James Delingpole

James Delingpole

James Delingpole reviews television for The Spectator.

Time to put my money where my mouth is

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'As oil crashes, is it time to short solar stocks?’ Gosh, I wish I’d read that headline a year ago. The solar stock it tipped for doom in January 2015 has since plummeted from $19 to $2.65. Yes, hindsight can be a wonderful thing. But what if there were an area of the markets which you knew to be grotesquely overvalued as a result of ignorance, dishonesty, and false sentiment? You’d be mad not to bet against it, wouldn’t you? It would hardly be gambling: more like plain common sense. This is how I’ve felt for quite some time about the climate change industry. Very often when I read the expert commentators writing on the subject in the City pages, I’m shocked by how much more I know than they do.

Green sentimentalists forget something: nature is utterly brutal

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Wild Lone is one of the most violent books I’ve ever read. It was published just before the last war and it doesn’t pull its punches: mothers are slaughtered with their babies; brothers and sisters are eaten alive; callous parents look on indifferently as their sick children die slowly beneath them; the few survivors almost invariably succumb to disease, cold or starvation. Every child should read it, for it tells you how the world really is. The natural world, I mean. It was written by one of the last century’s great amateur naturalists, Denys Watkins-Pitchford, under his nom-de-plume ‘BB’ and it purports to be the biography of a ‘Pytchley fox’ called Rufus. Rufus is simultaneously the book’s hero and villain.

Class of ’83

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No one remembers this now but there really was a period, not so long ago, when the Eighties were universally reviled as the ‘decade that style forgot’. For a time it got so bad that none of us survivors could even bear to look at old photos of ourselves: mullets, feather cuts, Limahl-style bleaching, pastels, legwarmers, unflattering suits so boxy they made you look broader than you were tall... But try telling this to the kids today and they won’t believe you. The Eighties, as far as they’re concerned, are so achingly, incredibly, bleeding-edge cool that there’s no way their parents could possibly have lived through them and, ‘Oh, by the way, Dad, do you mind if I take that old jacket of yours back to school?

Nature is red in tooth and claw. Get over it

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Wild Lone is one of the most violent books I’ve ever read. It was published just before the last war and it doesn’t pull its punches: mothers are slaughtered with their babies; brothers and sisters are eaten alive; callous parents look on indifferently as their sick children die slowly beneath them; the few survivors almost invariably succumb to disease, cold or starvation. Every child should read it, for it tells you how the world really is. The natural world, I mean. It was written by one of the last century’s great amateur naturalists, Denys Watkins-Pitchford, under his nom-de-plume ‘BB’ and it purports to be the biography of a ‘Pytchley fox’ called Rufus. Rufus is simultaneously the book’s hero and villain.

Coming up for air | 7 January 2016

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Gosh what a breath of fresh air was Andrew Davies’s War & Peace adaptation (BBC1, Sundays) after all the stale rubbish that was on over Christmas. There were times when the yuletide TV tedium got so bad that I considered preparing us all a Jonestown-style punchbowl. That way, we would never have had to endure Walliams and Friend nor the special time-travel edition of what everyone is now rightly calling Shitlock. Sherlock has a terminal case of Doctor Who disease. That is, it has become so knowing, so self-referential, so — ugh! — meta that it no longer feels under any obligation to put in the hard yards needed to surprise and delight anyone who isn’t already a committed fanboi.

War & Peace is actually just an upmarket Downton Abbey

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Gosh what a breath of fresh air was Andrew Davies’s War & Peace adaptation (BBC1, Sundays) after all the stale rubbish that was on over Christmas. There were times when the yuletide TV tedium got so bad that I considered preparing us all a Jonestown-style punchbowl. That way, we would never have had to endure Walliams and Friend nor the special time-travel edition of what everyone is now rightly calling Shitlock. Sherlock has a terminal case of Doctor Who disease. That is, it has become so knowing, so self-referential, so — ugh! — meta that it no longer feels under any obligation to put in the hard yards needed to surprise and delight anyone who isn’t already a committed fanboi.

