Gareth Roberts

Gareth Roberts

Gareth Roberts is a TV scriptwriter and novelist who has worked on Doctor Who and Coronation Street. He is the author of The Age of Stupid substack.

Let’s kick ‘racial justice’ out of the Church of England

From our UK edition

Holy Week is the most important part of the year for many Christians, but it will come as little surprise that some members of the Church of England appear to be focusing on racial justice rather than Jesus. ‘I went to a conference on whiteness last autumn,’ the Venerable Dr Miranda Threlfall-Holmes, archdeacon of Liverpool, wrote on Twitter. 'It was very good, very interesting and made me realise: whiteness is to race as patriarchy is to gender. So yes, let’s have anti-whiteness, & let’s smash the patriarchy. That’s not anti-white, or anti-men, it’s anti-oppression.

Steve Harley was no one-hit wonder

From our UK edition

Celebrity deaths range from the ‘tragically young’ (Amy Winehouse) to the ‘I thought they’d gone years ago’ (Peregrine Worsthorne) and the monumental (Michael Jackson). But there’s another type: a more low-key one that knocks you a bit, as much as the death of a stranger can. Steve Harley, whose death was announced this weekend by his family, was one of those.  Everyone knows Harley and his Cockney Rebel band’s ‘Make Me Smile (Come Up And See Me)’. But Harley was no one-hit wonder: dig a little deeper than that 1975 song and it’s clear to see what a brilliant and underappreciated musician he was.  Vanishingly few endure in the pop music sphere.

Blame Prince William, not Kate, for the royal photo blunder

From our UK edition

The Princess of Wales has owned up. In a statement on X/Twitter, she revealed that she was the phantom photoshopper: ‘Like many amateur photographers, I do occasionally experiment with editing. I wanted to express my apologies for any confusion the family photograph we shared yesterday caused. I hope everyone celebrating had a very happy Mother’s Day.’ This Mothers’ Day photograph of the Princess of Wales and her children was intended to kill the rampant speculation about her absence from the public eye over the last few weeks. Instead, the photograph itself has now been ‘killed’ – in the parlance of the international news agencies that pulled it. These agencies have, understandably, a zero tolerance policy for manipulated photographs.

Rishi Sunak can’t save Britain

From our UK edition

The Tories have hit an all-time low: an Ipsos poll shows the party on a dismal twenty per cent, with the percentage of under-35s intending to vote for them in single figures. Never has a flush looked quite so busted as Rishi Sunak. It was against this bleak backdrop that the Prime Minister's lectern was trundled on to Downing Street on Friday night. There was something about the suddenness and urgency of this occasion – asking the press to assemble just as the pubs fill up at the start of the weekend – that put a little spring in the heart. After months of blatant antisemitism on the streets, and now with the intimidation of MPs by Islamists and their fellow travellers, was the PM finally going to actually do something?

The middle-class obsession with the miners’ strike

From our UK edition

The miners’ strike has struck again. It’s the fortieth anniversary of the protracted dispute of 1984-85, which means that you have to be about my age (55) to have had anything approaching an adult understanding of it at the time. The same old footage, the same old talking points, the same old grievances, excuses and myths regurgitated yet again As you get older, and time speeds up to a quite ridiculous and frankly unacceptable degree, anniversaries start to whip by like stations on a non-stopping train. It only feels like ten minutes since the thirtieth anniversary of the strikes, and now we have to go through the whole thing all over again.

The truth about John Lewis’s trans takeover

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John Lewis is, to most people, a department store that exists to sell toasters, cushions and lamps. But it turns out we have been labouring under a massive misapprehension all these years. John Lewis's internal magazine Identity reveals that the shop's purpose is rather different: it exists to affirm the bespoke identities of its staff. The publication, created by John Lewis's LGBT network, contains advice to parents on how to allow their child to express their gender identity. Identity includes testimony from the mum of a trans-identifying girl in a story titled 'Raising Trans and Non-Binary Children'. She writes that 'a (chest) binder is always safer than the alternatives.

Why progressives don’t face real consequences

From our UK edition

One of the most tedious and repetitive observations made in the often tedious and repetitive discourse around cancel culture is the notion that ‘freedom of speech doesn’t mean freedom from consequences’. This slightly sinister cliché is the progressive version of ‘well, think on, you wouldn’t have been shot if you hadn’t been trying to escape’. It is usually offered forth as if it is somehow a seismic statement. Some clumsy clots – the hapless Graham Norton last year, for example, when discussing JK Rowling – have even tried to frame cancel culture as ‘accountability culture’ or ‘consequences culture’. But it strikes me that there is a shadow image of cancel culture that we might call ‘no consequences culture’.

