Vincent van gogh

The selfie from Akhenaten to Tracey Emin

From our UK edition

If ever there was a time to write a book about self-portraits, this must be it.  ‘Past interest in the genre,’ James Hall tells us in his introduction to this cultural history, ‘is overshadowed by the obsession with self-portraiture during the last 40 years.’ What he could not have foreseen was that self-portraiture would feature in the mainstream news as never before over the last six months or so. Firstly, the Oxford English Dictionary announced that ‘selfie’ was their word of the year for 2013, spawning a noisy debate about photographic self-portraiture. Next, David Cameron, Barack Obama and Helle Thorning-Schmidt were spotted taking a selfie at Nelson Mandela’s memorial service — an act that merited global news coverage.

The Sunflowers Are Mine, by Martin Bailey – review

From our UK edition

‘How could a man who has loved light and flowers so much and has rendered them so well, how could he have managed to be so unhappy?’ This was Claude Monet’s comment on seeing Van Gogh’s ‘Three Sunflowers’ (1888). There he put his finger on one of the enigmas of the Dutch painter’s tragic life. The journalist and scholar Martin Bailey has written an admirable new book which tells the story of Van Gogh’s life and posthumous rise to fame through the pictures of sunflowers, Helianthus annuus, which the painter produced at intervals through his brief career.