John Sturgis

He’s the best-known Briton ever to have boldly gone into space: the first to board the International Space Station, the first to carry out a space walk. Major Tim Peake even ran a marathon while in orbit. So why do I wince every time I hear his name?  When I was growing up, shortly after the Apollo moon landing, the portentous language of that mission – ‘The Eagle has landed’, ‘One small step’ etc – had permeated global consciousness. So when space travel was depicted in popular culture, in music and film, it was often with the atmosphere of an existential psychodrama – in Space Odyssey (Kubrick), Space Oddity (Bowie), ‘Rocket Man’ (Elton).

Entering the New Inn in Llanddewi Brefi in Ceredigion is like stepping back in time. The only pub in the village (since the Foelallt Arms closed down four years ago), The New Inn seems to hail from the 1970s. Its till is a pull-out wooden drawer full of coins and notes. There’s a coal fire in the grate. The bar is littered with eccentric and old-fashioned clutter: a jar of pickled eggs, boxes of Swan Vestas as if smoking in pubs was still the norm, plaques to award the winners of a conker competition long past, sheep farming memorabilia.   The clientele are dressed as if they’ve just got back from marching down Whitehall with Jeremy Clarkson. And, it transpires, these drinkers are waiting to be fed.

The suggestion that the Prince Charles cinema in London’s West End could be closed down was the least surprising news of the week. This sort of thing, fuelled by soaring property values, has been happening in Soho and its periphery for three decades now and shows no sign of relenting. The Prince Charles isn’t strictly in Soho, being just south of Shaftesbury Avenue, but it has always felt like it belonged there, with the other left field, misfit and seedy enterprises that gave the place its character and reputation. It was built in 1962 but, on the edge of Chinatown, was just too far off the main drag of Leicester Square to ever really thrive. By the 1970s the Prince Charles was mostly screening soft porn: Emmanuelle and later Caligula.

Shortly before midnight on the evening of Friday 24 January 1975, at Cologne Opera House on the banks of the Rhine, a wiry 29-year-old from Pennsylvania walked onto the stage in front of a crowd of 1,400 people and began to play the piano, alone. The 50th anniversary of what followed is being celebrated with a number of events and documentaries across the world this week. A recording of Keith Jarrett’s performance that night, released on 30 November 1975, went on to become the best-selling solo piano record of all time. The record was produced by ECM (Edition of Contemporary Music), a prog jazz label that was at its peak in the mid-1970s, with The Köln Concert its crowning achievement.

I awoke in the early afternoon of 31 December 1995 face down on the carpeted floor of a mansion house flat in Notting Hill with the worst hangover I have ever had.  It is customary when writing about hangovers to quote the best description of the condition – by Kingsley Amis: ‘A dusty thudding in his head made the scene before him beat like a pulse. His mouth had been used as a latrine by some small creature of the night, and then as its mausoleum. During the night, too, he'd somehow been on a cross-country run and then been expertly beaten up by secret police. He felt bad.’ And there’s also, of course, P.G.

For a spell in the late 1970s there were two pop groups which dominated the UK singles charts – both, coincidentally, vocal quartets from continental northern Europe. But while one, Abba, have since become a billion-pound industry with an apparently permanent hologram-shaped presence on the London concert scene, their then rivals for pop supremacy, Boney M, have almost completely disappeared from public consciousness. And this is a shame because Boney M remain uniquely noteworthy in one field in particular: weirdness.  There are other contenders: Little Richard, the Sweet, Village People, the KLF.

Hever Castle was the childhood home of Anne Boleyn and played a not insignificant part in the Henry VIII story. The smitten despot, already planning his divorce from sonless Catherine of Aragon, would ride over from his hunting lodge at nearby Penshurst Place to woo Anne there. Then, when things didn’t work out as he’d hoped, Henry seized Hever from her family and gave it to wife number four, Anne of Cleves, as part of the settlement when he was divorcing rather than beheading her, as he had poor Anne Boleyn. The first thing that I heard when I arrived in a teeming car park was the voice of Mariah Carey singing: ‘All I Want for Christmas Is You’ It remains one of Britain’s best-preserved Tudor houses.

On Sunday, I was in deepest Wales, listening to birdsong, braying donkeys and a demented cockerel, but instead of getting away from it all I was staring at three different laptops all clicked to the same link: the Glastonbury ticket sale countdown clock. This was the fifth year in which my daughter has sought tickets and, determined not to fail once again, she had arranged a military-style operation, recruiting a small army of volunteers, including me, to be online on the stroke of 9 a.m. in the hope that one of us would get lucky. The other five people she was planning to go with had all done the same. There must have been 50 people trying for the the tickets. My daughter had arranged a military-style operation, recruiting a small army of volunteers At first it was fun.

Were The Duke and Duchess of Sussex to leave their mansion in Montecito, California, and head a couple of miles across town, to Toro Canyon, they would soon find themselves at the one-time home of a woman whose story they would find rather relatable. Because the former occupant once drove a wedge between the Prince of Wales and his younger brother, Prince Harry. Sound familiar? That former Montecito resident was Beryl Markham, a woman whose destructive involvement with the two English princes decades before Meghan was born bears one or two rather strange similarities with the Sussexes’s own story. The fact that Harry and Meghan chose to make their new home just around the corner from where Markham established herself after her own flight to America really is an extraordinary coincidence.

