Vampires

For those of a nervous disposition, is Sinners worth it?

From our UK edition

Ryan Coogler’s Sinners won four Oscars and was nominated for 16 and I’d yet to see it. Sometimes the labels associated with a film can be off-putting and, for me, ‘horror’ and ‘vampires’ have the same effect as, say, ‘experimental’ or ‘like a poem’ or ‘directed by Michael Bay’. It’s now landed on the streamers and it seemed like an omission that needed correcting, so I spent around ten hours with it. It’s only 135 minutes but should you hit pause every time it gets scary that’s how it might roll. Please don’t sell me a vampire film when it’s a zombie one, even if I don’t like either The film is a genre-mashing beast, told with gusto from the off – and you get nearly an hour of pause-free time, even if you know what’s coming down the track.

Completely batty: Vampire Therapist reviewed

From our UK edition

Grade: B+ Looter-shooters, match-three games, dragons and spaceships... Sometimes you despair of video games doing the same thing again and again – and then a lone developer gets a severe bump on the head and produces something completely batty.  Vampire Therapist is a comedic adventure-story therapy-simulation starring a vampire, except he’s also a cowboy, and he’s training to be a cognitive behavioural therapist in the backroom of a German nightclub under the tutelage of a 3,000-year-old bisexual vampire who was romantic with Marcus Aurelius back in the day.  Our hero was a bad vamp in the Wild West for many years, you see, but he fell in with the Transcendentalists and learned to ‘walk a better path’. Now he hopes to persuade others to do the same.

Why What We Do in the Shadows works

Before Taika Waititi achieved his current state of half-ironic, half-irritating ubiquity, he made small, often brilliant films. One of the most notable ones was the 2014 New Zealand comedy horror picture What We Do in the Shadows, which he co-created and co-directed with Flight of the Conchords star Jemaine Clement. Horror comedies are notoriously tricky to get right tonally, but the film — which admittedly leant far more heavily on the comedic aspects — was a modest box-office hit and became yet another step on Waititi’s stroll to Hollywood dominance.

what we do in the shadows

A Danubian Narnia: Nostalgia, by Mircea Cartarescu, reviewed

From our UK edition

Mircea Cartarescu likens his native Romania to a Latin American country stranded in eastern Europe. Certainly, his writing delivers not the pared-down parables and ironies of his self-exiled compatriot (and Nobel laureate) Herta Müller, but a rainbow-hued riot of fantasy, imagination and invention. The gender-switching narrator of ‘The Twins’ — one of five linked tales that make up Nostalgia — urges his lover to remember that ‘under the obscene rococo of our world and flesh, our bones are gothic and our spirit is gothic’. That feels about right, although Cartarescu fills his grotesque and hallucinatory scenes with tropical warmth, colour and light on top of the sepulchral chills of old Europe.