James Delingpole reviews television for The Spectator.
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Finally I realise why women are so pissed off. It all goes back to the first codified laws — circa 2,400 bc — when rules like this were invented by men: ‘If a woman speaks out of turn then her teeth will be smashed by a brick.’ Before that, apparently, women lived on a pretty equal footing with their future male oppressors.
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This week’s column is dedicated to all those of you who have never read Catcher in the Rye and who, what’s more, are unhealthily proud of the fact. It’s OK: I understand. I was one of you myself till a couple of weeks ago when, at Boy’s insistence, I wearily set aside some of my valuable beach time to plough through this hideously overrated and tiresome ‘classic’. Why the reluctance? Well, for the obvious reason that Catcher in the Rye — like To Kill a Mockingbird or On the Road — is one of those books you just don’t need to have read because everyone else has done it for you. Including all the thick people who have only ever finished about three books. Or that was how it was when I was at school.
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My favourite moment in The Scandalous Lady W (BBC2, Monday) was when the heroine played by Natalie Dormer was shown being taken vigorously from behind by one of her 27 lovers. It wasn’t the sex that did it for me but the appalled expression on the face of Girl, who, with perfect timing, had just poked her head round the TV room door to see what the grown-ups were watching. She let out a little yelp of horror — and ran. Which was rather how I felt during a lot of the sex scenes. ‘Do you think they put in this stuff for us? Or the women?’ I said to the Rat (over on a flying visit from Hong Kong, where he’s doing very nicely as an interior designer, thanks for asking). ‘Oh, the women, definitely. We’re much more Games of Thrones. Straight in there.
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Did you know that tampons were just another brutal expression of the oppressive patriarchy? I must confess that I didn’t either, until the story broke this week about an unfortunate woman who decided to run the London marathon during her time of the month without any panty pads, in ostentatious protest against the alleged male practice of ‘period-shaming’. I’ll come to the ‘unfortunate’ part in a moment. But first, the background.
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When I was growing up in the 1970s, my three main fears were: being blown up by the IRA; being eaten by a Jaws-like great white shark; being vaporised by a nuclear bomb. I expect it was the same for most kids of my generation. The first two, obviously, were a function of the Birmingham bombings (et al.) and the Peter Benchley/Steven Spielberg axis of shark terror. And the third was the product of the relentless propagandising of CND as rehearsed faithfully on pretty much every BBC programme going from John Craven’s Newsround to The Archers, Animal Magic and Roobarb and Custard.
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I celebrated Eid in a sandy bay in Sri Lanka, watching from the warm, shallow sea as gaggles of local Muslims in holiday mood sauntered past to congregate at the public end of the beach about half a mile away. Since they looked so much more colourful, picturesque and exotic than the tourists in the security-guarded enclave where I was, I thought I’d wander down to take a few snaps. Having just finished Ramadan, they were all very excited — the young men especially. Suddenly, as if from nowhere, a group of dark-skinned boys with wispy beards, bare-chested but in long trousers, had surrounded me. ‘Selfie!’ one of them said — the new universal word. So we put our arms round one another’s shoulders and smiled for the phone cameras.
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Very soon now I shall reach my half-century. I would have preferred to keep the horror a secret but there’s no point. My stock-in-trade as a me-journalist is: everything — good and bad. Also, I have a Wikipedia entry and, perhaps worse, a Facebook page which announces to the world how old you are — and you wake up to find hundreds of people you scarcely know wishing you Happy Birthday, and you’re expected to be gracious about it: like, thanks for reminding me, you’re too kind. Anyway, I thought that now I’m old and wise I’d make some resolutions. Perhaps they’ll help the next 50 years to pass more smoothly than the first. 1. Be nice. I was watching Rupert Soames at Glastonbury. What an operator.
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So you’ve just popped out of town for the day on an errand. And when you get back, everyone has gone. Your wife, your kids, your nephews and nieces, your friends, your customers: they’ve all been kidnapped and dragged off to a place so barbarically horrible that really they’d be better off dead. Your daughter, for example. If she’s nine or over then she’s considered fair game. She’ll be sold as a slave in the market to the highest bidder — as ever, there’s a premium for blonde hair or blue eyes— after which her new owner can use her as she wishes. The very least she can expect is to have to spend her every day in the most restrictive clothing anywhere in the Muslim world.
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I had meant to write a dispassionate account of this year’s Glastonbury, really I had. But I’m afraid my plans were ruined by a chance encounter on the final day with my old friend Michael Eavis — the distinctively bearded dairy farmer who founded it 45 years ago. Rather sweetly he has got it into his head — long story — that I once helped him save the festival. Gosh, I hope this is true because it would annoy so many people: suck on that, all you Guardian readers, you lefty stand-ups, you Greenpeace activists. Every time you go to Glasto from now on you must offer a silent prayer of thanks to the Prince of Darkness himself. ‘You coming to see The Who tonight?’ said Eavis. Usually, I like to leave early to avoid the traffic.
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Unless you’re an avid reader of the Guardian, you’re probably blissfully unaware that Britain has a new Children’s Laureate. His name is Chris Riddell, he’s an illustrator and a cartoonist for the Observer, and according to one who has interviewed him he is a delightful man: ‘Giggly, childlike, doodled book illustrations on his napkin throughout.’ I’m glad about this. One of the roles of the Waterstones Children’s Laureate — in return for his £15,000 bursary and his ‘specially designed and inscribed silver medal’ — is to tour Britain’s schools and festivals acting as an ambassador for children’s literature.