Why Trump loves The Smiths

From our UK edition

Donald Trump and The Smiths make, you would think, very unlikely bedfellows. Recently a mini-kerfuffle broke out over a Smiths song – ‘Please Please Please Let Me Get What I Want’ – playing over the tannoy at a Trump rally as part of the warm-up. Saying the unsayable, saying what we wish we could say, is a very attractive quality Smiths guitarist Johnny Marr was certainly taken aback. ‘I never in a million years would’ve thought this could come to pass,’ he tweeted after seeing video footage of the song being piped from a South Dakota MAGA stage. ‘Consider this shit shut right down right now.’ (It’s unclear what he’s done to shut it down, or what power an artist has to stop this kind of use of their music.

Why can’t Peter Tatchell leave Cliff Richard alone?

From our UK edition

Leave Cliff alone! Peter Tatchell has weighed in on Cliff Richard’s refusal to declare his sexual orientation. Tatchell was spurred on by the reemergence of a video clip of Cliff declaring on Loose Women: ‘I don’t mind talking about things but there are things that are mine, that will go with me to my grave…I don’t talk about my family, I certainly don’t talk about my sexuality.’ This interview, from 2016, rattled Tatchell’s cage. As ever he can’t keep his nose out of anybody else’s business. ‘Sure, it is up to him,' said Tatchell, 'But –’. (As usual, everything after the 'but' is nonsense.) ‘Hiding his sexuality colludes with the idea that it is shameful. It's not! It plays into homophobia & a lack of candour sets a bad example to young people’.

Why is Michael Gove gaslighting himself about the Tories’ achievements?

From our UK edition

Michael Gove has written a staunch defence of the government’s 14 years of ‘achievements’ for Conservative Home. ‘Do we really want to go back to square one?’ the Tory MP and 'levelling-up secretary' asks, reminding us of the dim, dark and distant days of the country after 13 years under Labour. If that was genuinely on offer, I’d snap Gove’s hand off. It may seem hard to remember but in 2009 it was still generally understood that jokes are jokes and not statements of genocidal intent, that there are two sexes, that economic growth is a pretty spiffing idea and that the police are there to enforce civic order. Yes, there were many problems and incipient disasters clearly looming, many of those the products of the Labour administration.

The best place to see art? Twitter of course

From our UK edition

We hear a lot these days about how social media causes many of our ills. You may have heard some of that from me. And I was right. But I’ve recently realised that there’s one thing where the socials – in particular, Facebook and X (formerly Twitter) – score a positive triumph. They are the best medium for the appreciation of paintings. Like most of us, I was corralled around museums and galleries as a child I know, I know, that sounds loopy. I can hardly believe I’m saying it myself. But hear me out. The purely visual arts have always been a bit of a problem area for me. Until my revelation, I’d never been quite sure how to react to paintings. I thought that my own lack of artistic skill meant that I just couldn’t, at a very deep level, get a handle on art.

The age of outrage has arrived

From our UK edition

It’s an outrage! The dictionary definition of 'outrage' in this sense is ‘something that is grossly offensive to decency, morality or good taste', or resentful anger caused by this. The frequency of outrages these days seems to have gone up by multiples. But is that really the case? It often feels these days that there is simply too much mad stuff going on, day in day out. Let’s have a look at the last few weeks. As usual, something crazy happened every couple of hours. Jews were assaulted by a racist mob in Leicester Square, and the police took half an hour to show up, after ten 999 calls. This is in central London, where you’d think a conspicuous police presence would be handy. What else?

Nadia Whittome is deluded about drill music

From our UK edition

Nadia Whittome, no longer Britain’s youngest MP but still quite possibly its daftest, has a new bee in her bonnet. Writing on Nottingham’s funkiest website LeftLion, she reveals that she has teamed up with campaign group Art Not Evidence and plans to bring a bill before parliament about rap lyrics (particularly the bleak subgenres of trap and drill) being used as evidence in court. Her bill will aim to raise ‘the threshold of admissibility to ensure that it’s only considered when it’s relevant and justified, and not indiscriminately.’  Nadia is upset about ‘negative stereotypes’. ‘[Rap] can still be viewed with suspicion, and associated with gangs, drugs and violence,’ she tells us. Heavens to Betsy, I wonder why that could possibly be?

