Ian Thomson

Ian Thomson is the author of books including Dante’s Divine Comedy: A Journey Without End.

A Trip to Echo Spring, by Olivia Laing – review

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The boozer’s life is one of low self-esteem and squalid self-denial. It was memorably evoked by Charles Jackson in his 1944 novel The Lost Weekend; having hocked his typewriter for a quart of rye, the writer Don Birnam spends his lost weekend in a New York psychiatric ward, with a fractured skull. Where did he

Nicolas Roeg interview: ‘I hate the term “sex scene”’

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‘Oh, some of my films have been attacked with absolute vitriol!’ said Nicolas Roeg, 85, and still one of the darkest and most innovative of post-war British directors. We were sitting in his study in Notting Hill; nearby in Powis Square is the house Roeg used for his 1968 debut, Performance, starring Mick Jagger as

Inferno, by Dan Brown – review

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The other day, while shopping in Tesco, I was surprised to find copies of the Inferno for sale by the checkout. ‘Oh dear’, I declared, ‘who would have thought of finding Dante here?’ It was not Dante of course, but Dan ‘Dante’ Brown, whose latest extravaganza, Inferno, tips a nod to the Florentine poet’s medieval

‘The Making of a Minister’, by Roy Kerridge

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Back in the 1960s, England was a bad disappointment to many West Indians. In the grey city streets with their scruffy, bay-fronted houses they looked for somewhere to live. Many were surprised to find themselves categorised as ‘coloured’. (ROOM TO LET: REGRET NO KOLORED.) In the Anglophone Caribbean, the term ‘coloured’ applied to people of

A model of micro-history

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Adolf Hitler considered jazz a ‘racially inferior’ form of American black music, and banned it from the airwaves. Germany’s gilded youth flouted the prohibition by playing Duke Ellington in secret and greeting each other loudly in English: ‘Hallo, Old Swing Boy!’ Resistance was useless. The Brownshirts raided parties and even beaches in search of portable

Erratic historian of alternative pop

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Julian Cope, the well-read jester of English pop, was the founder member of the 1980s art-rock combo The Teardrop Explodes. With his antic appearance (Rommel overcoat, wild tawny hair), he falls into the erratic genius category. Drugs have played their part. By his own account, Cope has undertaken some dangerous chemical expeditions to the mind’s

A heady mix of vice and voodoo

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By any standards, Haiti represents a great concentration of misery and dashed hopes. From the air, the Caribbean republic is a sun-scorched clinker; deforestation, caused by a ruinous cutting of timber for charcoal, has destroyed much of the green. Since independence in 1804, moreover, a succession of emperors, kings and presidents-for-life has contrived to instil

The plight of the Poles

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Was a nation ever so beset by calamity as Poland? During the second world war, Polish cities were bombed, fought over hand-to-hand and crushingly shelled. Beyond their ideological differences, Hitler and Stalin were united in a determination to destroy the country. Without the Nazi-Soviet ‘friendship’ treaty of 1939, Hitler would not have been able to

Man smart

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Port Antonio, in Jamaica, radiates a torrid, hothouse air. At night the inshore breeze smells faintly of bananas. Port Antonio was once Jamaica’s chief banana port, shipping out an average of three million bunches of ‘green gold’ a year. Harry Belafonte’s greatest hit, ‘The Banana Boat Song’, was sung by Port Antonio dock workers at

The world in arms

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The long summer that led up to the last days of peace in Europe in 1939 — the vigil of Hitler’s assault on Poland and the subsequent Phoney War — gave little hint of the storm to come. As German troops engulfed Poland, however, Britain at last declared war on Hitler. Infamously, the Nazi science

Life imitates art

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The other evening my wife came home to find me watching re-runs of Steptoe and Son. The washing up had not been done, and everything was in a state of bedragglement (including Olga, the family dog). ‘How can you bear to watch that stuff? Steptoe’s got a face like a squeezed lemon. He’s perfectly horrible.

The tide turned

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A couple of years ago, a rescue operation was recorded at a lifeboat station in Poole, Dorset. ‘The boat was launched at 13.35p.m. following a call that a man and two children were stranded on rocks in the vicinity of Lulworth Cove. The wind was south-south-west force three. Visibility good. We reached the scene at

Speeding along the highway

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Back in the Sixties, if you wanted a fruitful, freakout-free LSD experience, you might have called on Mrs Aldous Huxley in Los Angeles, where she lived as a beatifically attuned Buddhist adept until her death in 2007. Aldous Huxley, her husband, had emigrated to America 70 years earlier in search of spiritual solace and the

Travel Special – Jamaica: Meeting the queen’s man

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This August, Jamaica celebrates the 50th anniversary of independence. Amid the bunting and parades, talk will be of Britain’s continued presence in the island and the role of the monarchy in particular. Jamaicans are often incredulous that Queen Elizabeth II should still be their head of state. The Jamaican prime minister, Portia Simpson-Miller, has taken

Rover dose

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The other day my five-year-old Labrador was diagnosed with acute cannabis intoxication. I had been taking Olga for a walk on Hackney Downs when she disappeared behind an abandoned railway. I imagined she had found some fox shit and was rolling in it delightedly. Bad pooch! On the way home she began to stumble and

Bookends: A network of kidney-nappers

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Raylan Givens, an ace detective in the Raymond Chandler mould, has encountered just about every shakedown artist and palooka in his native East Kentucky. His creator, Elmore Leonard, is a maestro of American noir; Raylan (Weidenfeld, £18.99), his latest thriller, presents a familiar impasto of choppy, street-savvy slang and hip-jive patter that verges on a

Godfather of rap

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At a funeral in New Orleans in 1901, Joe ‘King’ Oliver played a blues-drenched dirge on the trumpet. This was the new music they would soon call jazz. A century on, from the hothouse stomps of Duke Ellington to the angular doodlings of Thelonious Monk, jazz survives in the vocal inflections of rap. To its