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‘Cringe!’ said Boy, after I’d exposed him to a few seconds of last week’s special nostalgia edition of TFI Friday. And he did have a point. From its once almost-daring name to its zany title graphics to its whatever-happened-to guest list (Shaun Ryder, Blur, Ewan McGregor), Chris Evans’s irredeemably Nineties game show now looks so dated and impossibly remote you might as well be looking at an early episode of Face to Face with John Freeman, or The Black and White Minstrel Show or Muffin the Mule. Gosh, time is cruel. But it was great at the time, right? No, it wasn’t, actually. I watched this one-off revival mainly to remind myself why I almost never watched it when it was on originally. Very quickly I remembered. Because it was shit.
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In his latest encyclical Pope Francis will apparently describe global warming as a ‘major threat to life on the planet’. If the leaked reports are accurate, his Holiness is absolutely right. Here are some examples of the havoc ‘global warming’ has wrought in the past decade: Honduras:US-backed security forces implicated in the killing of more than 100 peasant farmers involved in disputes with palm-oil magnates. Kenya: Teenage boy shot in February this year while protesting against a ‘wind park’ in Nyandarua. Mt Elgon National Park, Uganda: According to a newspaper report, more than 50 locals killed by park rangers and 6,000 evicted to make space for a ‘carbon offset’ plantation.
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I adore Andrew Roberts. We go back a long way. Once, on a boating expedition gone wrong in the south of France, we had a bonding moment almost Brokeback Mountain-esque in its bromantic intensity. Roberts had hired an expensive speedboat for the day (as Andrew Roberts would) and we’d left very little time to get it back to harbour and avoid being stung for a massive surcharge. Problem was, the seas had got very rough and our anchor was stuck fast. We manoeuvred the boat this way and that to no avail. There was nothing for it. Someone would have to dive down to free it. It wasn’t easy. The water was cold and dark, visibility near-zero, and the anchor was way below comfortable free-diving distance. Various, increasingly desperate efforts were made by our party.
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One of the fundamental principles of English common law is that you are innocent until proven guilty. And rightly so, for imagine how unfair it would be if any old loon with an axe to grind had only to lodge a trumped-up complaint with the relevant authorities in order to have you punished for no reason whatsoever. Actually, though, this cruel and capricious system exists in Britain.
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It has been a while since the BBC really pushed the boat out on the epic history documentary front. Perhaps to make amends it is treating us to possibly the most historian-studded, blue-screen-special-effects-enhanced, rare-documentastic, no-hyperbole-knowingly-under-employed series ever shown on television. Armada: 12 Days to Save England (Sundays, BBC2). Having clearly spent a lot of money here, the BBC is taking no chances with its demographic spread. For the laydeez, in the Ross Poldark role it has Dan Snow, captured somewhat gratuitously piloting his handsome yacht into the choppy waters of the English Channel. (Just like in 1588! Sort of.
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Kiev ‘What the hell’s going to happen to your poor country?’ I ask the man in the flea market not far from St Sophia cathedral (Delingpole tourist rating: total must-see). ‘What do you think?’ I shrug. ‘Partition, maybe.’ The man shrugs back. We agree that what Putin is doing in the east is appalling. But he’s not terribly enthused by what the Americans are doing either. ‘They want to arm us. But you know where the fighting will take place: here,’ he says, meaning Ukraine in general rather than Kiev in particular. ‘You could leave,’ I suggest. ‘Your English is good.’ (Unusually so. Communication is generally quite hard in Kiev if you don’t speak Russian or Ukrainian.) ‘Where? To Europe?’ He says the word with mild contempt.
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My favourite scene in the first episode of the new series of Benefits Street (Mondays, Channel 4) — now relocated to a housing estate in the north-east, but otherwise pretty much unchanged — was the one where the street’s resident stoner and low-level crim Maxwell has to attend a court summons. Really, if the whole thing had been scripted and faked by the film-makers (as I’m sure it wasn’t: no need), it couldn’t have worked out better. With just 15 minutes to go before Maxwell’s court hearing seven miles away, his brother turns up to give him a lift on his motorbike. But there’s one small problem. Maxwell’s brother is still under the influence of the vast quantities of diazepam he’s carrying with him in his bag.
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Damien Hirst, Grayson Perry, James Delingpole: all winners of major art prizes. I was awarded mine last week by Anglia Ruskin University (formerly Anglia Polytechnic) which I think is a bit like Cambridge (it’s in the same town), though bizarrely its excellence has yet to filter through to the official UK uni rankings, where it’s rated 115th out of a list of 123. Anyway, the point is, I won. Sort of. I ‘won’ this extremely important prize in the way that Michael Mann, the shifty climate scientist, has been known to claim he ‘won’ the Nobel prize when it was awarded to the IPCC. That is, the prize wasn’t handed to me personally but I did play my part. What happened was this.
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Some years ago I paid a visit to the site of the Gallipoli landings because I was mildly obsessed with the Peter Weir movie and wanted to gauge for myself how horrible it must have been. En route I met up with a young Australian who was training to be an actor (in my false memory it was the unknown Russell Crowe) and together we clambered up the near-cliff-like slopes in the blazing sun, imagining the Turks sniping and rolling grenades at us from the trenches on top. That anyone could have survived at all, we agreed, was a miracle.
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Because I’m reckless, stupid and irresponsible, I normally get landed with the biggest, most obstreperous hunters. But the other weekend the riding school boss, Jane, decided to allocate me a different horse to ride. It was a smallish grey called Potato. ‘What’s he like?’ I asked one of the regulars. ‘Oh he’s lovely!’ she said. But I didn’t necessarily believe her. One of the things I’m learning about riders is that they lie through their teeth about how nice particular horses are. Something to do with the convention that misbehaviour is always the fault of the rider, never the horse. ‘He’s not very big,’ I complained. ‘How does he jump?’ ‘He doesn’t,’ my friend explained.