If I was elected your dictator for life, this is what I’d ban in 2016

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Things I am going to ban when, by popular acclaim, I am elected your Dictator For Life in 2016. 1. Onions where the brown skin doesn’t come off easily. You know the ones: where the papery outer layer clings so tightly that you have to pick it off laboriously with a sharp knife and it takes forever. I hate these onions so much. I’m pretty sure they’re all foreign, though I may be mistaken. 2. Slimline tonic water. (See also: Diet Coke; semi-skimmed milk) ‘Oh? Is it really? Sorry about that. I think it’s all we’ve got.’ ‘Aspartame? Oh, is that not good?’ ‘Not sure I can tell the difference, to be honest.’ ‘Don’t blame me. I don’t get any say in the shopping.

The best things in the world spring up by accident

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Since no one has bothered to ask what my must-read book of last year was I’m going to tell you here: it’s Matt Ridley’s Evolution of Everything. I don’t think it has appeared on nearly so many recommended lists as his previous bestsellers Genome and The Rational Optimist, nor has it been so widely reviewed. And I have a strong inkling as to why: its message is so revolutionary as to alienate pretty much everyone across the spectrum, from Christians and Muslims to corporate bosses, historians, feminists, educationalists and conspiracy theorists, from Greens and socialists all the way across (if there’s a difference) to Conservatives like George Osborne and David Cameron.

Will you survive the Delingpole Era? See below…

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  Things I am going to ban when, by popular acclaim, I am elected your Dictator For Life in 2016.   1. Onions where the brown skin doesn’t come off easily. You know the ones: where the papery outer layer clings so tightly that you have to pick it off laboriously with a sharp knife and it takes forever. I hate these onions so much. I’m pretty sure they’re all foreign, though I may be mistaken.   2. Slimline tonic water. (See also: Diet Coke; semi-skimmed milk) ‘Oh? Is it really? Sorry about that. I think it’s all we’ve got.’ ‘Aspartame? Oh, is that not good?’ ‘Not sure I can tell the difference, to be honest.’ ‘Don’t blame me. I don’t get any say in the shopping.

Was my article the inspiration for this brilliant BBC dramatisation?

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The two things I hate most about Christmas are a) Advertland showing me how sparkly and joyous my home and bright-eyed kids are at this time of year, and b) the Doctor Who Xmas special telling me that if only I can open my heart and put cynicism aside, then I too can enjoy a mash-up of Dickens, C.S. Lewis and the Brothers Grimm, where daleks with tinsel round their guns exterminate the spirit of Scrooge as laughing children come pouring from the Ice Queen’s dungeon and something nice happens on a London housing estate. Or similar. That’s what was so great about We’re Doomed! The Dad’s Army Story (BBC2, 22 December).

A different species of argument

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Because I used to go to venues like Bataclan an awful lot myself, I’ve been dwelling a great deal on what the fans must have gone through that night. And the conclusion I’ve reached is how utterly random the whole business must have been: whether you survived or died was almost entirely dependent on being at the right or wrong bit at the right or wrong time. Even the band Eagles Of Death Metal, it turns out, only escaped by the skin of their teeth. The bassist barricaded himself into a room; the singer and guitarist escaped into the street and went briefly back to look for a missing girlfriend only to meet a gunman lowering his assault rifle at them; the drummer crawled out using his drum kit for cover.

I’m a Celebrity is like The Simpsons: good if you’re thick; even better if you’re not

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The best bit in I’m A Celebrity... Get Me Out Of Here! (ITV) will be when the prisoners finally revolt and turn on their evil captors, Ant and Dec. The sparky Geordie comedy duo will be imprisoned in a semi-submerged, rat-infested cage like the one in The Deer Hunter, fed on a diet of liquidised kangaroo bottom and wombat testicle, and released only to participate in a series of amusing challenges, such as a recreation of the Lemmiwinks episode from South Park, involving two giant funnels, a bunch of inserted eucalyptus leaves and a pair of ravening koalas. Though it hasn’t happened yet I’m going to keep watching every night, just in case. I wish it weren’t so. It’s such a terrible waste of life.

There’s a right way to lose at the Oxford Union. I did the wrong way

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The way not to win a debate at the Oxford Union, I’ve just discovered, is to start your speech with a casual quip about Aids. It wasn’t a scripted joke. Just one of those things you blurt out in those terrifying initial moments when you’re trying to win the audience over with your japeish, irreverent, mildly self-parodying human side before launching into your argument proper. It only happened because when my turn came to speak there wasn’t any still water for me to drink and I was parched. So various Union officers proffered me the dregs of the other speakers’ half-drunk bottles. ‘Oh my God, I might get Aids,’ I ad-libbed, to no general amusement whatsoever. From that moment things only went from bad to H.M. Bateman.