TV trigger warnings are out of control

From our UK edition

The warnings on what we now call ‘content’ (i.e. what we used to know as films and TV shows) are getting ever more ludicrous. Almost everything made before 2000 now carries a cigarette packet-style exhortation or exculpation about race, sex and offensive attitudes. But it’s getting even crazier. A friend of mine was channel hopping over the festive period and caught a stern banner, on nostalgia channel That’s TV, reading, all in capitals: CONTAINS ADULT HUMOUR AND REFLECTS THE STANDARDS, LANGUAGE AND ATTITUDES OF ITS TIME. SOME VIEWERS MAY FIND THIS CONTENT OFFENSIVE. What was this antediluvian horror? Birth of a Nation? Song of the South? No, it was an episode of Birds of a Feather ­– from 2015.

How progressive ideology hijacked the festive season

From our UK edition

Fireworks at New Year are the purest distillation of the spirit of frippery. All Sadiq Khan had to do was give ‘em the old razzle dazzle. There is no higher meaning to these colourful explosions, no significance to the spectacle beyond the fun of communal cries of ‘ooh!’ and ‘aah!’ Fireworks are quite enough – more than enough – in themselves. You can leave it to the bangers to do the job; adding anything else on top is not necessary. Appending a civic lecture to a firework display is like adding tripe to a trifle.  But Khan, like all the grim municipal fun sponges who run and ruin almost everything nowadays, can’t just sit back and let any harmless pleasure follow its well-established course.

The trouble with Boxing Day

From our UK edition

You are bloated and binged. Your bloodstream is 35 per cent blood, 60 per cent a mix of Nurofen Plus, Gaviscon and acetaldehyde and 5 per cent Quality Street. You will either be making more mess, or clearing up the mess that everybody else is making more of. There are tiny pieces of plastic everywhere, perhaps even in you. If you’re with your family, all of them, including you, will have reverted to their personality and status of 1993 at the latest. Television – merely horrible and chiding throughout the rest of the year – has suddenly dumped on you a ginormous dollop of sickening sugar and thick, choking starch.  The name Boxing Day comes from the lost Christian tradition of distributing presents in boxes to the poor of one’s parish.

Bring back schmaltzy songs

From our UK edition

Christmas pop song lyrics play by different rules. Children, food and family togetherness are never mentioned in pop songs from January through November. It would be unthinkable for a non-Christmas pop song released in the last 50 years to mention ‘Children playing having fun’ or God forbid, anything religious. But this was not always the case. The pop music of the pre-rock and roll era is, to our ears, often indigestibly schmaltzy and even holy. Let’s have a quick look at some big hits of the 50s. Eddie Calvert sings of his father: No one could be, so gentle and so lovableOh, my papa, he always understood. Frankie Laine tells us: Every time I hear a newborn baby cry or touch a leaf, or see the skyThen I know why I believe.

Why Nigel Farage failed on ‘I’m a Celebrity…’

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The coronation of Sam Thompson, Scrappy Doo in human form, as King of the Jungle in this year’s I’m A Celebrity... was an inevitability. It was unthinkable that Tony Bellew – his still, stoic Scouse sparring partner – would not come second. And that Nigel Farage wouldn't trail in third. When Farage made it through the public votes, all the way up to the final, there was much amused speculation about him coming out on top. The ‘banter’ outcome would’ve seen Farage take the crown, just for the sheer devilment of it. Yes, that would’ve been delicious, the ultimate wind-up of Farage's many detractors.

Make drag innocent again!

From our UK edition

One of the most regrettable things about the last decade of general cultural awfulness has been the politicisation and sexualisation of drag. The crude and frequently obvious art of blokes dolled up in women’s clobber has been a golden thread running through British comedy for centuries, from Falstaff in The Merry Wives of Windsor to Jack Duckworth as Ida Fagg in Coronation Street. Now, like everything else we used to enjoy, it’s wrapped up in the suffocating shroud of American identity politics. Astonishingly, drag is regularly referred to as a way for a man to find his ‘authentic self’. This surely is the opposite of its primal function – to dress up as something you are evidently not, for a giggle.

Why Nella Rose was booted from I’m a Celeb

From our UK edition

Farewell Nella Rose, second to be voted out of the jungle on the 2023 series of I’m A Celebrity…  As always, it’s hard (at least for a soft-hearted chump like me) not to melt and mellow when an evicted campmate returns to the real world via the recivilising medium of an Ant and Dec exit interview. And, though I can hardly believe it, Nella was my favourite campmate on day one.   Her decision to stir the pot by moving Sireix from chef duty to washing-up – out of pure spite for his criticism of her – was astonishingly selfish At the start the YouTuber seemed lively, funny, and refreshingly unconcerned with how she came across. And she is all of these things. But she has other characteristics that swiftly undermined the positives.

Nella Rose