Vegetables

There’s a famously untranslatable expression in Virgil’s Aeneid: lacrimae rerum. Latin scholars, always fond of threshing things out, have devoted reams of analysis to proving just how untranslatable it is. As is typical of academics, however, they go to lots of trouble to establish its utter untranslatability – and then turn around and translate it anyway. When pumpkins aren’t being cozy, they generally denote a sense of emptiness or artifice Word for word, lacrimae rerum means “The tears of things” (or, depending on your school of thought, “The tears for things.”) But each scholar has his slant on the sadness.

I adore broccoli, but I despise seeing it shrink-wrapped and kidnapped in the grocery store. The sight of those slightly compressed, yellowing florets sweating under fluorescent morgue lighting is a rude tap on the shoulder from dystopia. That’s why I was in my basement in late August, cleaning out the propagation tent while everyone else was still at the beach. My goal each year is to enjoy homegrown broccoli with Christmas dinner. In this corner of the Mediterranean, that’s about as likely as a French civil servant answering the phone after lunch. But with precision timing and bloody-mindedness you can pull it off. And after years of suffering those supermarket specimens, I’m determined to.

Asparagus inspires gentle thoughts, or so said Charles Lamb in an essay about grace before meals. Other vegetables had come to pall on him, but a noble affection for asparagus still lingered in his heart, a reminder of simpler and more innocent times. One can only surmise that he didn’t much care for the vegetable. Who feels melancholically virtuous when eating greens? People who don’t really like them, that’s who.

They were neighbors and friends. Harold Loeb, an economist, writer and heir to the Guggenheim and Loeb fortunes, and his wife Vera lived down the Saugatuck River from us on Snake Drive, at the end of Buttonball Lane. Harold was better known as having been betrayed by Ernest Hemingway in Paris in the 1930s — Robert Cohn in The Sun Also Rises was modeled after him. Harold got even in The Way It Was, published in 1959. He asked my father to sketch him for the book’s back cover. Among other things they had in common a gift for gardening. My father, known for his charcoal sketches of celebrated locals of Weston, Connecticut, planted a large, Walden-inspired plot surrounded by a white picket fence, where weeds were allowed as long as they didn’t interfere with the crops.