When Sven-Göran Eriksson’s coffin was being paraded through the streets of his home town, ahead of his funeral, it was followed by a marching jazz band playing ‘The Bare Necessities’. The song, from Disney’s The Jungle Book, was intended to honour the former England manager’s request that his send-off should be celebratory rather than mournful. But, despite a personal fondness for Sven – which I wrote about here in The Spectator – this choice left a sour note for me. This was because of a perhaps obscure but nevertheless deeply held dislike which I have developed for the fictional character associated with the song: Baloo, the bear. I cannot stand him. He is a classic feckless father figure who, for me, has been wrongly revered by film audiences for decades.

My wife had already been given morphine and they had just topped her up with ketamine. She was now so high she didn’t seem even to know where she was. And this was probably a good thing, given she was strapped to a stretcher on the rear deck of a ferry in the Bay of Biscay, 100 miles off the French coast, and about to be hoisted some 75 feet into the night sky to a helicopter that was struggling in an increasingly stiff wind. I asked her what the flight had been like. She said she had been so out of it she thought she was appearing in a remake of Apocalypse Now The reason for all this drama was that she had abruptly dislocated her hip as we sailed from Portsmouth to Santander. Before I relate what happened next, though, some background.

On the evening of 10 August 1996, I found myself lost in the grounds of a stately home in Hertfordshire, and very, very drunk. Everywhere I turned, there were men, mostly young men in bucket hats. They were all raucously singing, and they too were very drunk. Everyone was drunk. It always felt like the Gallagher brothers were performatively baiting each other for show, like two camp old wrestlers trying to hype a crowd Almost 30 years on, the Oasis concert at Knebworth is, what those working in marketing like to call, legendary. There has already been a commemorative album and documentary film – and now an Oasis reunion will see millions of people attempt to spend tens of millions of pounds to be able to attend re-creations of Knebworth next summer.

The former England football manager Sven-Goran Eriksson died today. He had terminal cancer and said he expected to be dead before the year was out. In an age when such grim diagnoses are usually kept private until their morbid predictions have come to pass, it was characteristically candid of the 76-year-old Swede, even though doing so invited a fresh round of media scrutiny of a life that has already been scrutinised intensively over many years. He treated players as grown-ups, even though they often weren’t. Any England football manager gets attention – it comes with the territory.

It’s become a regular occurrence: a friend or a friend-of-a-friend is visiting London, wants to go to a football game and messages asking for help getting tickets. My standard response is: no chance. The most recent of these was from New Zealand-based Spectator contributor David Cohen, whose son will be in London in the autumn. I’d love to be able to help him but know I almost certainly can’t. The sad reality is that I’m struggling to get tickets myself these days, let alone able to assist others. The clubs themselves are too greedy to do anything other than continue to wring as much out of the fans as they can When I first started going to football, to West Ham games in the late eighties, it used to be easy getting in. You just turned up.

We had steered our narrowboat into the lock at Swineford on the navigable section of the Bristol Avon before 8 a.m., heading upstream, back towards Bath. Two and a half hours later, we were still there. We were stuck. Having worked the lock’s paddles, our boat had climbed the requisite 10 feet to be level with the stretch of river ahead. We were poised to open the lock gate and press on towards the Kennet and Avon canal. This, however, meant having to push against the swirling waters of a tidal river. There were only two of us, one still recovering from hip surgery, and pushing the gates of this particular lock open was a job that would need a strong team of helpers. A pack of rugby forwards would be ideal, a recently hospitalised wife less so.

I have been fond of vests ever since those plain white cotton ones we wore for primary school athletics in the long ago and mythically hot summers of the mid-1970s. No other garment in the male warm weather wardrobe is quite the same. A T-shirt isn’t as breathable, while a loose linen shirt even half unbuttoned doesn’t allow the cooling air to play around the shoulders in the same way. And neither allow you to catch the sun on your skin so pleasingly. They only really come into play in high summer: you wouldn’t attempt one in May or September. But for July and August, when, in a good year, the temperature consistently gets into the thirties, if paired with cotton shorts and flip flops or sliders, they are about as stripped back as the male wardrobe gets away from a beach.

Many previous football tournaments have had a signature motif: the Mexican wave in 1986, the irritating vuvuzelas in South Africa 2010, the firework up the backside in London in 2021. At Euro 2024, that motif has been the hurling of plastic beer glasses. They have been thrown, in celebration or anger, by the Croatians, the Serbs, the Albanians, the Dutch, the Spanish, by our German hosts and by the excitable Scots. The latter would doubtless have thrown more had they had cause, or stuck around longer. But it was their use as projectiles by England fans which attracted most media attention – and which is likely to result in a fine from Uefa’s Control, Ethics and Disciplinary Body.

Stuttering England aside, it’s been a great Euros so far: the comedy of Scotland, the tragedy of Croatia, the miracle of Georgia. Now that the knockout rounds are upon us, I intend to see every remaining game live in full. This is when the memorable moments will begin in earnest, in these win-or-go-home games: last minute twists, astonishing upsets, penalty shoot-outs. I can’t wait. There’s just one little problem with this plan to saturate myself in football for the next fortnight: Steve and Katrina’s wedding today (Saturday). They are former colleagues of my wife who went on to become good friends and we’ve had the invite stuck by magnet to our fridge door since last summer – since before the Euros qualifying stages had even been completed.

I live north of the river in London and my parents live south of it, in the Tunbridge Wells. I have long been a registered user of the Dartford Crossing for fear of forgetting to pay to cross – and thus incurring an automatic fine. This means that the cameras at the bridge and tunnel recognise my car number plate and immediately deduct £2.50 from my bank account when they see it going over or under the Thames. I found myself in an automated telephone queuing system. I was caller number 73 Or it did mean this until something went wrong. After my usual crossing in April, I started to get text messages from ‘Dart Charge’ to say my account was ‘dormant’ and I needed to ‘re–register my card details’.