad Pitt demanding his men search for ‘100 Nazi scalps’, this ironic shootfest is bloody, explosive, rowdily entertaining — and a fantasy. ‘You haven’t seen war,’ screams the trailer, ‘until you have seen it through the eyes of Quentin Tarantino.

Kate Williams, author of a book on the young Victoria, welcomes the new film on the early life of the queen, but says historical cinema should portray politics as well as romance  ‘Utterly gorgeous’, declares the advertising for the new film The Young Victoria. Queen Victoria ruled a quarter of the world’s souls, and saw the world change immeasurably during her 64-year reign. As a biographer of Victoria’s young life, I relished the film’s investigation of the power struggles of her marriage with Albert and her battle for self-determination. But the review quoted might refer to a dress, not a film about the life of our longest-reigning monarch.