Alexander Larman

Alexander Larman is an author and the US books editor of The Spectator.

Monday

Alexander Larman

Meghan, Harry and the fresh row over Lilibet’s name

From our UK edition

Amidst the endless controversy that surrounds Harry and Meghan, there was at least one topic that seemed to be innocuous enough: the Christian name that they chose to give their now 2-year old daughter. She was named Lilibet, a reference to the childhood nickname Elizabeth II was given by her father George VI. The choice of name was widely seen as a rather self-conscious form of homage by the Duke and Duchess of Sussex to the one member of the Royal Family that both claimed to venerate. It was disliked by some courtiers who regarded its use as ‘bewildering’ and ‘rather presumptuous’.

Wednesday

Alexander Larman

It’s time the King distanced himself from Prince Andrew

From our UK edition

During the eighteen months or so that Charles has reigned, there is a great deal to commend him for. Two confidently delivered King’s speeches at Christmas; a genuine interest at dealing with his subjects that far exceeds the often rote 'Have you come far?' formalism of his mother. There has even been a compassionate hand extended to his troublesome younger son – although this seems an uncertain and unhappy state of affairs, given Prince Harry’s volatility and near-obsession with court cases. Yet there is one area in which King Charles might be commended on a personal level but deserves criticism in his role as monarch: his continued loyalty to his disgraced younger brother Prince Andrew.

Monday

Alexander Larman

An intelligent, finely judged Golden Globes

The Golden Globes have historically been the strangest of all the major film awards ceremonies. Previously handed out by a mysterious body known as the HFPA (Hollywood Foreign Press Association), the ceremony has all the glamor and glitz of the Oscars, but with one big difference: there is free-flowing alcohol on all the tables, meaning that, more often than not, audiences can enjoy the spectacle of at least one A-list star collecting their award blind drunk, which leads to some of the more unorthodox and entertaining speeches in recent memory. And this unrestrained ethos extends itself to the hosts, too.

Thursday

Alexander Larman

The Epstein files heap fresh embarrassment on Prince Andrew

From our UK edition

Four days in, and 2024 shows every sign of being yet another annus horribilis for Prince Andrew. After – by his, admittedly reduced, standards – a triumphant Christmas, in which he processed to church at Sandringham with the rest of the Royal Family and, bizarrely, an apparently rehabilitated Fergie, the cold clear light of reality has intruded once again. To kick things off, Andrew is facing the prospect of not one, but two docudramas raking over the humiliation of his Newsnight interview. (The potentially consolatory fact that he is to be played in them by Rufus Sewell and Michael Sheen respectively has been dampened by the fact the famously handsome Sewell is having to wear prosthetics to play the not-so-grand Duke of York).

Wednesday

Alexander Larman

Books to look forward to in 2024

Ah, welcome back. In our previous look at some of the major books of the year, I highlighted titles that went on to be acclaimed bestsellers and the most talked-about volumes of the past twelve months, as well — inevitably — as a few that failed to live up to the high expectations that we’d placed upon them. It is interesting that, just as Prince Harry’s Spare was indeed the most discussed book of last year, another hotly tipped memoir is undoubtedly the major release of 2024.

Saturday

Alexander Larman

Was 2023 Meghan and Harry’s annus horribilis?

From our UK edition

If ever Prince Harry writes another volume of memoir, he may choose to look back on 2023 as his annus horribilis. The year began in high-profile fashion, with the publication of his autobiography Spare. This book swiftly became the fastest-selling non-fiction work of all time; he marked its appearance with promotional interviews that alternated between defensive, irritable and unduly arrogant. Yet Harry's year is ending with myriad humiliations. These include losing one of his apparently innumerable court cases, he and his wife, Meghan Markle, being described as the ‘biggest Hollywood losers’ and a much-ridiculed video clip of the various endeavours of their charitable foundation Archewell over the past twelve months.

Monday

Alexander Larman

The King’s speech was more Christian than his mother had dared

From our UK edition

King Charles has been a victim of his own success. His first Christmas broadcast last year, which was both affecting and socially conscious, attracted 10.6 million viewers, making it not only the most-watched monarch’s seasonal address since viewing records began, but also the most popular single programme to air over the festive period last year. The cynical might argue that its success was partly down to rubber-necking curiosity – would Charles mention his family’s rift with Prince Harry? – and partly because of the relative paucity of must-watch television in our increasingly bifurcated age.

