How Meghan Markle wins the White House
Welcome to Meghan’s world, where artifice, pop culture and politics march in lockstep
Alexander Larman is an author and the US books editor of The Spectator.
Welcome to Meghan’s world, where artifice, pop culture and politics march in lockstep
A new book attempts the impossible but offers little beyond platitudes
The (initially glorious) franchise plods on and on and…
Will the next season suggest what many already believe about Princess Diana’s death?
The formula has run out of gas — and audiences seem to have had enough
Prince Andrew has never looked more desperate and vindictive
Something might well be wrong
The bête noire for liberals in Hollywood is back yet again
James Bond was first a literary hero
No more joyless Michael Myers slogs!
The narcissism of the self-absorbed rich is always fun to watch
Netflix’s biggest hit ever startles us with our own powerlessness
From our UK edition
Selling books through Amazon is now part and parcel of a working author’s life. It would be a brave writer who decided to refuse to allow their work to be sold through earth’s biggest retailer. But that is exactly what Dave Eggers has done with his new book, The Every, which he has decreed can
From our UK edition
As Harvey Weinstein was to film, so Robert ‘R.’ Kelly has been to the music industry. An energetic and profligate figure who enjoyed enormous commercial and artistic success in his heyday, Kelly’s downfall, with his convictions on nine charges of sex trafficking and racketeering, is now total. It looks likely he will be given a
There’s money to be made in spite of his anti-Semitism and contempt for big business
The show is a comforting reminder of when the British royal family was unassailable
Shakespeare, after decades of being found to be Problematic, is now being reclaimed as the wokemeister-in-chief
The powerful hypocritically signal their virtue while everyone else laughs
From our UK edition
For those disappointed by the humorless and deeply earnest treatment of the contemporary campus experience in the 2020 TV adaptation of Sally Rooney’s Normal People, the new Netflix series The Chair will be a welcome tonic. Over its punchy six half-hour episodes, the show, co-created by the actress Amanda Peet and produced by her husband
Not a godlike millennial sage, but a talented author at the start of a promising career