Alexander Larman is an author and the US books editor of The Spectator.
The results of this year’s Oscars were so predictable as to be entirely unexciting. Months ago, the pundits had called the major results: Paul Thomas Anderson’s Pynchon adaptation One Battle After Another to win Best Film and Best Director, Jessie Buckley to win Best Actress for Hamnet, Sinners to win Best Original Screenplay. It wasn’t
In April, King Charles is scheduled to visit the United States to mark 250 years since America achieved its independence. Given that Britain has hosted President Trump twice – once in each term – it seemed a relatively easy piece of reciprocity. Pageantry, pomp, the King and Queen smiling and waving a lot, photo opportunities
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Last week, I had the pleasure of heading to the Freud Museum in Hampstead for the launch of Zoe Strimpel’s much-discussed new book Good Slut. Not only was the venue one of the most splendid I’ve been to for a party of this kind, but the guest list – which included The Spectator’s esteemed editor
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Under normal circumstances, King Charles’s message to the Commonwealth would be a carefully crafted and anodyne series of platitudes, designed for little more than to fulfil its brief and to keep the other Commonwealth leaders happy. However, this year, the King is faced with two pressing issues. The first is international, in the shape of
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Yesterday marked the 35th anniversary of the death of Serge Gainsbourg at 62 from a heart attack. The only real surprise is that he ever made it to such an age. Gainsbourg, whose unlovely but strangely beguiling countenance can best be likened to a garden gnome left outside in the rain for too long, was
It has been a very long time since Saturday Night Live was in the headlines for a good reason (probably Nate Bargatze’s first hosting stint in October 2023), and those who have been wishing that the increasingly beleaguered show would be put out of its misery now finally have their opportunity to say so. In
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I have recently returned from a fleeting visit to the City of Light. As usual, Paris itself was a delight. It is an architectural and historic marvel that nevertheless manages to offer the best food and wine in the world at all kinds of prices, and somehow also has a respectable number of quirky and interesting independent
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For future royal historians, the date 19 February may take on the same totemic significance as the abdication of Edward VIII on 10 December. It was the date that Andrew Mountbatten-Windsor, eighth in line to the throne, was arrested on the day of his 66th birthday – it is fair to surmise this wasn’t a
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The news that Oxford’s main Oxfam bookshop on St Giles in the city has been threatened with closure is one of the most depressing things I have heard this year. The building’s landlord, Regent’s Park College, has declared that it needs more space for its graduate students. This sums up everything that is wrong both
Ever since the Restoration of Charles II in 1660, no member of the royal family has been arrested, which makes this morning’s news that Andrew Mountbatten-Windsor has been taken into police custody under suspicion of misconduct in public office all the more seismic. And with a certain grim irony, his arrest comes on his 66th
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The news that the Scottish beer company BrewDog has put itself up for sale has been greeted with a mixture of sorrow and shrugs by drinks commentators and enthusiasts. Those who have been stalwart fans of BrewDog – an organisation that always valued PR stunts as much as it did brewing –will mourn its diminished presence
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The death of the actor Robert Duvall at the age of 95 – almost exactly a year after that of his friend Gene Hackman – brings to the end another chapter of Old Hollywood. But unlike Hackman, who combined on-screen brilliance with a combustible, confrontational personality, Duvall was a thoroughly professional and popular figure who
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There are relatively few restaurants in London – or anywhere else, for that matter – that have made it to their centenary. There are even fewer that have been threatened with the closure of their premises in the precise year they are going to turn 100. And there are practically none so popular that news
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The sheer weight of allegations against Andrew Mountbatten-Windsor – all tawdry, all sordid – runs the risk of creating not so much outrage as weariness. It was clear months ago that the former Duke of York appeared to have been behaving in a way that brought shame not just on his family but on his country. Yet as the
Nothing has been as damaging for the British royal family as the unfortunate meeting of Andrew Mountbatten-Windsor and Jeffrey Epstein. Republican Thomas Massie and the Democrat Ro Khanna know this. In a press conference yesterday, they said they had been shown documents that have been otherwise redacted and withheld from the Epstein files. These documents
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The statement issued by Buckingham Palace last night, addressing the ongoing fallout from the latest release of Epstein files, was undeniably terse: The King has made clear, in words and through unprecedented actions, his profound concern at allegations which continue to come to light in respect of Mr. Mountbatten-Windsor’s conduct. While the specific claims in
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There has been much hand-wringing and drama about what the royal family should be doing – and criticism of what they are doing – about the former Duke and Duchess of York and their respective relationships with Jeffrey Epstein. But amidst all this, two of the most significant voices in the Firm have been conspicuously
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At first glance, there are few similarities between Brideshead Revisited, Evelyn Waugh’s classic 1945 novel – later adapted into an equally classic ITV series – of prelapsarian bliss in Oxford and Industry, the BBC’s adrenaline-fuelled show that exposes the dark iniquity at the heart of the financial industry. The one is a languid examination of (discreetly portrayed) same-sex love and Catholic
For any serious lover of cinema, the 1970s were both a golden decade and the beginning of the end of film as an art form. After the permissiveness and countercultural impact of the 1960s, a whole generation of new filmmakers emerged, many of whom remain household names. These men – and they were almost exclusively
This year marks the anniversaries of two of David Bowie’s most compelling and powerful albums: 1976’s Station to Station and 2016’s Blackstar. Given that they are often – rightly – described as Bowie’s crowning artistic achievements, amid severe competition from his other releases, they also have the intriguing fillip that both were originally released in