Friday

Alexander Larman

Hogmanay in Edinburgh is a marvelous experience

The city of Edinburgh, Scotland’s capital, really comes into its own twice a year. Firstly is August, when its streets are thronged with revelers and amateur PR types (“four stars in the Scotsman!”) promoting their wares at the world-famous performing arts festival. And then the second comes at the end of the year, during the New Year’s Eve period of Hogmanay, which sees anyone claiming long-distant Scots ancestry taking part in the revels for a day or two, just as it seems anyone in Boston on St. Patrick’s Day suddenly remembers their long-lost Uncle Padraig or Great-Aunt Shelagh. In any case, Hogmanay in Edinburgh is a marvelous experience, freezing cold aside, and best experienced from the surroundings of somewhere comfortable.

hogmanay edinburgh

Wednesday

Alexander Larman

The bold new vision for Edinburgh’s National Galleries of Scotland

What do you generally think of when you hear the words “Scottish art”? There are the usual clichés of course, of large-scale landscape paintings depicting gorse and heather and startled-looking wildlife, or alternatively there are the portraits of various noblemen and worthies, many of whom have the well-fed hue that living high on the hog imbues. If you head to Edinburgh’s National Galleries of Scotland — often simply known as “the National” — and visit the traditional collection in the neoclassical building right in the center of the city, near the castle and major shopping streets, you won’t be disappointed by the eclectic selection of Old Masters and Scottish masterpieces alike.

national

Monday

Alexander Larman

In praise of Wonka

Film bros have long had their list of sacred-cow directors who can apparently do no wrong: Scorsese and Fincher and Nolan, of course, but also the likes of Denis Villeneuve, Paul Thomas Anderson and — as of this year — Greta Gerwig. To their number should now be added Paul King, a filmmaker whose name may be less familiar than some of his peers, but whose flair and ability to make apparently risky projects not only work but succeed admirably and hilariously was demonstrated by his two Paddington films. It is now confirmed by the critical and commercial success of his Charlie and the Chocolate Factory prequel, Wonka, which triumphantly overcame mediocre pre-release buzz by being a marvelously sweet confection.

wonka

Friday

Alexander Larman

Prince Harry claims another victory in his war on the tabloids

From our UK edition

Well, send him victorious-ish. In what amounts to an early Christmas present for Prince Harry, Mr Justice Fancourt has ruled today at the High Court that there was, in his stern description, ‘extensive’ phone hacking that took place at the Mirror Group Newspapers (MGN) between 2006 to 2011, and even, hilariously, that this continued to occur ‘to some extent’ during the Leveson enquiry into media standards, suggesting the company was so entirely unabashed by the idea that they would be held up to scrutiny by the forces of the law that their murky little business continued. Still, it was not a total victory for Prince Harry, much as he might have liked it to be. His case was said to be ‘proved in part’, rather than wholly.

Thursday

Alexander Larman

The Crown is going out in a blaze of camp glory

From our UK edition

Say what you like about Netflix and Peter Morgan, the producers and creator of The Crown respectively, but they’ve certainly gone out in a blaze of either glory or outrage. The final six episodes of the sixth season were released separately to the first four, and it isn’t hard to see why. Taken cumulatively, their daring blend of fantasy, heavily fictionalised historical events and mischievous provocation amount to nothing less than the send-off that this always divisive and perennially popular show has merited since it began in 2016. It would take too long to detail all the divergences from the truth that the final episodes offer.

Tuesday

Alexander Larman

The convenient timing of Meghan and Harry’s Christmas video

From our UK edition

There’s that well-known saying of 'anything you can do, I can do better'. In what can only be an attempt to upstage the official Royal Family’s latest offering, this seems to be the credo of Harry and Meghan as they release a new, wholly vainglorious video showing the ‘impact’ of the Archewell foundation in 2023. If you’ve ever seen a teenager create a flashy 'what I did on my holidays' clip that is clearly designed to go viral on social media, you’ll have a good idea of what to expect from this entirely immodest offering. Over a tinkly would-be power anthem that begins with the lyrics 'Over the hills and far away/Looking out for a better day' – remind you of anyone else living in a land far, far away?