Spying and potting

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The main problem with being a TV critic, I’ve noticed over the years, is that you have to watch so much TV. It’s not that I’m against it in principle: I like my evening’s televisual soma as much as the next shattered wage slave with no life. But the reality is that you end up doing stuff like I found myself doing on this Monday night just gone — cringing at pert male arses heaving up and down in a sensitive gay love scene in some moody new BBC spy drama that is going to be occupying our screens for the next five weeks. Why?

Why should we listen to Benedict Cumberbatch on Syrian refugees?

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Because I just don’t know what to think about the Syrian refugee crisis — not even after Simon Schama’s powerfully cogent argument on Question Time the other week, where he explained that if you don’t want to house them all in your guest bedroom you’re basically a Nazi — I thought I might pay the scalps a couple of hundred quid or so to see Benedict Cumberbatch as Hamlet at the Barbican. Apparently the really exciting bit isn’t anything he does as the Dane but rather Shakespeare’s rarely performed postscript where Hamlet comes back to life in the terrifying form of a preening, hectoring Old Harrovian luvvie to berate the groundlings for their uncaringness. ‘A pox on the politicians!

DVF worship

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Girl is back for half-term so I’ve been able to watch nothing but crap on TV this week. Some of you will say, ‘Oh come on! You pay the bills, so you get to control the remote.’ But that’s not how things work when you’ve got a teenage girl at home. Especially not one whose ankle you have been responsible for breaking. So crap, I’m afraid, is what I’m going to have to review. Not, it must be said, that the crap has all been crap. House of DVF (E! Online), for example. I’ve mentioned it before and the reason I’m mentioning it again is the matchless insights it offers into the strange and terrifying world of womankind.

The car insurance industry is a disgusting racket

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The car insurance industry is a racket: I think we all suspected that. But unless you’ve had personal experience of its devious workings you probably have no idea just how much of a racket. I didn’t myself until just recently when I had to make a claim for a tiny bump on the door of my car. Soon, I found myself sucked into a system that taints almost everyone it touches — insurers, garages, solicitors, car hire firms and claimants alike — with corruption so flagrant it’s hard to believe such a thing could be possible in hyperregulated modern Britain. It all began when Mark, a nice, decent chap who does odd jobs for us round the house and garden, accidentally reversed his van at low speed into the side of our car in front of our house.

Sri Lanka makes me yearn to be a pre-war tea planter

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Sri Lanka In my next life, I’m going back in time to become a tea planter in pre-war Ceylon. I half knew this even before I’d ever set foot in Sri Lanka. After a blissful couple of days at Rosyth, an estate house in old tea- growing country about an hour from Kandy, I understood exactly why: the climate, the views, the staff, the sundowners… Which are the same reasons the colonial British took so particularly well to tea-growing, whether in Assam, Darjeeling, Kenya or Ceylon. It thrives in just the conditions British people tend to find most congenial: pleasantly warm but not boiling; plenty of rain to keep the foliage all lush and green; a bit of height, for the attractive vistas.

A Supreme Court justice and the scary plan to outlaw climate change

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How do you make an imaginary problem so painfully real that everyone suffers? It’s an odd question to ask, you might think, but it’s one that has been exercising some of the brightest minds in the legal firmament, led by no less a figure than Lord Justice Carnwath of the Supreme Court. Last month, at an event whose sinister significance might have passed unnoticed had it not been for the digging of Canadian investigative blogger Donna Laframboise, Carnwath contrived to nudge the world a step closer towards enacting potentially the most intrusive, economically damaging and vexatious legislation in history: an effective global ban on so-called ‘climate change’.

Independents’ day

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I really hadn’t meant to write a postscript to last week’s column on my dark Supertramp past. But then along came a TV programme which reminded me: I WAS cool once. It happened after Oxford when I became, almost simultaneously, both an acid-house freak and an indie kid. And BBC4’s three-part special — Music For Misfits: The Story of Indie (Friday) — captured quite brilliantly what it was like to live in that golden era of floppy fringes, black Levis, obscure music, psychotropic substances and DM boots. Watching it, I knew just how it must have been for combat veterans watching The World at War in 1973. Same distance in time from the actual event; same sense of disbelieving unreality: ‘I was there, man. At least, I think I was.