Kate Telfer

This much we know. If Ed Miliband wins, he will reintroduce the 50p top rate of tax, impose a mansion tax on homes worth over £2 million and abolish rules enabling registered non-doms to cheerily reside in the UK and avoid tax on their overseas earnings. In other words, he'll whack the rich. Whether the rich deserve to be whacked we have debated elsewhere. What hasn't been discussed is whether our eagerness to whack the rich might not have an adverse impact on charitable giving, in particular donations to the arts? One non-dom to consider is Sir Christopher Ondaatje.

We ought to have discovered Esa-Pekka Salonen’s Nyx (2011) before now. The dense orchestration was dappled with soupçons of indigenous music, folk, noir, Harryhausen Hollywood and French impressionism. The New York Philharmonic poured it all molten gold and plummy red and let it radiate about the auditorium. The premiere seemed to begin without its lighting engineer. All sat there fully lit, orchestra pounding away until the first decrescendo a few minutes in when the house was finally dimmed. If deliberate, it was rather gimmicky. Conductor Alan Gilbert put in a measured performance throughout but fell short of expressing a dedication to the full trajectory of each work. He didn’t bathe in any of them.