Monday

Alexander Larman

The Golden Globe nominations are serious-minded and impressive

After a year in entertainment dominated by the Barbenheimer phenomenon, it wasn’t hugely surprising to find that Barbie and Oppenheimer were similarly garlanded when it came to today’s Golden Globe nominations. The adventures of Mattel’s finest and most lucrative product-turned-icon are up for nine awards — in large part because it has no fewer than three nominations for Best Song, including my own favorite “I’m Just Ken” — whereas Christopher Nolan’s atomic bomb epic is just trailing behind slightly with eight, including recognition for Best Picture, Best Director and, as expected, actors Cillian Murphy, Robert Downey Jr. and Emily Blunt.

barbie golden globes

Wednesday

Alexander Larman

Of course Taylor Swift deserves to be TIME’s Person of the Year

Well, it had to happen. Taylor Swift has been the most talked-about person in the world for some time now. After 2023 saw her conquer both stadiums and the world’s cinemas with her Eras Tour film — which, with a current gross of $249 million, is now the highest-earning concert movie ever made — her remarkable year has been capped off both with the enormous success of her re-recorded album 1989 (Taylor’s Version) and now, the news that TIME magazine has awarded the thirty-three-year-old musician the accolade of Person of the Year. She follows in the footsteps of everyone from Josef Stalin and Adolf Hitler to Mark Zuckerberg and Elon Musk. There are several noteworthy features of the accolade.

taylor swift
Alexander Larman

Sex and the Famous Five

From our UK edition

Generations of readers of Enid Blyton’s Famous Five series have enjoyed the books without having to contemplate the erotic properties of the canine member of the quintet. After reading Nicholas Royle’s one-of-a-kind fantasia on Blyton and David Bowie, they may never be able to do so again. Royle writes confidently that ‘the most obvious route to thinking about sex in the Famous Five books is Timmy the dog’. Once this bombshell has been absorbed, he knocks the reader down again by writing: ‘Timmy is a big dog. He is a big-tongued dog. He must have had a huge donger too.’ The idea behind David Bowie, Enid Blyton and the Sun Machine first occurred to its author during the first 2020 lockdown.

Monday

Alexander Larman

Can The Crown redeem itself in its final hours?

Netflix’s royal saga The Crown has been one of its biggest hits of the past few years. Sacrificing subtlety for big, dramatic arcs, with award-winning performances by a cast that has, in a stroke of genius on the part of its creator Peter Morgan, changed every two seasons, it’s been the most gripping and rich account of the post-war British royal family ever put on screen. It has been helped both by an enormous budget and the useful way in which the present-day battles between Prince Harry and Meghan Markle and the rest of the Firm have come to mirror The Crown’s increasingly eventful power struggles among the various branches of the family.

the crown

Wednesday

Alexander Larman

Harry, Meghan and the mystery of the ‘royal racist’

From our UK edition

Ever since 2021’s absurd Oprah Winfrey interview, in which the Duchess of Sussex coyly suggested that a member of the Royal Family had speculated about what colour her then-unborn first child’s skin would be, there has been an egregious fascination with the identity of the notorious figure known only as ‘the royal racist’. Speculation has swirled around virtually every member of the Firm – if you want to edify yourself further, the words ‘royal family’ and ‘racist’ entered into the right search engine will eventually lead you to the probable culprit. But although their identity has been hiding in plain sight for a considerable period of time, there has been a refusal to name this man or woman.

Tuesday

Alexander Larman

When you Wish upon a star: is the Disney shine fading?

Did you see Wish last weekend? Chances are, according to the box office receipts, you didn’t. The latest big-budget Disney extravaganza, with the voices of Ariana DeBose and Chris Pine, was expected to be a hit, grossing a decent $50 million on its opening weekend. Instead, to the studio’s chagrin, it came in third with a comparatively measly gross of $31.7 million, bested not only by the second weekend of the Hunger Games prequel, The Ballad of Songbirds and Snakes, but, considerably more surprisingly, Ridley Scott’s Napoleon, which soared past early estimates to come in with an impressive $32.5 million. Not bad for a film without any bankable movie stars (sorry, Joaquin), mixed reviews, a B- CinemaScore rating and a subject with which American audiences are not intimately familiar.

wish
Alexander Larman

The knives are out for Prince William and Kate

From our UK edition

Omid Scobie’s Endgame is now available from a bookshop near you, and no doubt republicans and admirers of Harry and Meghan alike will be flocking to buy it on the day of release, gleeful to soak up the revelations about the Royal Family. For the rest of us, the appeal is less clear. The book’s tawdry and scandalous provocations have been extensively trailed in the press over the past few days and, as I wrote yesterday, its most attention-grabbing suggestions are hardly newsworthy or particularly surprising, which means that, like Spare, this book is likely to meet with vast initial sales and will then dwindle into obscurity before very long.