Why didn’t William Friedkin get much credit when he was alive?
There’s more to the late director than The Exorcist and The French Connection
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
There’s more to the late director than The Exorcist and The French Connection
Reality TV stars have been Hollywood’s fallback option of late. During these writers’ and actors’ strikes, that could change
His strange talent was one that Hollywood could never quite handle
Throw something at the rapper and she will retaliate…
The future of cinema is up for grabs
Its conflation of small-‘c’ conservatism and fascism is not only morally dubious but historically dishonest
The eBay value of Ken’s friend is skyrocketing
Aren’t the joyless dullards meant to be on the left these days?
Why streaming viewership figures are crucial to the residuals debate
The director has made a lot of people a lot of money, so he is allowed to do what he likes
No other major rock star is as obviously a product of his time and place as the Stones frontman
The country as a whole is far less bitter about World War Two than many Americans think it is
Christopher Nolan and Cormac McCarthy’s fissile Westerns
A vampire sitcom that doesn’t suck
With a new Netflix documentary and series, the actor is ubiquitous once again
The play is, alas, unlikely to attract a large following in the theater
Despite her institutional recognition in France, Richier is not as well-known outside her native country as she deserves to be
The cultural hegemony of contemporary abstract art is slowly beginning to crack
He runs because that is what he is there for, because it is who he is, because he is a creation meant always to be in motion
We may be seeing the death throes of cinema as we know it
More people know Rina Sawayama for her rants about microaggressions than her (actually pretty good) music
The recreations of the battles of Austerlitz and Waterloo, among others, look peerless
Time for Disney to give her a gold dial of destiny
Workaholics star Adam Devine says that studios regularly ask ‘Yeah but why should we make this movie now?’
Rock Hudson: All That Heaven Allowed also presents a beautiful portrait of the gay man behind his straight character
It shares with Taken a belief that vulnerable, impressionable children should not be allowed out of their parents’ sight, for fear of the worst happening
David Corenswet has been cast as the iconic DC Comics hero, with Rachel Brosnahan as Lois Lane
Remember when Big Business was the bad guy?
While And Just Like That… is heavy-handed, a rival show teaches, but never preaches